STOMACH ACHE | |
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STRÖMKARLEN | |
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CLASSIC STYLE NO NONSENSE HARSH NOISE... Starting w/ a slow and light rip into your speakers it builds into a whirling ball of thick harsh white noise. Recommended! |
SUBTERRANEAN | |
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Original sealed CASSETTE copies of this killer collection of early C.B. material.. Includes the harsh noise classic 'SWALLOWING SCRAP METAL'! Recordings from 1983 - 1988. Includes 3 tracks NOT on the LP version! CLASSIC NOISE! |
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Original orange colored vinyl copies of this 1983 scum rock ripper. Stooges-esqe hard rock from Sweden...this is where the BRAINBOMBS learned their moves..B-side with filthy lyrics from Industrial icon Monte Cazazza. w/ fold out poster. |
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Original sealed copies from 1989 of the 4th volume of this excellent industrial noise compilation series. Compiled 1987-1988 by Paul Lemos. Tracks from: CONTROLLED BLEEDING, DISSECTING TABLE, MINUS DELTAT, HELENE SAGE AND FRANCIS GEORGE, UN DRAME MUSICAL INSTANTANE, THE GEROGERIGEGEGE, HEINRICH MUCKEN, PRINTED AT BISMARCK'S DEATH, ROBERT RICH, JAMES LEVINE AND PAUL LEMOS. |
SUITCASE | |
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AMAZING double CD originally slated for release back sometime in the 90's I believe... INSANE and I mean IN-SANE packaging by ABO of YEAST CULTURE...tracks from DAS SYNTHETISCHE MISCHGEWEBE, YEAST CULTURE, z.B.u.a., ACHIM WOLLSCHEID, SMALL CRUEL PARTY, IOS SMOLDERS, AGOG, CHOP SHOP, RUNZELSTIRN & GURGELSTOCK, WASH YOUR BRAINS, APPI, KAPOTTE MUZIEK, EMIL BEAULIEAU, INZEKT, NATIVE X, tac, SUDDEN INFANT, MERZBOW, and A4... ALL the 90's NOISE RULERS featured! So good.... Paper & Plastic is a two disc audio project by suitcase that began in 1991 featuring rare and unreleased material by some of the most prolific and innovative sound/visual artists from the international experimental tape culture era of the eighties and nineties. A4 selected of all the audio and visual material and created the packaging design in collaboration with Incubator and Petri Supply. Abo of Yeast Culture silkscreened each individual copy available now in an edition of 600 copies only. The original art includes 2 CDs inside a clear silkscreened dvd case, handmade inserts, a folio of original color silkscreened postcards, 16 page booklet, sealed with an Obi strip and barcode. Each copy is a unique and the entire package is much heavier than a standard two disc set due to the original artwork included'---LABEL DESCRIPTION. HIGHEST RECOMMENDATION! |
SUSAN LAWLY | |
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'explosive fourth compilation in the Extreme Music series, includes 20pp booklet with photos and extensive notes - do not miss out on this!'---LABEL DESCRIPTION Tracks from: i5067,70, AMBASSADOR 21, COMFORTER, THE PODRYVANIEM BOYS, VOLGA, ED.S, PICHISMO, ERROR, KRYPTOGEN RUNDFUNK, GINTAS K, TEA MAN WITH TEA GUM, NEIZVESTNOST, VETROPHONIA, SAMKA |
SUSAN LAWLY - VERY FRIENDLY | |
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Vinyl reissue of one the most CLASSIC Whitehouse LPs. A perfectly composed piece of offensive electronic sound. Featuring classic tracks YOU DONT HAVE TO SAY PLEASE and IM COMING UP YOUR ASS. Highly Recommended. If you are new to WHITEHOUSE... this is the place to start!!! |
SWEZLEX | |
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Compilation in honor of now defunct SF underground club THE CLIT STOP. All tracks recorded at THE CLIT STOP. Tracks from 3 DAY STUBBLE, CHRIS BROWN, COMMODE MINSTRALS, DEERHOOF, NAUTICAL ALMANAC, NO NECK BLUES BAND, RUBBER O CEMENT w/ KARLA LAVEY, SLUSSER, BRAN(POS), ZEEK SHECK, and MORE!! |
SWILL RADIO | |
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'I’ve been a fan of Asmus Tietchens’ music since Formen Letzter Hausmusik came out in 1984. That LP fascinated me and I soon began acquiring anything I could by this strange musical force. I’ve learned a lot from his music over the years and we became acquainted via the post in the late 90s. As it turns out, we both have an extreme fondness for cigarette smoking and an interest in Max Nordau’s Degeneration, so what better place for his first LP release in years than Swill Radio? The side-long Teilmenge 20 starts off the LP with an odd manic ticking that never lets up. Other sounds ebb and flow throughout and the whole piece has the rare quality of sounding totally artificial and yet organic at the same time. The second side slows things down with three tracks of dripping industrial ambience. The whole LP brings to my mind an atmosphere of waiting. To quote my good friend Matt Krefting, “No one’s music sounds both as cold and as emotional in quite the same way as the music of Asmus Tietchens.” I couldn’t agree more. Excellent stuff!'---LABEL DESCRIPTION |
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'FOUST! is my first ever solo project in all these long years. Through most of these years, since The XX Committee days, a constant supporter and champion of my work has been the journalist Oskar Spee. I think his email sums up Jungle Fever quite well. Dear Scott, I received Jungle Fever yesterday. Many thanks. I first played it while I was cooking dinner and found it very odd and perplexing. Later, I sat down in a more relaxed set and setting and gave the recording my full attention at good volume. Astounding! Simply one of the most hallucinogenic recordings I have ever heard. All three ‘acts’ have a monotony to them, but the shifting patterns under the surface are superb. I can certainly see this as a drama involving a late 19th century British explorer contracting a tropical disease. The drama is palpable. The three acts, if I may call them that, “Train Journey/ Restless Natives”, “Delirium”, and “Demise” are perfect. Really fine work. The strange and obsessive attention to detail of Jungle Fever really reminds me of your film. Another stone in your mighty edifice. My (our) mission continues. We should get together soon. We have much to discuss. Here’s To Love! Oskar Digipak. Edition of 300.'---LABEL DESCRIPTION |
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'I've been in touch with Ian Middleton for over 13 years now, lured into contact by a Remora lathe-cut LP, I believe, which sounded similar in intent to IFCO material that Karla and I were working on at the time. Ian was a somewhat prolific figure of the 90's UK underground scene, both with his music and his visual art. There was an LP for Swill Radio 'in the can', which ended up on Eclipse as there wasn't any money here to release it. Ian's music has always had both organic and artificial elements combined with the vague melancholy of distant beauty. With Aural Spaces, Ian has refined and distilled his processes into a gorgeous electronic diamond. To quote my good friend Oskar Spee, 'Aural Spaces is an exotic, scientific, and beautiful perfume that slows down time and allows one to live, however briefly, in a better possible world'. I couldn't agree more. There is not a wasted moment. Ian has kept a low profile the last few years, preferring to concentrate on his work and make it better, an approach of which I heartily approve. The sequencing of this LP is immaculate, a skill that is becoming a lost art in this shuffle-play world. Aural Spaces is totally removed from the confines of today's backwards looking fads and instead points its bow directly towards The Future. Fighting the good fight.---LABEL DESCRIPTION FANTASITC LP of mellow synth....you monkeys ordering all the EMERALDS stuff should TOTALLY check this fucking LP out... RECOMMENDED!!!-AD |
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'Since 2002, Idea Fire Company has performed and recorded as a quartet with core members Karla Borecky and Scott Foust (me!), joined by Meara O'Reilly and Jessi Swenson. (Meara and Jessi, along with Matt Krefting, start in my finally completed feature-length film Here's To Love!) I feel this LP is as strong as any I've been involved in, and I feel pretty strongly about my body of work. Stranded is the perfect companion to Anti-Natural. Excellent Karla Borecky cover. 180 gram luxury object.'---LABEL DESCRIPTION |
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'Idealized field recordings that capture the hallucinatory isolation of an abandoned arctic base. Anti-Natural combines organic mechanistic processes into an aesthetic whole. Both severe and opulent, naïve and self-confident, Anti-Natural offers an escape route from the false dichotomies of man/nature and man/machine and attempts the transcendence of the impossible. Electronic recreations of the world around us, both real and imagined, foment immutable revolutions in sound.'---LABEL DESCRIPTION |
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'IFCO follows up our conspicuously ignored Stranded LP with an equally, if not more so, strong statement. Core members Karla Borecky and Scott Foust are joined by an all star cast: Meara O’Reilly and Jessi Leigh Swenson from Stranded, as well as Frans de Waard, Graham Lambkin, and Dr. Timothy Shortell. The Island Of Taste depicts a manoeuvre in which the beauty becomes more beautiful as the desperation becomes more desperate. A stark and romantic mission to the rocks. Lavish package featuring an excellent Karla cover painting as well as a booklet presented as a set of 5 x 7 art cards with another Karla painting, band photos, and an essay of mine. Perhaps The Island Of Taste is the first LP to make explicit a certain nostalgia for itself. Along with The Shadow Ring’s Swill Radio trilogy (Lighthouse, Lindus, I’m Some Songs), I’d put IFCO’s trilogy (Anti-Natural, Stranded, The Island Of Taste) up against anyone’s three LP run. We’ll see…'---LABEL DESCRIPTION |
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'Volume two in a Swill Radio series of LP's documenting the early work of Ralf Wehowsky (aka RLW). As with volume one, a slightly different version of this LP was originally released on cassette by Wahrnehmungen (later renamed Selektion) in the early 80's. This is a much more band-oriented release than volume 1. A number of tracks were recorded live and the mood is aggressive throughout. This is a fantastic Neue Deutsche Welle document. If it had been released on LP, it would be legendary. It still is.'---LABEL DESCRIPTION |
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Super Weird movie by Scout Foust of Idea Fire Co, XX Committee, etc... Hypnotic, creepy, confusing..killer soundtrack. |
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'The debut LP from the trio of: Karla Borecky, Graham Lambkin, and Scott Foust, recorded and assembled over 8 months between 1999 and 2000. Tart is an exquisite combination of three distinct minds, much like the skillful structure of diverse, yet subtle, ingredients in a piquant and nostalgic recipe: The Past as well as The Future. Tart blends together these strange elements in an organic yet totally disciplined style that renders many of their contemporaries as either flabby or boring.. Radio Orange presents 7 original pieces of expertly edited new music-form. From the opening tape-collage miniatures, The Rabbits of Mangtarau (pts 1 & 2), through to the indeterminacy and excitement of the closing title-track, Radio Orange carves its identity through great use of diversified expression. The analog drone / vox duet: Astride Such Delicate Pins; the bizarre environmental action, Woman In Her Womb; the fragile tone composite, The Mums; and the grinding electronic surge of (the almost 20 minute) Chopin in a Shell all help complete the program in classic style. The overall sound is both hypnotic and explosive, with each side being carefully sequenced to maximize the fact. Radio Orange comes complete with a beautiful full-color sleeve, designed by Karla, and contrasting monotone labels by Graham. The super-modernist avant garde continues to raise its aesthetic head under the romantic banner of the Anti-Naturals. Tart is fabulous.' ---LABEL DESCRIPTION |
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'Tart (Graham Lambkin, Karla Borecky, Scott Foust) present the world with their second LP, Bring in the Admiral. Since the release of their first LP, Radio Orange, Tart has been plying their trade at various shows in the northeast U.S. Using the same minimal instrumentation as the live shows (two small Casios, guitar, and shotwave/cassette boombox, plus a few odds and ends and the Anti-Naturals trademark tight editing), Tart produces a dazzling array of scenarios, a testament to senseless deranged beauty. Beautiful color cover. Who doesn't need a little Tart in their life?'---LABEL DESCRIPTION |
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The Pickle Factory is Karla Borecky and Scott Foust from IFCO plus long-time collaborator Mike Popovich. The sound is somewhat similar to the Idea Fire Company, although within at least sort of a song structure. Many think this is our finest work yet.'---LABEL DESCRIPTION |
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'Posthumous final LP recorded in 2002 that completed the 10 year life cycle of The Shadow Ring. This LP was recorded in Poughkeepsie NY over a 3 week period. The atmosphere is tense and stoned. A depressing joke -- one punchline after another. I'm Some Songs was recorded by Darren Harris, Graham Lambkin and Tim Goss -- a record which pays its own tribute to its own fallen heroes.'---LABEL DESCRIPTION |
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Excellent 7 inch from Scott Foust and Frans de Waard. A side is great droning ambience interrupted by occasional lightly reverberated scratches and strangeness. The B side is another excellent side which sounds like shortwave and creaking door. HIGHLY RECOMMENDED! Edition of only 200 copies. Co-released with Plinkity Plonk mp3 samples: Dark Secrets... (excerpt) |
TAPEWORM TAPES | |
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'broken electronics. no feedback loops. no effects pedals. only broken equipment. limited to 29.'---LABEL DESCRIPTION |
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VOL> 5 in this ongoaing series of recordings from CHRIS RIGGS and BEN HALL. Edition of 54 |
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'evolution of this negative electronics outfit. 6 cassettes with lyric inserts. limited to 37.'---LABEL DESCRIPTION |
TASTY SOIL | |
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MI therimin abuser COTTON MUSEUM launches his new label off w/ this split LP w/ Thurston |
TECHNODELIA INSTITUTE | |
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Lost release found in some box in SWEDEN. BRAINVILLE is an old project of Tommy Carlsson (Segerhuva, Treriksr?set, etc...).. Weird fucking SHIT... 2 BAss Guitars and SAX... fuckin weird stuff.. Kinda reminds me of that band FAT..ya, know...Automat Hi-Life.. like that sort of underwater weird jazz shit... FUCKED UP... I believe it was released in the early 90's but not totally sure... |
TEDIUM HOUSE | |
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LEGENDARY 90\\\\\\\'s NOISE Magazine. I cannot stress enough how much this mag meant to my high school mind! Issue /cd contents: LEIF ELGGREN, ROBERT 'WEIRD ROB' DAYTON!!!!, OREN AMBARCHI, REPEAT, PARMENTIER, HALIM EL-DABH, PAUL WINSTANLEY, LATERAL AGRICULTURE ORDER. Plus TONS of reviews as killer art / pics as ALWAYS! |
THE TRILOGY TAPES | |
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Various HEADBOGGLE releases Remixed and remastered by ANDREW COLTRANE |
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THOR'S RUBBER HAMMER | |
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'In the first installment of the Ecstatic Jazz Duos series, there is no room for subtlety. On the Talibam! side, the 18-minute 'The Geometric Mophometrics of P.P.P.P.P. McNasticals' (what?!) is a multi-part epic unlike anything else in the New York City duo’s recorded output. Matt Motel (synthesizer) and Kevin Shea (drums) run through the cacophonous noise-jazz most of us know them for, but also seamlessly engage in righteously proggy pursuits taking hits off King Crimson and Keith Emerson. On the B-side, Wasteland Jazz Unit gurgles shrapnel on two rippers for amplified saxophone (Jon Lorenz) and clarinet (John Rich). Cincinnati’s premier Art Damage skater-jazz crew have recorded with the likes of C. Spencer Yeh (Burning Star Core) and Ryan Jewell (Pink Reason, Psychedelic Horseshit), and here deliver an aural abuse that just ruins your day. Edition of 500.'---LABEL DESCRIPTION |
time STEREO | |
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The woodsy buzz of the ELECTRIC BEAR. Davin Brainard and Ronald Cornelissen captured live in Rotterdam Holland. Great buzzing Noise. In nice new style painted and stamped time STEREO 3 inch cases. FANCY! |
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First full length from this wikkid duo of electronic noise zone owners. My favorite time STEREO release ever!! Good combo of buzzing electronics and organic scapes and jangles... |
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Totally Davin and Warren (Princess Dragonmom) and Hitoko (Niko, ex-MSBR) working in the garden. Sounds of all the scrapes and dirt you encounter while weeding in your garden. Awesome! |
TOCHNIT ALEPH | |
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MATTIN (computer feedback, voice, guitar) and (sic) TIM GOLDIE (drums, voice, credit card, amplifier). All Tracks recorded by (sic) Tim Goldie except Number 12 (Field recording at Huntigdon Life Sciences) by Zoe Broughton, and Number 16 recorded by Mattin. Mastered by Daniel Beattie. All Tracks edited from improvisations. Edition of 500 copies, with 2 double-sided A5 cards packaged in oversized luxurious metallic golden foil envelope with sticker attached. ---LABEL DESCRIPTION Defusing preconceptions of what a live event should be and degrading its components - the sound, the performance, the audience - without imposing aesthetic or moral limits: this is the reason for being of Deflag Haemorrhage/Haien Kontra, the project born in 2001 from the minds of two of the most unpredictable and conceptual contemporary sonic activists: Mattin and [sic] Goldie. Ferocity and immobility, instruments abused and unused, musicians zombiefied in their stage persona and in general the sense of psychosis, of necessary superfluousness that gushes from every gesture, from each decision taken by this anglo-basco duo make their live event an experience that is all but impossible to relate to, at least until theyve stripped you of the costuming of dominant culture. - Valerio Tricoli |
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MATTIN (computer feedback, voice, guitar) and (sic) TIM GOLDIE (drums, voice, credit card, amplifier). Recorded and Mastered by Rashad Becker October 2007 & July 2008, Edited and mixed by Mattin and (sic) Tim Goldie at Worm, Rotterdam, January 2008. Edition of 500 copies, with 2 double-sided A5 cards packaged in oversized luxurious metallic silver foil envelope with sticker attached.---LABEL DESCRIPTION absolutely fucking insane. the weirdest record i have heard for a LONG time!! The eccentricity/ form destruction of say ULTRA but more slick, like a cheetah applying lipstick on a coke mirror. Like if you record humidity. wild mix of sexy cymbals, (non) accident vocals/child sighs, makes William Bennett sound like Moira Stewart. BONKERS BONKERS and once more BONKERS its like taking one massive shit and then it grows a mouth and starts talking back??? arachnophobia toilet scene style. w/ heavy last seconds unpaused tape AARGH style. --- Stephen Warwick Defusing preconceptions of what a live event should be and degrading its components - the sound, the performance, the audience - without imposing aesthetic or moral limits: this is the reason for being of Deflag Haemorrhage/Haien Kontra, the project born in 2001 from the minds of two of the most unpredictable and conceptual contemporary sonic activists: Mattin and [sic] Goldie. Ferocity and immobility, instruments abused and unused, musicians zombiefied in their stage persona and in general the sense of psychosis, of necessary superfluousness that gushes from every gesture, from each decision taken by this anglo-basco duo make their live event an experience that is all but impossible to relate to, at least until theyve stripped you of the costuming of dominant culture. - Valerio Tricoli |
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Monsterous collection of nearly every Noise goon in the world shredding apart recordings of Dave Philips (Schimpluch Gruppe) old hardcore band FEAR OF GOD. Some of the manglers: RLW, NORBERT MOSLANG, EB.ER, SUDDEN INFANT, KEVIN DRUMM, EVIL MOISTURE, Y. EYE, RHY YAU, GOREBITCH, D. NYOUKIS, JIM O'ROURKE, DROPDEAD, K2, MERZBOW, OM MYTH, HUMECTANT INTERRUPTION, RAIONBASHI, VOICE CRACK, SILVUM, THE HATERS, RUSSEL HASWELL, PITA, R & G, And a TON more! KILL! |
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Latest work by swiss artist Marc Zeier presents 9 musique concrete compositions based on ice, wind, plankton, a whip, a bow, a suitcase, and other recordings made in the last few years, reminiscent of his 90s albums Seismogramm on Schimpfluch and Yack Park and Geopod on Zabriskie Point. ---LABEL DESCRIPTION |
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CD Version of the out of print LP from 2007, Chopins last release in his lifetime. Latest works by legendary french sound-poetry pioneer Henri Chopin (1922-2008), produced and recorded November 2003 - January 2004. Mastered June 2006 by Rashad Becker / D&M. Edition of 500 Copies in Jewel-Case with 6-page booklet, with text by Henri Chopin (original french, plus english & german translations), and photography by Florence Gonot-Yterce .... ---LABEL DESCRIPTION |
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Recordings of the first performance of Nitschs 8th Symphony (for Choir, Orchestra, and Noise Orchestra). Composed by Hermann Nitsch. Performed June 25th 1990 at the MAK Museum für angewandte Kunst, Vienna by Ensemble 20.Jahrhundert, Hugo Distler Chor, Blasorchester der Wiener E-Werke, Wolfgang Mitterer (Synthesizer). Professionally recorded, extremely dramatic, dynamic, rich, full-blown orchestral music & noise, heavy drones, and austrian Volksmusik. Comes in big double-disc jewelcase, including 2 posters with credits, photos, a part of the score, and the text Die Gigantische Symphonie by Günter Brus. The music was previously released by the Cortical Foundation in 2001 as a 2LP-Set limited to a mere 185 copies. Remastered for this CD Edition from the original tapes. The artwork, photos & texts are exclusive to this edition.---LABEL DESCRIPTION |
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Second studio collaboration by Junko Hiroshige of Hijokaidan (Voice) and basque Computer-Actor Mattin. Two Pieces Stop It and Too Late recorded in Tokyo at Waseda Studios and Loop-Line by Taku Unami on July 11-12th 2006. Mastered & cut by Rashad at D+M. --- LABEL DESCTIPTION |
