CD version of of the self released/self-titled LP by Cleveland's Emeralds recorded Aug-Sept 2008.  Proper follow up to their debut LP 'Solar Bridge',  'EMERALDS' takes the thick drone sound of that LP into an even more abstract and strange place.  Visual music that lifts the listener up and transports them through tubes of sound occasionally to be swept into the opposite direction by an unexpected entrance into another world entirely.  An intense journey that drops you off in a place just beyond death.

Field recording contributions from Aaron Dilloway. Mastered for CD by James Plotkin. Contains a 16 page full color booklet featuring photo artwork by the band themselves.

11x17 full color posters will be included in the first 30 mailorder copies.


Second volume of live recordings. C-60 containing two live gigs...one from Holland, and one from the UK both from the 2009 tour. As with the original FOUL, this title won't be in print for long.


mp3 samples: Den Haag (excerpt) -- London (excerpt)


Six tracks of of industrial rituals from this mysterious Swedish outfit. Thundering minimal rhythms and dark electronics surround heavily effected voices reciting things we really probably shouldn't be hearing. Seriously disturbing music that should be listened to with caution.


mp3 samples: Den Blodtunga Jorden (excerpt) -- Maran (excerpt)


Twilight Memories are a freeform unit from parts unknown. Hanson is proud to release this cassette after hearing their 6-something self released LP's of all over the map strangeness. The A-side is a heavy discharge of demon energy recorded outside under influence of the sun. Curious birds flutter through dark drones of horn? / voice? / didgeridoo?!?! The B-side is an ultra hiss smothered dive into a haze of darkness utilizing minimal electronics and reverberations of a tunnel. Two intense sides of humans releasing inhuman vibrations.


mp3 samples: Side ONE (excerpt) -- Side TWO (excerpt)


C-60 of VERY minimal synth tests made after intense holiday readings of the books of COMMANDER X. The new studio has just been set up and the recordings on this tape were from a session I did to get reacquainted with my synthesizers. Unlike every other SS release, there is no tape delay FX used on these recordings..some LIGHT reverb on the B-side from an old 'echo-verb' unit I recently acquired, but other than that it's raw synth.

The A side is a triple synth sample and hold exercise using Dotcom Modular, Yamaha CS-5, and Moog Rogue. The B-side is an ULTRA minimal pulse ambience piece for Moog Rogue and Lafayette Echo-Verb. This side was very influenced by a tape called CHAMBER MUSIC originally released in 1984 by STRENGTH THROUGH JOY. I got the tape quite a few years ago and remember being struck by how minimal it was. I wasn't too fond of it at the time, but I think about it quite a lot and I think it's influenced a lot of my output, especially my more recent recordings. I think of it as ambient music, not 'ambient' as in the genre, but as sounds to surround yourself with while doing something else. Throw this one on and read some COMMANDER X!


mp3 samples: SIDE ONE (excerpt) -- SIDE TWO (excerpt)


Early Dilloway recordings 1999 - 2001. Tracks originally appeared on 'NON GROWING BACK' CD (American Tapes, edition of 16, 2001), and BOGGS VOL. 1 CASS (Herbst, edition of 35, 2001). Very minimal electronics, tape and voice experiments. All electronic sounds made using a modified heart monitor made for me by NATE YOUNG.


Minimal electronic wind storm made via intense modular synth patching. Dense textures of never ending waves of thunder similar to DAMION ROMERO's rumble work and MB's Armagheddon-era recordings.


mp3 samples: MONSTURO side 1 excerpt -- MONSTURO side 2 excerpt


Reissue of one of my favorite very limited GODS OF TUNDRA cassettes. Insane recording by THE HAUNTING of very crude tape manipulation feedback and guitar...Makes me think of a bedroom scum version of FUSHITSUSHA's THE CAUTION APPEARS...total blast the volume on a sunny day dark guitar shit! The flip side is a continuation of the same session just after Tara left to go throw up... transforming the HAUNTING into FAILING LIGHTS. This side is more subdued haunted creaking rumble electronics, and barely controlled feedback. A total shit-fi Michigan classic.


mp3 samples: THE HAUNTING excerpt -- FAILING LIGHTS excerpt


'A major oxide wobbble as the Michigan master of magnetic tape hiss finally delivers some dementia for the Monk. All the tangled up tape loop mess you know and love, with plenty of slow-motion sludge, aquatic gurgles and sleep inducing rust to get your mind drenched. Junked sounds of the 8 track come crawling out of the speakers alongside vocal chew. A spirited take on a demented dusk. File under Catatonic Dumpster Music, and keep it beside your private stash.'---CHOCOLATE MONK

CDR version available on Chocolate Monk!


mp3 samples: Door 4 -- Door 6


Recent recordings featuring the trio of Aaron Dilloway, Wyatt Howland (Skin Graft), and Mick Travis. A-side is a seriously damaged mess of crude tape manipulation of chainsaw electronics and junk noise. B-side is 2 tracks of rumble heavy lo-fi rhythmic noise and voice loops of the dead recorded live in a barn.


mp3 samples: SHATTER Side 1 excerpt -- LIVE IN A BARN 1 excerpt


Heavily rhythmic voice, metal, percussion and brass loops resulting in physical and mental damage. I've always been interested in David's loop work as his way of using loops is almost exactly the opposite as mine. Whereas my loops are always very muddy and crude, David's are always very crisp and precise.


mp3 samples: DAVID RUSSELL side 1 excerpt -- DAVID RUSSELL side 2 excerpt


Collaboration between AARON DILLOWAY (ex-WOLF EYES) and ROBERT TURMAN (ex-NON, Z.O. Voider). Recorded in January 2009 during a horrible Ohio snowstorm. Dilloway on synthesizer and tape delays and Turman on tapes and effects. Very minimal, very slow, very cold. Frozen and stuck in the snow. Jewel Case CD w/ white tray. Edition of 500 copies in jewel case w/ white tray.


mp3 samples: BLIZZARD 1 excerpt -- BLIZZARD 2 excerpt


CD reissue of a double cassette from 2006 originally released in an edition of 30 copies. Very minimal loops of distant feedback, hiss and scruff drenched in WAY TOO MUCH tape delay. Includes 15 minutes not included on the original set. This CD edition of 200 hand-numbered copies in digipak with artwork by Bonnie Banks. First in a series of low run CD's from Hanson. Only available DIRECTLY from HANSON.


mp3 samples: HISS NAUSEA B1 excerpt -- HISS NAUSEA B2 excerpt


HANSON RECORDS is proud to present the first LP from THE HATERS, 'IN THE SHADE OF FIRE' reissued for the first time on the CD format AND for the first time in it's original ENTIRETY. Originally released on LP by SILENT RECORDS in 1986, this digipak CD edition has been remastered by Warn Defever from the original master reels, and includes the full COMPLETE ALBUM as two of the tracks had to be shortened to fit on the original LP issue. Available to order NOW!

'Back during my Bachelor of Fine Arts, one of my fellow students was a woman who was eventually obsessed with the idea, systems, and eventual remnants of ‘process’. One of her key pieces involved hundreds of raw eggs which she carefully emptied, cracked open, and systematically peeled the delicate membranes from inside of the eggs. She carefully laid out the hundreds of membranes as they assembled in a giant area to the side of the studio. I swear that she didn’t even have some grandiose idea for the membranes as the peeling and assemblage system(s) evolved into something that was simply beyond any eventuality and initial idea for the piling skins of the eviscerated eggs. The deconstruction and conception behind the act of pulling apart the eggs into a vast collection of grimy, translucent membrane piles suggested something so much more than even a final constructed piece. Watching her as she realized that the true crux behind the piece was the process alone was astounding as the membranes were laid to rest to represent an almost sudden and powerful eventuality that acted as a piled testament to ‘process’. The harsh sound works of THE HATERS over artist GX Jupitter-Larsen’s long and established career also powerfully bring to mind the idea of process. Most of THE HATERS’ works are ideologies behind something being destroyed or manipulated; the amplified and sometimes distorted sounds of the processes representing a document that exemplifies the acts carried out upon the objects, machines, or otherwise. The act of recording the processes alone is evidence of an eventuality (to possibly be edited further) in the form of a possible final piece of vinyl, cassette, or CD, but the tendencies of THE HATERS’ material also intend the listener to experience the process of the audio lines as they were primarily constructed in the recording area. There is no doubt that GX appreciates the totemic quality of his personal objects’ physical aftermath, that is sometimes documented with video or photographs, but the powerful beauty of a THE HATERS audio piece is the experience for the listener that acts ALSO as a final document of sound that represent clearly the certain idea and sometimes violent act. THE HATERS’ celebrated early work “In the Shade of Fire” acts a document collection for the listener that also reflects THE HATERS strong textural aesthetic through object manipulation and recording that defines GX’s place in the world of ‘harsh noise’. Listening your way through the material is a studied and defined testament to different representational fragments of heavy sound and source manipulation. The tracks Glsam and Diti are explosive introductory and side concluding / framing pieces that highlight and pronounce the breaking and crashing down of material, all gelled with bass driven strikes whose trails deteriorate into hints of cascading dirty and dark ‘Americanoise’ distortion. Bebas powers through a heavier dynamic with conscious falling apart of source material, but in abstracted waves that suggest the material being rebuilt just to simply fall and crash apart again with a sense of powerful futility. Thuch enhances the textural elements of the explosions and crashing as the sharpness of the strikes are slightly ‘rounded’ at the edges to expose an almost ‘gurgling’ texture that moves and slaps with vicious perplexity. Taisic represents a very early ‘Americanoise’ study of hiss manipulation that is accented with minimalist scraping that bring to mind the force of process on top of the white noise line. Cassas is the album’s meditated example of sharp shot-driven violence; articulated and seemingly layered for optimum cutting and breaking which bring forth sound dynamism from very physical deterioration. Fire 5 is an amazing example of a highly textural ‘wall’ of sound that, to the contemporary fan of gritty and dirty crunch waves, is a primary early example of powerful crackle lines that focus on the inner dynamism of the sound itself. All of the material discussed above is made up of elements of physicality and process, but the tracks Iny 1 and Iny 2 act, for the listener, as the ‘notes’ for the ideology of process and falling apart as they act as a more minimal, subtle, and exacting study of the scraping, scuffing, and hands on work of the artist as he manipulates the deteriorating materials. In essence, Iny 2 is an amazing concluding track that reminds the listener of the core focus and ideology behind THE HATERS’ exemplification of grating sound via concept driven manipulation of tangible sources, the process, the aftermath, and the eventual recording that reflects all of the above sound qualities.'

---- Sam McKinlay


mp3 samples: GLSAM -- INY 1


DIGIPAK CD reissue of my CHAIN SHOT LP which was originally released on LP by THRONE HEAP. Contains a 28 minute bonus track and copies ordered directly from HANSON come with a 11x17 full color poster.

Below is a review of the original LP:

'With only tape loops, metal, and horns (and sometimes, it seems, metal on horns) the two side long pieces, 'Chain Shot' and 'Execution Dock' respectively, explore the ugly underbelly of noise before just scraping right through and aiming for the insides. In a genre that has quickly turned into a broad and often inaccurate description of a certain breed of every-man experimental music, Dilloway sticks to the old-fashioned definition of noise, doing battle with the materials in front of him as he continues the construction of his impressive body of work.

Dilloway, a former member of noise-titans Wolf Eyes, has recently been releasing solo work that explores much more abstract and thoughtful terrain than his previous group's onslaughts. 'Chain Shot' is more a sound collage than anything, and while it is a heaping glob of muddled debris, it is also a highly controlled one. Looping samples on top of samples, Dilloway builds a slowly encroaching beast before slowly disintegrating it, bone by bone. This is some highly textural and immediately emotive soundscape work.

'Execution Dock' begins with a repeating loop of what sounds like the beginning and the end syllables of some nut's conversation with a lamppost. In the distance sounds a pained song of sorts, like a rodent's death cry, or maybe its birth one. I'm guessing maybe this is the horn, though it would be tough to be certain about much of anything here. Delayed creaks and groans float in and around as the vocal sample dissipates, leaving you sloshing through the mud puddle only to realize that its a tar pit the size of La Brea.---HENRY SMITH, http://earconditionednightmare.blogspot.com/'


mp3 samples: CHAIN SHOT excerpt -- EXECUTION DOCK excerpt


HANSON & RRRECORDS present a 6-LP BOXSET featuring a full side each from TWELVE MICHIGAN NOISE projects. Full LP sides from: PRINCESS DRAGONMOM, RAVEN STRAIN, REDROT, AARON DILLOWAY, TOVAH D-DAY, CHARLIE DRAHEIM, HIVE MIND, MAMMAL, EVENINGS, COTTON MUSEUM, SICK LLAMA, WOLF EYES. Compiled by Greh Holger and Aaron Dilloway. Limited to 600 copies. Packaged in fully silkscreened record mailers.

NOTE: PRICE FOR THIS IS POSTAGE PAID. If ordered with other items, shipping must be added for the extra items. Thanks!



HANSON & RRRECORDS present a 6-LP BOXSET featuring a full side each from TWELVE MICHIGAN NOISE projects. Full LP sides from: PRINCESS DRAGONMOM, RAVEN STRAIN, REDROT, AARON DILLOWAY, TOVAH D-DAY, CHARLIE DRAHEIM, HIVE MIND, MAMMAL, EVENINGS, COTTON MUSEUM, SICK LLAMA, WOLF EYES. Compiled by Greh Holger and Aaron Dilloway. Limited to 600 copies. Packaged in fully silkscreened record mailers.

NOTE: PRICE FOR THIS IS POSTAGE PAID. If ordered with other items, shipping must be added for the extra items. Thanks!



HANSON & RRRECORDS present a 6-LP BOXSET featuring a full side each from TWELVE MICHIGAN NOISE projects. Full LP sides from: PRINCESS DRAGONMOM, RAVEN STRAIN, REDROT, AARON DILLOWAY, TOVAH D-DAY, CHARLIE DRAHEIM, HIVE MIND, MAMMAL, EVENINGS, COTTON MUSEUM, SICK LLAMA, WOLF EYES. Compiled by Greh Holger and Aaron Dilloway. Limited to 600 copies. Packaged in fully silkscreened record mailers.

NOTE: PRICE FOR THIS IS POSTAGE PAID. If ordered with other items, shipping must be added for the extra items. Thanks!



Starting out in 2005 performing live sets using only televisions as sound sources, EMERALDS has grown in recent years into a monster of HEAVY improvised drone using analog synths and masterfully effected guitar. Born out of the midwest scum-noise scene, these guys have taken the INTENSE HEAVINESS of their midwest brethren to a place that is entirely their own. They have replaced the creepy atmosphere and abrasive harsh noise of their peers w/ a VERY DIFFERENT though EQUALLY INTENSE assault of COSMIC DRONE POWER!

HANSON RECORDS is proud to announce EMERALDS - SOLAR BRIDGE, the trio's first full-length album after numerous cassette and cd-r releases on such labels as American Tapes, Chondritic Sound, and the bands own imprints Wagon and Gneiss Things. The album opens with the side long 'MAGIC' where the band builds a quiet drone into an extreme thick sawblade of swirling noise as beautiful as it is menacing. The flip is yet another sidelong journey titled 'THE QUAKING MESS', a track that stabs your brain with fluttering sparks of synthesized needles before relaxing you into a Göttschingesque dream state while slowly bringing you back to earth with an electronic wave of molten rumble. Fans of the smooth tones of 'New Age Of Earth' era Ash Ra Tempel and the buzzing thick drones of Throbbing Gristle's 'Heathen Earth' should take note, as EMERALDS may be their new source for electronic drugs.


mp3 samples: MAGIC excerpt -- THE QUAKING MESS excerpt


Split release between myself and Robert Turman. Robert was an original member of NON back in the late 1970's appearing on the first 7-inch MODE OF INFECTION. He released a number of very limited solo cassettes throughout the 80's, including the monster 8-cassette box set CHAPTER ELEVEN (1976-1987). He and I have been working on remastering his old tapes over the last year, and Robert has also starting recording and performing again. His side of this cassette is just a taste of what is to become an onslaught of new recordings and unearthed classic industrial RT material to be released on HANSON. Twisted voices, waves of static hiss, disorienting and bizarre horn and string melodies, looped and delayed into a perfectly paced piece of surreal sound. My side is influenced by my recent collaboration recordings with Cleveland scumbag Wyatt Howland aka SKIN GRAFT. A confusing meld of organic and electronic sounds recorded using 8-track loops of synth, metal percussion, and radio static.

---Aaron Dilloway, December 2008


mp3 samples: ROBERT TURMAN excerpt -- AARON DILLOWAY excerpt


Second release in the 'HANSON RECORDS CLASSIC ALBUM REISSUE SERIES'! For the first time ever on cassette is this 1988 classic of true NOISE! THIS TAPE IS PLAYED BY RUBBING DIRT IN IT! No stereo is needed! Long out of print on LP and CD...now available again as a C-0 packaged in a plastic bag with real dirt!


FIrst release in the 'HANSON RECORDS CLASSIC ALBUM REISSUE SERIES'! For the first time ever on cassette is this 2004 modern classic of structured dark noise. Rock instrumentation repurposed with crude electronics and tape manipulations into a horrifying stew of Frankenstein sound. A perfect album. Out of print on both LP and CD...now available on a c-60 cassette w/ 20 minute bonus track 'BONES'.


An excellent cassette to make you feel sea sick from the guitarist of TRAUM. The A side sounds more like a thick metal cable fluttering in the wind than a guitar. Nauseating low end fluttering waves interrupted by occasional high end frantic scratches which sounds like amplified birds cleaning themselves on the wire. The B side is a barrage of high end squeals and squeaks, metallic whistles, flapping insects, stabbing needles, knife sharpening, baby animals crying, wild boar breathing, paper ripping, and more... all made with a guitar! A truly FUCKED UP recording! Originally self released in an edition of only 20 copies.


mp3 samples: DRACO side 1 excerpt -- DRACO side 2 excerpt


For the past few years, Wyatt Howland aka SKIN GRAFT has been gravedigging deep into the most dismal and filthy areas of sound. DRUG ADDICT is one of the most sickening releases I have ever heard...it bring upon such horrible visuals I cannot help my face from squinting and frowning in disgust every time I listen. A stream of filthy water runs near a sickened drug addict shivering in a sewer. Disgusting. Originally released in a limited edition by Wagon, this reissue includes extended mixes of both sides!


mp3 samples: DRUG ADDICT side 1 excerpt -- DRUG ADDICT side 2 excerpt


Ohio synth duo's second release. Slow moving organ and synth tones pulling you into a dark but comfortable stormcloud zone reminiscent of Messiaen's organ works and early Klaus Schultze.


mp3 samples: Underground Ocean 1 (excerpt) -- Underground Ocean 2 (excerpt)


Dark sequencer synthesizer music...blown out. Originally released in 2007 on Mick Travis' label MEDUSA in a limited edition of 20 copies.


mp3 samples: Weighted Ghost 3 (excerpt) -- Weighted Ghost 4 (excerpt)


The Nevari Butchers nomadic member delivers 2 sides of humming, flickering, and pummelling minimalism. A side sounds like a copy machine for 15 min (it's not) ...B-side sounds like one of the MAD MEN fell asleep with his head on a synth and Christina Hendricks is walking around cleaning up the office...then the entire room gets sucked down the staircase very slowly step by step (it might even be that).


mp3 samples: Nothing Side 1 (excerpt) -- Nothing Side 2 (excerpt)


8-Track tape loops of blown out frantic melodies and crawling depressive synth swirling into a trance-phantasm-ball of infinite mental confusion. Recorded Sept 2008 at TARKER MILLS. Includes four tracks: EIGHT CUT SCARS (FOR ROBERT TURMAN), TIGHT ROPES, CRAWLING THRU THE WINDOW, and THE RUBBER MASK.


mp3 samples: Eight Cut Scars (excerpt) -- Crawling Thru The Window (excerpt)


Collection of recent recordings. Tapes, Horns, Metal , Synthesizer, Cello, Voices, Wheelbarrow, Shovel by AARON DILLOWAY, GREH HOLGER, MICK TRAVIS, LEO DILLOWAY, & HANS BEUTOW.


Metals, synths, and electronics masterfully mixed into 2 sides of dark horror from this mysterious and prolific Michigan figure.


Dilloway & Yeh recorded live to 4-track cassette Summer 2006 in Ann Arbor. Yeh on violin, Dilloway on Tape loops of Yeh's Violin. Originally released on LP, this Digipak CD version includes a bonus track collage of the 3 tracks from the duo's out of print FALSE SPEECH cassette.


mp3 samples: AHAB excerpt


New modular synth recordings from Spine Scavenger.


mp3 samples: Side 2 excerpt


Weird dudes jamming synths. Alone. Social Problems. Problems. Recorded late into the night. Fucking A. That is the business, right there. Shit is just creepy-gets under your skin. While most noise youth get their chocolate fingers lost in gadgetry and posturing-something about a synth jam that's just.... Human ... humanly wrong. But fucking right. Right on Hive Mind.


Boggs Volume 2 is a collection of two long out of print CDR?s from Wolf Eyes member, Aaron Dilloway. This new release contains, in their original entirety, the ?Seizure? CDR released by Hanson and the ?Appalling & Alive? 3? CDR released by Chondritic Sound..


CD reissue of HANSON comp LP released in 1998. Tracks from NAUTICAL ALMANAC, RON OF JAPAN, ISIS & WEREWOLVES, THE BEAST PEOPLE, MINI-SYSTEMS, AND ANDREW WILKES KRIER (now known as ANDREW WK). This is the birth of Hanson Records.


Outtakes from the SOUNDS OF THE INDIAN SNAKE CHARMER lp/cd. Full band tracks as heard on the LP, but also a couple DUO tracks from the 2 brothers. More Volumes to come.


Available Again for limited time.


Hub and wife deliver another assault of fluttering dead electronics... Moving more quickly than most DM releases...Gutted Horrorbleness sketched by psychic sickness. Could be the soundtrack to Harry Harrison's DEATHWORLD if they ever made it into a movie. Sick Sci-Fi horror nastiness!


Ever heard of the NORTHVILLE TUNNELS?? It's these underground tunnels in Northville, MI that lead to an old abandoned Mental Hosptial. A teenaged RAVEN STRAIN aka MATT BILLINGS used to hang out in those tunnels... ALOT! This is totally the sound of creeping thru there high on paint, seeing only by the light of a shitty BIC mini lighter... runnin around the hospital and reading the forgotten files of the inmates that once lived there. I remember him telling me a story of snakin some old filing cabinet from there and draggin em home thru the tunnels. I think he recorded that and put it on this tape. Total abandonment, illness, and drugs.


Originally slated for release on HANSON way back in ...shit...like 99 or something?!?!?! The master has finally been found...and this magnetic string of modern voice sound is ready for the public. Nyoukis on Voice & Pause button. WARNING: EXTREME SOUND POETRY... Hard guys be warned... the shit is goofy as FUCK!


First Volume in the long awaited HANSON UNDERGROUND SERIES. 6 artists on a C-30. Only the most gutterball in experimental & noise music.. Except for maybe Wiese....This volume contains tracks from SYNDROMES, THE NEVARI BUTCHERS, RAIONBASHI, LEE ROCKEY, JOHN WIESE, & TWIG PARKER.


Well it's about FUCKING TIME!! Finally this stellar work from Jon Borges' PEDESTRIAN DEPOSIT is released! Meticulously edited Harsh Electronic Noise. Ultra spastic and cut up sound w/ passages of truly DISMAL piano, tape manipulations and drones. I am proud to have co-released this w/ Prurient's HOSPITAL PRODUCTIONS.


Heavy on the delay electronic bone rattlers... Total scumbags on horseback clamping your head with a vice and rippin out yer spine while your mind-shock alarm goes off in a 2 seconds=10 hour torture session. In the desert.


Second electronic rattle release from SPINE SCAVENGER. Harsher this time, but still heavy on tape delay feedback pulse and slow moving sickness... Total flying insect air raid shit droppings...you are trying to run to saftey, but you keep just getting clobbered by rock hard insect balls. Your adrenalin is keepin you going, but your drug filled head has no idea what direction you are going! GET OUT WHILE YOU STILL CAN!!!


Second Volume in the HANSON UNDERGROUND SERIES. 6 artists on a C-30. Only the most gutterball in experimental & noise music.. This volume contains tracks from SICK LLAMA, SMEGMA, FAILING LIGHTS, OUBLIETTE, TUSCO TERROR, & HIVE MIND.


NOW ON CD !!!! 'For the first half of 2005, I lived with my wife Erika in Kirtipur, Nepal. During our days, while she was studying at the Kathmandu Association For The Deaf, I was roaming the streets and villages of the Kathmandu Valley in search of sounds and music. While kickin? round the tourist district of Thamel picking up cassettes, I met a family of Snake Charmers from Haryana, INDIA. An old man probably in his 70s or 80s, his 2 grandsons, and one of the grandson?s sons. They asked if I wanted to see a show....I said Hell YES!! They gave me a show...a KILLER show... we?re talkin 3 fuckin? king cobras dancing at once, while a giant boa chilled at the side and few other random lil? snake dudes are wigglin around here and there. I became obsessed. I had met my new best friends... Though the kind of best friends you have to pay to hang out with. They were hustlers, yes.. But that?s their job... The money was well worth the shows. I spent about 3-4 days a week for the next 2 months, recording their music and their snake shows on mini-disc and videotape. I Drank alot of chiyaa with them, smoked alot of cigarettes and bidis. They taught me how to make reeds out of bamboo, and I traded them some clothes for a snake charming horn. They call them Beens, they are also known as Pungis. These guys were the best. At the end of April they left Kathmandu, heading to Pokhara, after that it was time for them to head back home with their earnings. Man...I missed them. This LP is the BEST OF THE BEST of the recordings I made of them. There are some classic Bollywood tracks, a Nepali folk song, and side 2 is a 19 minute drone journey into the head of the KING COBRA. The recordings were done in stereo. A been on the left, a been on the right. A premtal (stringed percussion instrument) on the left, a premtal on the right. The stereo recording of the charmers sway creates a very disorienting stereo tremelo effect. It?s almost as if YOU are the SNAKE! These tracks were recorded in an alley. There is the occasional rumble of a car passing by, and the low murmer of the locals checkin out the white kid with the fancy gadget hangin? with the snake dudes.' -- AARON DILLOWAY, May 2005


mp3 samples: TRACK ONE SAMPLE


Third Volume in the HANSON UNDERGROUND SERIES. 6 artists on a C-30. This Volume contains tracks from A. DILLOWAY, MANIA, REDROT, IMPREGNABLE, ENVENOMIST, and BIRDS OF DELAY.


TOTAL SHIT-FI BRUTALITY from the new project of RODGER STELLA of MACRONYMPHA...Sickening walls of full blown scummy psychedelic HARSH NOISE! This shit is some live SCUM recorded by STELLA and BUSH partner BRYAN MARTIN.


HANSON is proud to bring you this Powerful blast of the TURD...UK's Sickest noisegaloid. A Side is CLASSIC TURD WALL! while B-Side is a fuckin weirdie of Vocal vomit noise... RULING! THANK YOU FILTHY! For your Filthy Filthy Noise!


Fuckin Winged Scorpian Electronics! Scum synth moving into full on progressive synth territory. Recorded using 19 Tape delays!! So much DELAY that half the sounds ended up on SOME OTHER TAPE!!


mp3 samples: THE RAIDER 2


SINISTER dark synth work from this mysterious Ohio project. I have no clue what these keys open up but whatever it is...it's CAN'T BE GOOD. HANSON RECORDS take no responiblity to persons who harm themselves while listening to this recording.


This CD is a collection of the WOLF EYES w/ JOHN WIESE 7-inch and two CD-R's originally released in very limited editions on AMERICAN TAPES in 2003-04. Digitally re-mastered by Wiese this year, and finally available all together! Also features original artwork for all releases in FULL COLOR! (originals were black photocopies on colored paper). note: This should NOT BE CONFUSED with the recently released WE&W - EQUINOX CD on TRONIKS!!!


Weird as shit older Olson project resurrected. Handicap - Retard - Slow - Horns..... Slow Bassy Horns... Rules. Alien music made on Saxaphone.


A couple of Detroit noise outcasts rope one's NAm Vet father into working on this Brutal Military Power Electronics release together.. Seriously RAW AS HELL!


Crude and dismal minimal blasts of dark electronics. Heavily in the vien of early 80's industrial synth noise. Raw and MANDATORY! One of the best HANSON cassettes EVER!


Fourth Volume in the HANSON UNDERGROUND SERIES. 6 artists on a C-30. This volume contains: MACHINEGUN WARFARE, DAMION ROMERO, SICKNESS, HOWARD STELZER, CORNUCOPIA, & DARKSMITH.


CD issue of first full-length LP by ex- WOLF EYES member Aaron Dilloway. Recorded in Kirtipur, Nepal, March 2005. Originally released on LP limited to 300 copies. Tape manipulations, feedback, crude field recordings, & Nepali dirt. First 50 copies ordered DIRECTLY from HANSON come w/ Bonus 3 inch CDR of original PRAYER FLUSH track.


mp3 samples: BEGGAR MASTER excerpt -- PRAYER FLUSH excerpt


'There are a lot of mugz you don't wanna know,: VD doctors, the Grim Reaper, the inside of a Fed Ex body bag, ex-mates, cops, silence, dentists, republicans, country music stars, ...list goes on and on....THEN= there are mugz you just want to get some sunshine from- you know who they are= just plain rad mugz, stokerz= and i gotta say....the Michigan Crew has Sick Llama'z BACK.....Heath AKA Juice AKA Fag Heath AKA Morellama= is just a ball of huge eyeballing goodness..how can you be mad at him? We used to have heavy skate shred sessions with the goofball and he would destroy the streetz, and still be smiling at the end, never breaking a sweat. You want this dude on your team. And you want the soundtrack to your boiling brain to be his Born Again to Die. Its got this amazing kinda arms-up-in-air-i-give-up-what-is -this-godamnn -sound style beaming through it. Heath man....dude aint really gonna give any clues back....cant count how many timez the crew has cornered the mug and been like: 'Yo man....what the hell is going on inside 'Live Birth' ?' Did you just record cars under an overpass and slow it down?


First release from this KILLER new project. Tom Darksmith is from California and has been ruling my head. Great organic sound collage. Total Vacuum cleaner shit.. Fans of Hands To, Yeast Culture, etc.. Need to wake up to this dude NOW... More tapes coming soon on Hanson as well. Keep ears PEELED OPEN.


So my love of progressive synth is taking me over. Pax Titania lives in Florida and makes his own synth modules...dude made his own SEQUENCER.... Which is ruling over this cassette like the 960's rule RUBYCON. One of the weirdest tapes I've released...


Thats right! From the Live archives of Damion Romero. Cassette contains 2 Speculum Fight gigs recorded in California in 1996. Ruling oldschool BZZZZZZZZZZ!!!


30 minutes of Burl from the mysetrious boxes. Heavy thick piles of drone upon drone of heavy electronic buzz, creating an intense wall of multi-layered sound attack. INTENSITY.


These midwest druggies really know what they are doing... Guitar synths, and tapes hallucinations that sound like they could maybe be an unedited ULTRA recording. Fans of the surreal sound of NWW and company should check these boys out...


The crudest project in the midwest... layers and layers of hiss and crackle piled at random thru broken EVERYTHING. Volume increases about 200% 3/4 thru the recording... Weird, harsh , CRUDE as FUCK.


Voices From The Tapes.


Breaking my recent c-30 rule to release this intense c-60 of Hive Mind's main man Greh Holger. Two 30 minute sides of motionless, uneffected modular synth. Slow as hell modulations, which take a full side to change and I think the tape runs out before that even happens.. For fans of SUPER EIGHT LOOP.


905 TAPES



AB side: Slow moving looping buzzing melodies and drones ....can't tell if this is synth or guitar.. / JB side: Blown out but also pretty feedback drones and heavily effected guitar.


'deaf in the valley is an assemblage of killer sight and sounds from fifteen amazing artists who dabble in both crafts. the release consists of two pro-dubbed 30 minute cassettes and a full-color offset printed zine, all packaged in a brown kraft box with clear plastic lid, limited to 200 numbered copies. each artists involved contributed one page of artwork and one track from either a solo project or a group they are in. those included are:

thurston moore, john olson / lost anchors, joe denardo / growing, chris pottinger / cotton museum, christopher forgues / kites, witchbeam / telecult powers, heath moerland / sick llama, dennis tyfus / vom grill, brent eyestone / aughra, dan dlugosielski / mossy throats, britt brown / acid wash, daniel la porte / earth crown, joe breitenbach, jeremy bradley earl / the creeps, kevin mceleney / droughter'---Label Description


'installment two of the brains on backwash compilations. twenty three tracks loaded and layered with no gaps to stop the motion. this time around the gems are dropped by a snake in the garden, roman wolfe, blue sabbath black cheer, sorc'henn, cold turkey, dr. quinn medicine woman, century plants, john pyle, andreas brandal, kgb man, heat conference, david russell, regosphere, teeth collection & concrete arteries, pillars of heaven, being, mike khoury & jason shearer, mutant ape, expo 70, grasshopper, josh lay, ajilvsga, and fossil night suit.'---LABEL DESCRIPTION

A SOUNDESIGN RECORDING



Great organic scum from COAGULATOR and dreamy synth from FUTURE SPORT...an odd split for sure!


'The sixth tape in the ASR 'versus' series finds two members of Relentless Corpse going head to head. First up, Russell collages 8 clips of swindled ADD percussion and voice. Then Kirschner rages 10 minutes of pure contact mic hatred on metal. >> White tapes with red and blue spraypaint stencil, color laser print insert.'---LABEL DESCRIPTION


'c23 edition of 50. Playfully zoned synth compositions fluttering in like cosmic emissions. Recorded live at Beachwood Place in late Summer ’09 by Samuel Goldberg and Jeff Host.  >> Black tapes with yellow spraypaint stencil, lavender cardstock and black transparency inserts.'---LABEL DESCRIPTION


'The sixth tape in the ASR 'versus' series pairs acoustic compositions from two of the best acts in contemporary American underground jazz. Side A presents a ferocious workout on saxophone and double bass by Chicago's Mike Forbes and Andrew Young (both of Tiger Hatchery). Side B contains a stunning solo drumkit performance by Cleveland’s finest free drummer, J Guy Laughlin. >> White tapes with 3 color spraypaint stencil, color laser print insert..'---LABEL DESCRIPTION


The second tape in the ASR 'versus' series pairs up Cleveland luminary Samuel Goldberg with Michigan skronker Body Morph (1/2 of Uneven Universe). Sam gets back to basics on side A, with a cascading synth piece seered in nightshade. Then, Body Morph squeals and burns his way through the atmosphere with some intense noise-sax. >> Black tapes with various color spraypaint stencils, xeroxed insert on a variety of art papers in various colors.---LABEL DESCRIPTION


This is a PERFECT NOISE 7 INCH.... A side is classic menacing SG flutter, junk metal clatter and minimal piercing electronics. B-side is a collage of a crowd in panic assulted with feedback and low end drones of hate. MANDATORY! HIGHLY RECOMMENDED! Co-released w/ MISTAKE BY THE LAKE.


Compilation of tracks from oop and rare releases from OHIO's SOUNDESIGN label run by DAVID RUSSELL. Contains tracks from: RELENTLESS CORPSE, JERK, SKIN GRAFT, FREE TIME, HOWLAND/RUSSELL, BOWERS/RUSSELL, TUSCO TERROR, and TERRORIST OTHER.

AA RECORDS



'The source material for this release is a live recording of a pre-Basketcase project called Mr. Asthma from sometime before 1999. Originally an improv jam session on Detroit public radio, this updated mutation by Nate Young consists of tape manipulation, reeds, brass, cello and strange, metallic loops completely restructured to sound ancient. Sort of a collaboration a decade later. C-30 '---LABEL DESCRIPTION


'Montreal should be in Michigan. This release makes me think about the possibilities of forced continental drift. Merging Montreal with Detroit would definitely be an improvement. Upgrade for Detroit, Montreal might be pissed. Blake Hargreaves on homemade electronics, mixers and synths. Alex Moskos on guitar, synth and overall destruction. 3 tracks on a c-30'---LABEL DESCRIPTION

ACCRETION DISC



Heavy violent Computer Power Electronics.

ADOLESCENT



ORIGINAL SEALED COPIES of this intense synth weirdo LP from 1981..Strange mix of dark synth and Classical Japanese melodies... Check out the killer samples, but excuse the rough quality..I just used the Mutant Sounds rips since I don't have my record player hooked into my computer at the moment. The records sound much better than the mp3's here.

From back cover notes: 'I do not want to play music which sounds as if it comes from familiar instruments, music which is based on chord patterns, or music which fits nicely within any particular stereotyped tradition... What I want is the terrifying, the menacing, the cruel, the chaotic, the darkly exciting, the ecstatic, the irrational -- music that resounds between the cells and in the intergalactic voids...' --Slava Ranko

Nuff said there really... if you are into fucked up synth records you NEED to own this. He also worked with FACTRIX and TUXEDOMOON if that means anything to ya... HIGHLY RECOMMENDED!

mp3 samples: Golden Peaches -- Half-Animal

AJNA



Now, for the first time, all of the music composed for the soundtrack project has been compiled into a single public release. The Lucifer Rising Suite begins with the 1967 version of the soundtrack and continues through a logical sequence of the recordings made in the years spanning 1976-79. With respect to the latter, the original master tapes were mined for music that had not been heard by anyone in nearly three decades. The newly unearthed recordings were then restored, cleaned up and combined with those previously released to make the anthology as complete as possible. The compositions that comprise the Suite are sequenced in an order that tells a story, after a fashion. It is a story that may be impossible to tell in a strictly literary manner, one that -- like a mirror's reflection into another -- is both personal and allegorical. A complete anthology of the recordings made for the Lucifer Rising motion picture soundtrack by Bobby Beausoleil with The Freedom Orchestra and The Magick Powerhouse Of Oz. This fully authorized and definitive release will include: - Remastered recordings spanning 11 years, from the '67 recording to the Tracy Prison recordings of '78. - 4 full-length LPs worth of Lucifer Rising material with half being never-before-heard sessions personally selected by Bobby BeauSoleil. - 9 new pieces of art from Bobby: 8 record sleeve panels and one 2' x 3' poster. - 2 posters: one by Bobby BeauSoleil and one by Dennis Dread. - A much-extended version of the 'Fallen Angel Blues' piece by Bobby that originally appeared in the Kenneth Anger DVD set. - 'Hymns to the Solar Temple' -- impressions on a visit to Bobby at the Oregon Correctional Facility in Pendleton, Oregon by Dennis Dread. - The Saga of a Soundtrack by Michael Moynihan. - Art from Dennis Dread for the back of the LP box, also to be included as a 2' x 2' poster. - Art from Dennis Dread for the front lid of the box which will provide a window into the works of Bobby's to be found within. Remastered by Robert Ferbrache, well known for his work with Blood Axis, 16 Horsepower and others. All art has been created specifically for this release.

ALGA MARGHEN



'The VocSon series presents on limited edition LPs the most advanced international vocal experiments and is mainly dedicated to the documentation of sound poetry. This series includes now the new LP record by Charlemagne Palestine titled Voice Studies. Charlemagne Palestine's introduction to music or sound was first with his own voice. He began at four years old to sing versions of popular songs and operas in his own way. Later on, a director of a Jewish sacred music choir auditioned him to sing with them, Charlemagne was seven years old at the time and for the next seven years, he sang all over the East Coast and the U.S. as a member of a choir that sang with many of the greatest European Chazans (Jewish Sacred Singers) who had fled Europe during the rise of anti-Semitism and resettled in America. From them he learned to sing in a long chanting style with his own natural voice. At the same time he met Pran Nath, the master of Kirana singing and studied a short time with him as well as Javanese singing with Ki Wasito di Puro at Cal Arts. Over the years, Charlemagne Palestine has performed and recorded vocal works as an important part of his output as a sonic artist. This LP includes the very early 'Surrealistic Studies,' recorded in Brooklyn in the beginning of the 1960s. Using a Webcor reel-to-reel tape recorder and discovering a technique of shouting into the microphone and immediately pulling it out, creating an interior echo chamber where the sound would turn around on itself, changing and distorting. No other electronic sound manipulation techniques were used. 'Voice + Piano Study I & II' are short and beautiful piano improvisation with tape superimposition of accelerated voice pieces. Recorded at Cal Arts on September 29th, 1971. 'Voice Study' was recorded in Manhattan in the mid-1960s. In this study Charlemagne sings in a falsetto duet with himself on two separate tracks. Sung in a resonant space reminiscent of a synagogue in the falsetto voice that he began to develop from Jewish male sacred chant falsettos. He searches for intervals that resonate together and respond like electronic sound wave oscillators played against each other. Finally, there is the fantastic 6-minute 'Beauty Chord + Voice' with Charlemagne playing piano and singing. Edition limited to 385 copies.'---LABEL DESCRIPTION


'As the title well underlines, 'Sound 1' electronic sonority is a starting point in Charlemagne Palestine researches for the Golden Sonority. Previously unpublished, this radical and foundamental work has now been released on LP record in collaboration with the New Media Dept of Centre Pompidou (National Museum of Modern Art) in Paris for the first 'Œuvres sonores' event, December 15th, 2008.

Charlemagne Palesitne started to dream of an expressive continuous evermoving everchanging sound form; an enormous sonorous 3-dimensional sculptural canvas in mid-air, using electronically produced sounds. At first he began experiments with simple sine tone generators emitting the purest sound waves without any overtones. Then, gradually, with access to moog and arps, he constructed sounds using the sine / sawtooth / square wave oscillators in a fluid everchanging mix of adding or filtering overtones and white noise to create sonorities constantly changing timbres and weight. Palestine experimented in this way from 1964 till 74 in NYC and then, in California, finally he assembled his own drone machine of 16 ultra stable oscillators designed by Serge Tcherepnin and 4 band pass filters designed by Donald Buchla. He would build up a sound, oscillator by oscillator, then add ever so slightly to the oscillator imput, tiny increments of white noise that would gradually make the sounds thicker and thicker untill they were immense sacred machines humming like gargantuan tibetan bees. Charlemagne played them very very loud, making all the room and objects in it resonate while outside all was quiet and sleeping. He worked like a painter with a palette and a canvas and he mixed and added and mixed and added over, entire nights, mixing adding and then lying on the mattress and listening and fine tuning. Finally, at a certain point, after several nights, the sonority seemed ready to record. He'd put on the tape, prepare the tape machine with the proper level as not to overload it and record the texture.

This 1-sided LP was issued in an edition limited to 500 copies, and about 350 of those copies were offered to the audience partecipating to the first 'Œuvres sonores' event at Centre Pompidou. Less than 200 copies are available for distribution.'---LABEL DESCRIPTION


INTENSE INTENSE INTENSE INTENSE INTENSE INTENSE HEAVY DUTY SOUND, HEAVY DUTY BOOK, HEAVY DUTY INSERTS!!! HIGHLY RECOMMENDED!!!! - AD

'Indeed, for the first time, the work of Charlotte Moorman can be appreciated by means of a significant selection of vintage recordings. The first two CDs highlight a pair of exceptional documents -- a performance recorded by radio station WBAI in New York on 12 September 1964, and a concert from 25 July 1966 in the Theatersaal in Aachen, Germany. These events superbly represent the type of repertoire that Moorman and Paik cultivated and proposed in the U.S. and Europe, in the years following their meeting, in their memorable 'duo' exhibitions. The programs of the two concerts present several homogeneous choices and others more clearly divergent. The Aachen event, in fact, is testimony to the progressive and always more pronounced emergence of meta-musical elements deliberately turned toward the demystification of 'ritualistic' meanings of a concert, even while consciously accepting it as an exhibition frame. It is for this reason that the Aachen recording can document, with respect to the comprehensive programme, only those works in which the sound matrix constitutes the prominent factor. This is particularly evident, beyond several tried and true war-horses of their exhibitions which recur or are distributed equally in both concerts ('26'1.1499' for a String Player' by John Cage, 'Duet II' by Toshi Ichiyanagi and two works by Giuseppe Chiari: 'Per Arco' and 'Ave Maria di Schubert,' both of which were written for the cellist and dedicated to her), in the premiere of Earle Brown's 'Synergy,' a rare and delightful duet with Terry Jennings on saxophone, an almost systematic version of 'Plus Minus' by Karlheinz Stockhausen aided by Paik's Robot in the WBAI concert, as well as, in the Aachen concert 'Sonata No. 1 for Adults Only' and especially the first performance of 'Opera Sextronique,' both by Paik, in addition to other pieces by Earle Brown and Sylvano Bussotti. The second disc includes another unspecified rendering of Ichiyanagi's 'Duet II' and an abbreviated version of 'Cage's 2'1.1499' for a String Player.' Of the famous 'TV Cello' -- conceived by Paik for Moorman as a 'living sculpture' -- the third CD offers an in situ recording realized on one of the three days inaugurating the Paik retrospective at the Museum of Contemporary Art in Chicago, on 11, 12 and 14 September 1982. This version contains respectively the 'TV Cello Duets' with Paul Garrin and the 'Concerto for TV Cello and Videotapes,' largely improvised, 'including a tape collage by Ornette Coleman prepared for Charlotte, also talking with audience.' The fourth CD restores three other documents, collateral but definitely not secondary. One happy example is a choral work performed on 3 September 1964, during the second New York Avant Garde Festival, a performance of Jackson Mac Low's composition 'The Long Hot Summer,' sees in an exceptional reunion the names of Charlotte Moorman, Nam June Paik, Benjamin Patterson, Philip Corner, and Malcolm Goldstein, as well as Mac Low himself. On the relevance of this performance, distinguished by a marked ethico-political intonation and valence, Philip Corner dwells extensively in an unpublished text printed here as an attachment to the sonic documentation. The voice of Charlotte Moorman, characterized by her unmistakable vital charge, is brought back to us through a long and meaningful interview conducted by Harvey Matusow in October of 1969 in the BBC New York Studios. The soundtrack of the video 'Waiting for Commercials,' realized by Paik in 1972 in collaboration with Russel Connor, whose sound collage integrates musical insertions by Charlotte Moorman and David Behrman, completes the anthology put together and offered here. Luxury edition including a 154-page book with original documents, full color photos and scores; a set of 16 full color inserts reproducing the original posters and programs of the Annual Avant Garde Festival of New York; 4 compact discs. First boxset edition limited to 500 copies.'---LABEL DESCRIPTION


'François Dufrêne (1930-1982) is one of the leading artists from the post-war European and French art scene. He played a key role in many of the initiatives of Lettrism, Nouveau Réalisme and sound poetry. In François Dufrêne's oeuvre, art and poetry intersect in a reciprocal experimentation of the possibilities of transgression of their specific grammars. His oeuvre constitutes a singular example of this special relationship between art and language, which throughout the 20th century proved to be one of the most fertile grounds for expanding the limits seemingly imposed on Western art via the history of artistic genres. Many of his artistic creations use objects retrieved from the urban context, such as posters or stencils, or use the voice in non-linguistic contexts. Examples of the latter include his creation of the crirhythm, wherein he reinvented sound poetry and the relationship between performance and text. The present catalog attempts to present François Dufrêne's work as a totality, wherein it would be artificial to separate his status as a poet from that as a visual artist. Poems, books, records, recordings, reverse sides of posters, stencils, films and photographs documenting the artist's actions are combined together in a mosaic that makes it possible to reinterpret François Dufrêne's work as one of the most singular adventures of his epoch, and also re-evaluate the relevance of the challenges he posed to contemporary culture. The CD offered in the catalogue includes the fantastic crirhythm from 1970 titled 'Belle nuisances hantez nos nuits,' the complete 'Osmose-Art' from 1969 where crirhythms are superimposed to classical music, 'Eryximaque' and two 'Lecture-collage' from 1965 as well as the 1958-70 'Comptinuum.' All the sound works presented on the CD are also included in the 4LP boxset anthology issued by Alga Marghen and titled Oeuvre Desintegrale. Full colour catalogue in A4 size, 250 pages, all texts translated in English, French and Portuguese. The book includes a large selection of experimental visual works dating from 1957 to 1981 as well as the biography, essays and original texts (among them 'Pragmatics of Crirhythm' and 'The Crirhythm and the Rest' both from the mid-1960s). Full discography and filmography are also included. First edition of this large catalog, the first ever to fully document the work of François Dufrêne.'---LABEL DESCRIPTION


Killer LP of nearly an HOUR LONG of a dude reading from his book of the same name...which is just page after page of the letter 'I', so ya..Thats an hour of a dude saying the letter 'I' over and over... FULLY RULES.. This was a great one to put on at the Encore Record Shop to get annoying customers annoyed. Edition of 240 copies.


Excerpts from the liner notes of Volume Two, written by Philip Corner: 'Everything Max Has' (1964), Max Neuhaus solo, recorded at the ONCE Festival, 1965. 'A performance of Max's taking down all of his stuff; tons of equipment filling entire stages'. 'Big Trombone' (1963), Jim Fulkerson improvisation over tape collage. 'Homage to Revere' (1962) for ensemble of copper-bottom kitchen utensils. 'Punkt' (1961) for ensemble of staccato sounds. 'Since the critics were calling us the plink plunk school, I contributed a composition favoring only those punkts for centuries having defined and inhibited Western music'. 'Passionate Expanse of the Law' (1959) for ensemble, recorded at the Composers' Forum, NY, 1972. 'Expressions in Parallel' (1958) for ensemble. 'From my earliest compositions I have been more enticed by an opening out towards greater possibilities, than in cheap and arbitrary limits of stylistic unity.' Digipack first press of 1000 copies, including a 12 pages booklet with liner notes, scores and original documentation.---LABEL DESCRIPTION


'Yet not to forget that extraordinary place where so much of the new and exciting performances at that most interesting time in New York, took place. There was a Theater there; and a place for the first Happenings. An Art Gallery... and later the famous Judson Dance Theater. There was Philip Corner first performance. The concert was in early 1962, January 2nd, to be exact. Handwritten change on typescript: Yoko Ono's studio, changed at the last moment to Judson Church. A lot of players; and a lot of pieces. Some of my old friends, like Toshi Ichiyanagi or Richard Maxfield. And a lot of new names from California, Dick Higgins and Alison Knowles, the connection between the old New York and this new scene. The creation of the Dance Theater: Philip Corner involvement with it from the beginning. Excerpts from the liner notes of Volume One, written by Philip Corner: 'Passionate Expanse of the Law' (1959), extract from the first NY performance, featuring Charlotte Moorman, Philip Corner, Malcolm Goldstein. 'I wrote this on an Army cot in Texas, in the Fall of 1959; a continuation of and a major development my exploration of maximum disjunction.' 'Air Effect' (1961), first performance, featuring Philip Corner, Alison Knowles, Malcolm Goldstein. 'From 1961 already my music became characterized more and more by attention to the continuous quality of sound. A chamber ensemble, dedicated to directness of breathing.' 'OM emerging' (1971). 'As pure to begin' (1963), Philip Corner, piano with preparations, objects and amplification. 'The purity of keyboard sounds turn progressively noisy, effected by the strings themselves being touched, and touched by objects which are then laid on them and magnified by microphones'. 'Music, reserved until now' (1963), recorded at Judson, 1965 and featuring A-yo, David Behrman, Philip Corner, Malcolm Goldstein, Dick Higgins, Joe Jones, Alison Knowles, Jackson Mac Low, Charlotte Moorman, Nam June Paik, Chieko Shiomi. 'A score for non-traditional sound sources.' 'Composition with or without Beverly' (1962), recorded at ONCE Festival in 1963; Philip Corner, piano with prepared tape sounds. Digipack first press of 1000 copies, including a 12 pages booklet with liner notes, scores and original documentation.'---LABEL DESCRIPTION


'Gong + presents three previously unpublished compositions by Philip Corner recorded in New York City, 1974. 'Metal Meditations with Listening Center', a 29 minutes long piece, is a collaboration between Philip Corner and Bill Fontana. At that time Bill Fontana was very interested in the resonance properties of every object, putting his ear to everything, and sometime recording what he called 'Listening Centers' (soon to be issued by alga marghen). A microphone placed in a resonating space (for example a jar, or a pipe) recording the environment with no intervention from the artist. This time the 'Listening Center' was integrated as an active element on two pages from 'Metal Meditations' ('one stroke: vigorous: one resonance' and 'these are twirlings, sworlings') performed at the Intermedia Foundation. The continuous resonance of metal objects mixed with the chaotic sounds of New York City distorted through the 'Listening Center'. 'Gong!' is a series of works and can be considered forms of kinds of 'Metal Meditations'. They are more-elaborated performing plans for/on this 'prototype of all rich resonances', so, are musics assuming long-resounding & more-than-single-pitched large-surfaced (likely) lower-tone-favoring metals. Some substitutions are possible: piano? low clusters and selected sonorities. Colors controlled from pedal. Struck by soft stick(s)--- or from keyboard. This specific version, titled '2 as entrance ? passageway (resounding regularly)', was recorded on May 22nd, 1974 at The Kitchen and performed by Philip Corner, Brian Dallow, Daniel Goode and Carole Weber. The piece starts with deep resonances of the gong played by two performers and very slowly fades into the pulsation of the low-key strings of the piano. The last composition on this compact disc, taken from a different series of works titled 'Pulse Polyphony', was also recorded at The Kitchen during the same festival. 'Pulse Polyphony' compositions may use very different materials; one of them (the central part of 'Oracle', an electronic music piece) was included in On tape from the Judson years, a previous compact disc issued by alga marghen. The version presented here is the passage from string piano to bell-tree.'---LABEL DESCRIPTION


'in 2001 thomas buckner organized a series of concerts at the merkin hall in new york city asking contemporary classic composers to perform together with another artist of their choice. when robert ashley – already one of the most anticipated guests – decided to invite his old friend walter marchetti to perform together, the peak event of the series was set. it was the first concert of italian composer marchetti in the states for more than 30 years. the night of october 25th, 2001, the audience at the merkin hall had the privilege of being presented one of the most dense, intimate and breathtaking events in contemporary music history.

the 2lp set, limited to an edition of 300 copies and published by choose, is produced by emanuele carcano (alga marghen) and jörg hiller (choose).

side a and b include the live rendering (realization?) of two walter marchetti sound works previously issued on cd by alga marghen. a 25 min excerpt of 'nei mari del sud. musica in secca' and one painful variation from 'de musicorum infelicitate'. the performance of those tape pieces was conceived as an action theatre event.

side c includes the recording of robert ashley's 'yes, but is it edible?', a composition for piano and voice dedicated to thomas buckner who performs it with the composer. this 27:30 min long piece is a true masterpiece, with robert ashley introducing us to creation and coincidence, space and time, private parts and characters, with direct references to the once group and his friends david behrman, alvin lucier, gordon mumma, pauline oliveros, terry riley, 'blue' gene tyranny, george manupelli, as well as maria calas and patsy cline, elvis and lennon, monteverdi, pop music, irish and jewish new-comer's broadway musica parody of america, lloyd-weber, 'saturday night life', chinese opera, mariachi bands, country music and much more.

side d includes 'practical anarchism', a touching homage that robert ashley dedicated to walter marchetti. previously published as a text by alga marghen in the booklet of 'antibarbarus' cd, this is actually the first time ever that this piece for solo voice, performed by the same robert ashley, is made available on record. here robert ashley mainly refers to walter marchetti's trip in the states, touring with zaj in the early 1970s at the invitation of john cage who considered zaj 'the only composers of genius and dignity'. as robert ashley says '...genius and dignity radiate for thousands of miles. i know of walter marchetti because of the radiation of the genius and dignity. weeks later he and juan hidalgo and esther ferrer appear at the bus station in oakland california. genius and dignity light up the humble landscape of the bus station in oakland california. i have never felt such presence. they give two concerts. the american audiences are baffled and arrogant. hostile to brilliance. an hour of almost silence. the most modest and sweet sounds in my experience. then walter's piece a roar. the audiences are baffled. maybe the most important concerts of my life. a kind of dignity long lost. perhaps truly extinct...'. also on side d is 'musica per un bicchiere non molto grande', an early zaj piece by walter marchetti, performed here by robert ashley.'---LABEL DESCRIPTION *** co-released with CHOOSE***


'Live recording at the Rotonda del Pellegrini, Milan, January 21st, 1959 featuring John Cage, Morton Feldman, Juan Hidalgo, Leopoldo La Rosa, Walter Marchetti. Among all the events involving John Cage during the long stay in Europe that followed his controversial appearance at Darmstadt Ferienkurse in September 1958, the concert he held in Milan on January 21st perhaps represents a less well known episode. The edition includes a 36 pages essay with photos and full documentation of the event.'--LABEL DESCRIPTION

ALGA MARGHEN: DIE TAUBNESSEL



'A record of extreme poetry and sound. Arnulf Meifert was the first drummer in the legendary German group Faust (he is only present on Faust, the first LP issued by Polydor). Later, and for many years, he was a companion of Vienna actionist Guenter Brus, whose 50th birthday was celebrated with the publication of the Panishes Liederbuch LP (the now mythical first LP issued by Die Taubnessel back in 1988). For the recordings of this new project, Meifert met Kommissar Hjuler and his wife Mama Baer, also experimental musicians, but nearly two generations younger. They have been working together for just a few hours, so everything had to be totally improvised. Nevertheless, Meifert brought some texts with him, fascinated by confrontations of word and music. These texts range from the Old Testament to Renaissance artistry and Christian hate-speech from the 20th century, ending with a modern guide for the voyage from death to rebirth. The impressive and singular cover artwork was done by Klaus Holzmann, an upcoming Austrian artist. Two letters showing the discussion between Meifert and Hjuler after the meeting are also included. Edition limited to 280 copies.'---LABEL DESCRIPTION


'One-sided LP record. After completing the Unrein Bis Zum Abend/Reise Ins Diesseits LP recordings, Arnulf Meifert decided to be available for the Slashdeath project, this time under the direction of Kommissar Hjuler and in collaboration with Mama Baer. What resulted is a kind of death-metal-pastiche or parody, spontaneously realized with nearly no instruments at all. Quite noisy and primitive screams with percussive cymbal ostinato! Black cover with no info at all, except Slashdeath in printed lettering. Edition limited to 115 copies.---LABEL DESCRIPTION '

ALGA MARGHEN: PLANAM



'Dendoshi is Keith Connolly (No Neck Blues Band), Raymond Dijkstra (Asra), Dave Nuss (No Neck Blues Band) and Timo Van Luyk (Af Ursin, In Camera). Dendoshi: 'he who comes to propagate the ceremony' or 'missionary' (japanese). There had actually been a previous incarnation of Dendoshi (hence Dendoshi 2), which was a large group performance in New York which concentrated on elucidating the memories of a dead tree which had been re-contextualized as a sculptural exhibit.

Some thematic reference: The name 'Dendoshi' originates from the work of japanese filmmaker Kyoshi Kurosowa, whose films also inspired the content of the first performance.  When the opportunity presented itself for Connolly, Dijkstra, Nuss and Van Luyk to come together to make a session, it was the perfect opportunity to realize Dendoshi not as a one-off performance on a theme, but as a recurring ritual in development.  The resulting music widened the conceptual reflection of the band, bringing to mind the history and ideas of Franz Mesmer.  Mesmer, the eighteenth century Austrian spiritualist healer, was among the first to put forth the theory of what he termed 'animal magnetism', regarding a universal fluid which permeates all matter and can be influenced by the will, not dissimilar to some of Eliphas Levi's concepts. What seemed to set Mesmer apart was an attention to mood and atmosphere, an aesthetic component to what were scientifically quite dubious theories, which lent to his work an aura of portent - thus the parallel with the music captured as Dendoshi 2.  Reflecting the qualities that all four musical sensibilities had in common, the album is a statement upon the ephemeral nature of atmosphere and will, and the relation of reverie to oblivion as opposed to ecstacy. 

The symbol, or mark on the front cover created by Connolly came intuitively and without revision. It's applied function is that of distinction rather than that of protection or as a seal. It was first applied to the photograph by Clarence H. White form 1904, where the first resonant depiction, or personification, of reverie and oblivion as applied to Dendoshi was found. By applying the mark Connolly is ceremonializing the image, thus rendering it distinct from its original form, not as an appropriation, but as a recognition. The other images followed, and each of them was recognized instantly without having to search. The last was Vermeer's image from Van Luyk's basement, and upon recieving this the series of 4 inserts was complete. There is a trace of fear and a sensation of suspended time in these images which suits the music very well.

Edition limited to 300 copies on gold cover.'---LABEL DESCRIPTION


'Entering their 20th year of existence, the GOL orchestra, together with the label Planam, celebrates and starts a new program of collaborations: the Gollaboration series. Volume 2, Pandamoniahbleeummm!!!! marks the encounter with Charlemagne Palestine, pioneer of strumming music and piano maximalism, in the St. Eustache Church in Paris, known for its world famous church organ. The following battle, in the form of a long incantatory improvisation, Charlemagne Palestine playing the church organ and GOL doing the electronics, bass, guitar, and the flutes part, combines many attributes of a pagan ritual. Edition limited to 300 copies, also including a large insert with liner notes and great graphics by Jean-Marcel Busson who also designed the front and back cover.' ---LABEL DESCRIPTION

ALIENATED HOMINID



Split cassette between this Canadian Harsh Noise couple...edition of 50.

AMERICAN TAPES



'One Sided 7 inch and CD. Bruiser and Kid, separated physically (not emotionally) by about ten feet in the shadowz of Schooner Cove, lay down the first vinyl outing by this 'wives at work = the boyz will jam' afternoon electronic harsh noise project. The upcoming BR lp on Troniks was threatened not to be cut by the mastering dude due to horrible clean tones, and you tell on this they were struggling as well. Black hole sound, terrible textures. Ruff & Raw. Color wax, color cover, lock groove, and tape collab CD round this mutha out.'---LABEL DESCRIPTION


part two of the Fag Tape Heath aka Juice's 'Trapped Title series. ---JOHN OLSON


'Heavy swirling noise from Circuit Wound and Birth Refusal, west coast and mid coast knockout collabo. CW remixed the Refusal podcast from a while ago, mail style. Thick weirdness but kinda tech with is a nice new angle considering the anti-sound/fidely Coorz/Conn combo. Aint walls, but walls of the schizo ward, closing in.........in....... Edition of 200, color vinyl, art, and speed, any.....'---LABEL DESCRIPTION


Artist Edition of the DM 7 incher on iDeal. These copies come w/ individually hand painted artwork by JOHN OLSON and a CDR w/ tracks from DM, Tovah D-Day, and Spykes. Numbered edition of 40 copies.


'Oldest recording here, 13 years!!!. DS Hastings man...what can you say? Well,...how about:

A: Fresh

B: Old School

C: Waaay Underground

IF you heard his totally obscure output on S.F.C.R in France or Square D recordings from Detroit all before 1995 then you know Hastings has his pulse on some raw, environmental, weirdo, static, fluxus style non-sound. Its like what Captain Crunch listens to before Tony The Tiger walks the plank into a boiling sea of washing-machine chewing sharks. Dude is a HUUGE influence from his like three releases. But you aint gonna see him around live anytime soon......underground..... SO: the record....some label...I forget who/what was gonna do an OG 7' Waaay black in 1995 between DS and DL Savings Time...it never saw light....UNTIL GNAW!!! Here is the original recordings and two new Collab tracks. This thing is as raw as chewing on a thirty foot tree with cement teeth while wearing a basement rug as a crotch-cloth.


'What is up with the mail these days? Sometimes you get the weirdest things.'---LABEL DESCRIPTION. Edition of 100 handnumbered copies in handpainted / collaged sleeves.


One-sided collab LP from Paul Flaherty and JEff Hartford aka NOISE NOMAD. Haven't thrown this slab on yet..but it's GOTTA be weird as fuck. Edition of 100 copies.


Good luck reading this!: 'Rolling early to a gig can be problematic or amazing or a weirdo combo of both. The boyz rolled WAAAY to early to gig in Richmond VA only to get chased outta a strange bar (and sure enuff: same thing happened at the gig later at a piece of shit bar we jammed), but sometimes, rolling early into a city can be mindwrecking: In Philly, some years ago, we rolled in hyper early and found (and waited in the van until it opened) a killer mega-bowl complex and posted up for HOURS. Brew flowing, pins knockin, no one there but the crew. RULED. After a way too long stretch of horrible double digit bowling, I wandered outside and called my main homebox PUCK to see if there was anything to peep before we roll onward to the R N R business hours. Puck thought for a second and said: 'Ya'll already busted that cheesesteak local spot...so...if you feel up to something REALLY intense...naw...forget about it...' 'Naw man, f-that- what is it?' 'Well, I had a super heavy sess there, if you feel up to the internal challenge: its right by the bowling alley- hit up JONATHAN & SUZIE's PSYCHIC SHACK' Blown away by the prospects, I hung up, put out my cigarette on the bottom of my Red Wings, straightened up my coat and walked two blocks to the spot. After finding it easily enuff, I rolled into the lobby and was first shocked by the decor on the walls: intense blood-sex-soaked paintings of zombies and horrible gore all done with the perfection of a pro graphic artist. Whoa! What did PUCK roll me to? Is he getting me black for the time I spilled pink clothes dye on his fav jersey? This place is too strange. I rang the bell, signed in on the sheet, and waited in silence in an empty lobby staring at a painting of a zombie chewing an ear of a bikinied lady. Tired from the brew session at the bowling alley and arm aching from trying to get the ball speed cam up to 87 mph on the lanes, I dosed off. Feeling a slight nudge on my elbow I perked up and met JONATHAN, a huge welcoming dude with long blond hair and a SWANS 'MONEY' tour long sleeve shirt and followed him into the reading room. I was ah...psyched!! I came into the small black room, shook hands with SUZIE, who was decked out a TG shirt, also long sleeve and was ready for the reading... The magical couple stared at me for what seemed like 15 minutes and then nodded to each other and said, almost in unison: 'I see you are from Michigan, and therefore are probably uncomfortable with a very personal reading.' 'Ah, right on.' I said, thinking to myself that Puck had found a player a PERFECT spot. After another stretch of awkward but easy silence Suzie said: 'Well, you have a gig tonight, how about a glimpse into the future, not you, but what the world be like in say 10,000 years?' 'Man, whoa, hit me up!!!!' 'First, put both yr finger tips into this small pot and close yr eyes. There will be no words spoken but you feel the future, good or bad...' Feeling the energy for a new situation and also the coming excitement of telling Puck/the boys about my PSYCHIC SHACK experience, I rolled up my sleeve, and put my fingers into the warm oily magic liquid and sneaked off... What happened next or rather what I experienced just can be put into INZANE words. The future was: INTENSE.... fully of evil machines grinding onward on terror business, clangs disappearing into space, huge planets full of strange sounds delay into the deep atmosphere. It was strange, horrible, and super ace all at the same time. Man was I stoked. So I walked out with Suzie and Jonathan, mind blown/shown by the future, ready for the present and ready to thank the crub outta my main man PUCK for the psychic tip. As I was walking out the door, Suzie says, 'Wait I forgot something... Here is a box of 100 records that was the soundtrack to that evil future.... we had em pressed while you were out cold, live at that studio that did the CRUDE PA comps....' 'OMG- no way...the sounds...were...too much.... and on wax????' Jonathan says, firmly: 'Yeah man, and jamm it at any speed, I know yr crew digs that...slower the better...cant be slow enuff.....' And then stared at the floor....... 'Well, we know NONE of yr crew will believe you so here is some proof to show em....' So here it is. TRUE STORY, yo. THE FUTURE...10,000 yrs from now.... SEXUAL ASSAULT RIFLE. ON WAX. Edition 100, handmade covers, numbered'---LABEL DESCRIPTION


Killer party document w/Connelly & The Machines, Body Morph, Hive Mind, Dog Lady & Drainolith

AMETHYST SUNSET



'Vinyl debut from the Ohio duo of MIST (john elliott and sam goldberg). Following up their 'certain expansion' and 'stole colors' cassette releases on pizza wagon, MIST offer up two full sides of their best material yet. Electric Organs. Beautiful and dreamy progressive synths, kosmik string synth zone. Limited to 500. Pro printed covers.'---LABEL DESCRIPTION

ANARCHYMOON



'fierce live recording of this epic event on Jan 13, 2006. one side per set, including final side of 4-way collaboration. somehow they managed to fuse the minimal low-fi rig of Dead Machines with the maximal power cycle of Damion Romero and spatious neutron radiation of John Wiese, i was wondering how they were gonna pull it off.... it is a crunch-roaring bewilderment in sound. John Wiese - sonic landscapes that swirl and build, psychedelic even Dead Machines - slow grind through homemade speaker-suitcase. a groovy ride on nails and steel wool Damion Romero - physical psychic, you could feel it in the concrete floor 4-way collab - thunder-wail with flowers and sharks *****sonic hallucinations all 2xLP black vinyl, pro labels, high-quality 3color covers screened by Seizure Palace in the usual beyond-sick fashion on 12


CD reissue of one of my favorite 10 inches w/ a bonus track. HEre's my original write up for the 10 inch version: 'Man... This 10 inch really blew my gord... Prolly my fave 10 inch since the PETER FONDA TRIBUTE on MASSACRE AT CENTRAL HIGH... Man... REVERB GALORE and preolly the BEST DRONE to be made in the past few years... Scraping metal drone... Will keep you OVER satisfied till the next TNB/ORGANUM collab...which we know AIN'T HAPPENIN'...'


'burning blisters in the bowels of a bayou petroleum stink-hole. redwound == circuit wound ++ redglaer collab. super-awesome screen printed fold-over jackets (silver ink on white), and on the blank side of the record (silver-red ink, looks like bloody grip tape), in a plastic sleeve. 'screen printed fold-over jackets, screen printed record, plastic sleeve. limited to only 129 copies'---LABEL DESCRIPTION


'Roman Torment 'The Gift of Grief' - a floral assault of carbide-tipped blades, underground atomic collisions, dripping with sorbet and liquid silver. an unrelenting abuse of the artists' ears and throats for our benefit. Feed the Dragon 'Bromide Romance' - narcotic ritual. the history of desperate ages and the final moments of delivery into chaos / nothingness, scorpions erupting from cactii. who will be left to laugh about the death of civilization??? good loud cut on black 12 inch vinyl 45rpm, white jackets with color prints glued on the outside, color insert, plain gold labels. lim 300

ANOEMA



'A giant of Scandinavian experimental music, Lasse Marhaug has been active in sound creation since his teenage years. His interests have spanned a wide range of styles: from improv jams to film sound, from humorous collages to crushing harsh noise works. This non-stop activity has resulted in a massive body of recorded work and numerous live performances all over Tellus. Besides his solo work he has collaborated with a multitude of fellow sound artists on stage and in the studio.

In the everflowing stream of music from Marhaug, Quality Control leans towards the noisiest end of his output. With an active, hands-on approach to sound making, it rushes forward to present us with a panoramic view of a mock world inhabited by trash electronics battling it out on a barren desert field at the end of the known universe. From short outbursts to extended epics, Marhaug cooks up an explosive brew of storming feedback and out-rock guitar overload. Quality Control portrays a mature artist at the top of his game.'---LABEL DESCRIPTION


'Pioneer, innovator and visionary are words easily associated with Toshiji Mikawa. One of the prime movers of Japanese noise, he started his musical activities in the late 1970s and joined the legendary and notorious Hijokaidan. In 1981 he formed Incapacitants to pursue his interest in pure noise, in contrast to the more performance art oriented Hijokaidan of that time. Initially a solo project, later he was joined by Fumio Kosakai to make Incapacitants a duo that has been widely acknowledged for their extreme sound and intense live performances.

Gyo-Kai Elegy is the debut CD release under Mikawa's own name. It grants us a close-up view of his sound which is normally immersed inside Incapacitants' mighty sound structures. We get highly detailed, unforgiving electric annihilation, invoking images of imaginary lifeforms trapped inside cages of silicon crystals. Occasionally the sound expands into juggernaut drones or floats away into a cavernous space that seems to be inhabited by morbid bats screaming at piercing sub-ultrasonic frequencies. Once again, Mikawa-san shows us all how to create noise with intensity, perspective and character without a hint of compromise. '---LABEL DESCRIPTION

ARBOR



'Michigan heavy domestic-electronic couple Dead Machines always create records that confuse and intrigue. They are the forefathers of broken gear / appliance / wind instrument basement jamming and have their niche dug deep. 'Invasion' exists on the borders of existence- room ambiance is present, but the sounds are totally alien. Twisting mixer feedback and found sound source into a twisted collage of life outside the 'Pod': harsh and awakening, but at times giving way to the trance of the machine lull. Don’t fall asleep. In an edition of 450 LPs with full color pro-printed cardboard sleeves with art by John Olson.'---LABEL DESCRIPTION


'Michigan is a breeding ground where every weirdo has a label, a band, and a handful of secret/under the radar collaborative projects. here graveyards' ben hall and lambsbread's zac davis create a monolithic one sider influenced by too many private press jazz records and abstract instrumentalism. davis turns in his effect pedals for nothing; pure clean tones plucked up and down scales and bridges so uniquely that it is easy to confuse the guitar for a sax. ben hall drums like a man with four arms; constant rattling trap tapping and assorted pots and pans clattering, flowing completely smoothly. a perfect union of sound.in an edition of 300 copies in screened chipboard sleeves by anthony decanini.'---LABEL DESCRIPTION

ARCHIVO DE SANGRE DE DIOS



UK MELTDOWN! Killer crude drone and buzz fromHockeyFrilla and super hyper tape manipulation from DEEPKISS...Killer document of UK underground rulers.

ARCHIVO LETTERARIO



'Collection of rare recordings of William Burroughs in conversation and readings from the 1970s/80s. This is an essential insight into the mind and writings of arguably the most influential writer from the Beat generation. 'Through his mordant satire of cultural aspirations, homosexual eroticism and political power, Burroughs focuses our gaze into the abyss. His cold, surgical language creates beauty through a terror that we are just able to bear'---LABEL DESCRIPTION

ARS BENEVOLA MATER



Atrax Morgue seems to have reached the terminal stage, after more than 10 years of aberrant activity in music de-composing and sounds murder. No More is a non-compromise work, a reflection of a man that is watching his end, the cold analysis of the inutility of any action. Obsessive,schizophrenic,violent minimal electronic sounds are a soundtrack of a cold hell of nothingness and purity. But the only words that can explain this work are two and simple: NO MORE !!! LTD.505 IN JEWEL BOX WITH COVER PRINTED IN SPECIAL SILVER COLOR-EFFECT..---LABEL DESCRIPTION

mp3 samples: NO MORE excerpt


Originally registered in 1997 and released as strictly limited Cdr edition in 2002 on Amplexus label. 4 amazing tracks to compose an industrial noise masterpiece! Highly recommended. LTD. 500 COPIES IN JEWEL BOX. ---LABEL DESCRIPTION

NOTE: CD EP, 20 MIN LONG.

ARTE LUPO



'Here for the first time are the complete recordings that were made on 11th September 1967 in a rehearsal studio, which went onto be used as demos to try to secure a recording deal, which never happened. Spoken word elements throughout the 18 tracks'---LABEL DESCRIPTION

AURAL SECRETIONS



'Bite into a chunky four part modular beef-up compliments of the Anti-Ear on Side A. Flip it and catch Loachfillet's slithering worm tones before they devour your speakers. Center of the program yields an audio miracle. Limited edition of 100.'---LABEL DESCRIPTION


'Live recordings from a series of Halloween shows in 2006. Both sets recorded from two separate sources and fused together by Romero, creating a heavy sandwich of analog treats. Contains a bonus track from Mic Nasty: The Deuce on the Loose on Side B. Limited edition of 100.'---LABEL DESCRIPTION


'Concrete music that oozes it's way into the crevices of mind decay and polymorphous elasticity. A slab of perpetual cycles making a three piece suite that's good enough for any type of demolition party. Guilty as charged: Joseph Hammer of Soild Eye, Dinosaurs With Horns, and Points of Friction, cavorts with live magnetic tape manipulation, Albert Ortega (aka Slujun) who makes up half of Feed the Dragon, mangles some custom built circuits; Ecomorti, aka Amanda Hendricks of Portland, Oregon lets loose with growls of eco-terror, while Loachfillet of Pigs in the Ground and Mummers (Eype) drops the anvil with a variety of radioactive sludge. Get on with late night ESP band width, and dial in 100 different frequencies simultaneously. Like a LAFMS collage on the microbial terror hunt. Full cover artwork in gatefold sleeve with full color disc art as well. Edition of 100.'---LABEL DESCRIPTION



AUSCULTARE RESEARCH



High sounds treated by KM, low sounds treated by DM


4 Tracks of worm noise... crisp electronic sound... KILLER.


'7hz, founded in 1995 by Scott Arford, has continued to function as San Francisco's premiere venue for noise and experimental media. A space where new combinations of image, sound, and experience can be realized. Since its inception it has had the privilege of hosting performances for many of the world's most interesting, progressive, and challenging sound and media artists. This CD represents some of the best recordings by each of the 3 people that live at 7hz and make happen. Randy has appeared on Ground Fault (GF009 - RHY Yau 'The Hidden Tongue'). Scott is also no stranger to Ground Fault (GF003 - Radiosonde 'Meter Sickness'). Michael Nine is better known for his work under the name Death Squad. This is the fourth collaborative CD between Randy’s Aucultare Reseach label and Ground Fault Recordings.'---LABEL DESCRIPTION

BANNED PRODUCTION



MEDUSA is 6 CD's of tape manipulated tape hiss. Hiss from 8-tracks, hiss from cassettes, hiss from reels, hiss from 20th generation VHS dubs of silent news footage, hiss made louder, hiss taped over sound, hiss taped over hiss, hiss multiplied, hiss delayed, hiss reverberated, hiss blown.

Recorded by Aaron Dilloway 2008 at Tarker Mills, Oberlin, OH. Thanks To AMK and Fritz Pfleumer.


As it says on the back.


Wikkid 3 incher from Always ruling legend AMK. 2 tracks recorded LIVE in LA and SF.


Fucked up vinyl loops and melting noise from the master of BANNED PRODUCTION!!!!


VERY Strange!


Killer RUST HUMS from King CHOP SHOP. Packed in tar paper.


'i wrote gen-ken a letter one day, telling him i felt my life out of balance. i thought one reason is that he no longer had a release on my label. what he did is take little styrofoam balls, bounced, rolled and rubbed them against bottles, glasses, boxes and bags, which in turn, brought me back in balance. in a round box with some of the little styrofoam balls from the recording.'---AMK, Banned Production label description


Untitled pice for Prepared Chorde Organ, Microphone, and electric motors. NUFF SAID!!! JOE COLLEY!!!


'mike shiflet, the honcho of gameboy records and francisco meirino who used to be in phroq. got together at a raszen in osaka and while drinking too much japanese beer recorded this. a sizzling static becomes relentless as weird electronic insects buzz around. somebody attached a contact mic to a tatami mat and beats on it mercilessly. it all changes into a high pitched whiny rumble of junk electronic that goes on forever. in a destroyed package.'--AMK, Banned Production label description

mp3 samples: RAIZEN TATAMI excerpt


Amazing organic strangeness in an another amazing BANNED package!!


'a cd version of the 1987 cassette release with artwork and sound from joseph nechvatal, phil perkins, ramleh, mystery hearsay, vivenza, 37 pink, joel haertling, architects office, amnesia quartet, rick sanford, brook hinton, pgr, and merzbow.'---AMK, Banned Production label description

mp3 samples: out of context excerpt

BELOW PDX



Sparse electronic rumbling and fluttering saxophone, beats, vocals, actual SONGS! Vocals remind me somewhat of Tom Smith... Edition of 51 copies.


Argumentix and Soup Purse of Portland collabing on some fractured beat noise.


Field Recordings of the city of PORTLAND, OR !!!!!


Compilation of electronic, noise, and weirdo music from OR. Tracks from, FROZEN BODY, INCA ORE, DRAGGING AN OX, THE TENSES(smegma!), THE SUNKEN, THROUGH WATER, GHOST TO, LOYAL MANTOOTH, BADLANDS (mi represent!), FALCO, REDGLAER, HOUSEHOLED, ORGANIZER, FOULED SNOW.

BENNIFER EDITIONS



DISGUSTO radio collage and loops.. ultra crudely edited... music box songs, horse races, modern drummer... yuck


Seriously DAMAGED cassette melting from someTHING close to the Gastric crew... MANGLED SHIT.


Scumbo collage and guitar splatterings from this down under blenderboy... been a while.... RULES

BIRTHBITER



Insane collab between these 2 masters of Harsh Noise!


AMAZING AMAZING AMAZING... Definitly the BEST TNB collab record since the stuff w/ ORGANUM... Amazing free flowing JUNK SOUND... HIGHLY RECOMMENDED! Edition of 500 copies.

BLACK DOG PUBLISHING



MUCH NEEDED book focusing on the late 70's NY NO WAVE SCENE. Presented in an awesome quote/interview style ala PLEASE KILL ME with added commentary by MASTERS. Excellent pictures and Discographys of all the bands involved. Concentrates on the main NO NEW YORK core of DNA, TEENAGE JESUS, MARS, and CONTORTIONS, but also digs deep into info on their contemporaries and followers like THEORETICAL GIRLS, UT, SONIC YOUTH, MATERIAL, etc... Really killer book printed in awesome 'RE/SEARCH' size. HIGHLY RECOMMENDED!

BLACK TENT PRESS



YES! TONETTA on LP!!! If you have not yet heard / seen TONETTA, go to Youtube, type in his name and witness for yourself while your jaw lays on the floor and you constantly look over your shoulder. Comes with a CD version that is exact as the LP. Silkscreened covers. Numbered edition of only 500 copies. The below review from Weird Canada is pretty dead on:

Long overdue debut LP from Toronto-based sexual hyperbole that collects material recorded between 1983 and 2009. Tonettas recipe for success consists of wasted erotic lo-fi dripping in wet bass, fruity drum loops, and occasional 80s guitar sleeze: backdrops for his variety show of graphic sexual acts, perverts, prostitutes, drug use, hedonism and occasional political rhetoric. Once a song is recorded, Tonetta dons a costume (g-string, Kabuki mask, demon makeup, etc), takes off most of his clothes, and dances. After the initial sexual overload, a gripping desire to break through the facade takes over. The songs are compelling enough to dive right in and the LP, removed from the visceral overload, allows a new entry-point into Tonettas garish existence. As a compilation of material spanning 25 years, the album is one highlight after another, from the soaring 80s cheese of Drugs Drugs Drugs and I Want to Marry a Prostitute (which could be a viagrafied Jimmy Buffett song), to the Bowie-esque album standout Im Still a Slave. In the tradition of musical oddities like Jandek, J.T. IV, or more recently Blank Dogs, Tonetta is a mystery best left unsolved. Weird Canada grants this our highest recommendation. --- www.WEIRDCANADA.com

mp3 samples: STILL A SLAVE

BLOODLUST!



Creepy shit from Jonathan Canady aka DEATHPILE.


'CD edition of out-of-print cassette, originally released in a numbered edition of 50 copies in 2006; The Fortieth Day is the duo of Isidro Reyes and Mark Solotroff, both key players in the power- electronics outfit BLOODYMINDED, a unit known for its confrontational live shows. Here, Solotroff and Reyes show off their kinder, gentler side, using guitar, bass, and synth to improvise 'sustained, withering blasts of high-pitched noise that are as distinct from one another as spotlights sweeping across the night sky; jackhammer clatter, jet-engine whines, and forlorn keyboard melodies dart in and out of those huge sounds with the grace and impunity of plovers picking a crocodile's teeth' [Bill Meyer, Chicago Reader]. Professionally duplicated CD, single panel, double-sided insert; black and white artwork; in jewel box with shrinkwrap; Released in 2008''---LABEL DESCRIPTION


11th in the Bloodlust! Private series. 'Bereft is Peter Lee from Force Of Nature Productions (Rhode Island). For this solo project, which has had very limited releases on Truculent Recordings and on Antihumanism Records, Lee crafts a mixture of old-school industrial and power-electronics, with intense vocals - tempered by dark, death-industrial-influenced, ambient soundscapes.'---LABEL DESCRIPTION


Insanely short CD single from my favorite leatherboys. 3 quick blasts of the rough stuff.


BLOODYMINDED's masterpiece from a few years back. Totally weird Power Electronics release. Longer tracks on this one...really moving into a strange territory which fully blooms on Gift Givers... Killer to check out the transition.


Welp...so far...I gotta say.. RECORD OF THE YEAR... Thought it couldn't get more fucked up than GIFT GIVERS??? Oh SHIT! Man...the dudes stright up created a new GENRE w/ this release... Or is there someother POWER ELECTRONIC SOUND POETRY release out there??? Serious...TRUE CHICAGO POWER ELECTRONIC SOUND ART is what their new stickers should read... Disc is FUCKING NUTS. No Electronics... JUST FEEDBACK AND VOICE...but NO WORDS! Just gutteral screams and groans and the SOUND OF THE FUCKING END.. THE SOUND OF HOPELESS DISASTER... TOTAL PANIC AND DISASTER. Amazing Release!! And Possibly the Guiness Book Winners for MOST FUCKED UP SONG TITLES EVER!


'CD edition of out-of-print cassette, first released in a numbered edition of 100 copies for the April 2007 BLOODYMINDED tour, then in a numbered edition of 25 copies for the Leaderless: Underground Cassette Culture Now exhibition at Printed Matter in New York City; Special conceptual recordings approved by Pierpaolo Zoppo, himself; Professionally duplicated CD, single panel, double-sided insert; in jewel box with shrinkwrap; Released in 2008'---LABEL DESCRIPTION


HAd these for a while, but for some reason they never made it into the catalog. Killer CD of live collage? Truly warped feedback and buried vocals. Sold out from Label. Edition of 200.


'A year has passed since the release of the first-ever piece of Climax Denial vinyl on BloodLust! [B!079 'Ritual Smothering' b/w 'Mean Dominant' 7-inch], and now I am pleased to present this artist's most adroitly composed full-length recording, to date; Comprised of nine pieces --- including a befitting cover version of the delightfully indelicate Deathpile song, 'Breaking A Doll' --- 'You're Never Safe' is an excellent showcase of the unique blend of power-electronics, death-industrial, and noise --- but let's just call it music from now on --- that Milwaukee, Wisconsin's Climax Denial, AKA Alex Kmet, is increasingly well-known for; This CD was skillfully mastered by Thomas Garrison (Control, Exsanguinate) at Misanthrope Studios in Santa Cruz, California; Professionally duplicated CD, single panel, double-sided insert; color artwork; in jewel box with shrinkwrap; Released in 2008'---LABEL DESCRIPTION


Last winter, when BLOODYMINDED was preparing to go on tour in the U.K., I was put in contact with Lee Stokoe, who was touring at the same time as us, under the name Inseminoid, with George Proctor of Mutant Ape. Not only was Lee beyond accommodating about letting us piggyback on the Inseminoid/Fecalove tour, but he was kind enough to also drive us around the U.K. for several days. I returned to the States with a thick stack of Culver CDs, which took some time to get through. I was most pleased that I enjoyed the music on the CDs as much as I enjoyed meeting and spending time with Lee, himself. After hearing more and more Culver recordings, as well as a few excellent psychedelic/noise CDs by Stokoe's band Marzuraan, I was convinced that I needed to release something by him. "Sugar Tip" is that thing, packaged in handsome collage artwork created by Stokoe for this release. One of the main things that I have noticed about this CD is that it feels like the air gets sucked out of the room when I listen to it. While it is far denser and more complex a sound than Damion Romero's work, the two share the odd ability to move air around with sound in a fairly unsettling way. "Sugar Tip" is definitely heavier than drone, but it is definitely not simple harsh noise. I might refer to it as blackened psychedelic noise. Oh, and do not forget that this guy plays in Skullflower, these days, too. Professionally duplicated CD, single panel, double-sided insert; color collage artwork; in jewel box with shrinkwrap; Released in 2008


'CD edition of out-of-print cassette, originally released in a quickly-gone, numbered edition of 50 copies, in late- 2006; Re-mastered for maximum digital impact in 2008 by Greh Holger [Hive Mind, Cleanse, Chondritic Sound label, etc.]; Here is the original release statement: As a follow up to the great 'Feral Towers' 7-inch [B!054], we are pleased to be releasing newly recorded material from Columbus, Ohio's David Reed, also of Luasa Raelon. 'Hidden' succeeds the recent, excellent Envenomist CD, 'Abyssal Siege' [PACrec] and for this seven song cassette, Reed continues to create somewhat shorter compositions that flow perfectly from one to the next. Dark, echoing, analog synthesizer music, perfect for winter's approaching icy embrace. Professionally duplicated CD, single panel, double-sided insert; black and white artwork; in jewel box with shrinkwrap; Released in 2008.'---LABEL DESCRIPTION


'Following in the tradition of the many great Italian artists who have worked with BloodLust!, including Mauthausen Orchestra, The Soldality, Iugula-Thor, Sshe Retina Stimulants, Sigillum S, Atrax Morgue, Murder Corporation, and Dead Body Love, I am pleased to release this new CD by Fecalove. BLOODYMINDED played five shows with this deviant, during our 2007 U.K. tour, and each night, I was struck by the unique performance style that I witnessed, as well as by the great blend of power-electronics and harsh noise that I heard. This CD offers a view of both the crystal-clear yet filthy sound generated by Fecalove, and the tasty and quite obscene artwork created by Nicola Vinciguerra. You really ought to be 18 years old to purchase this thing, okay? Professionally duplicated CD, single panel, double-sided insert; EXPLICIT color artwork; in jewel box with shrinkwrap; Released in 2008'---LABEL DESCRIPTION


A dirty dirty drag thru the dirt. This CD is an hour of crude and dirty electronics dragged unwillingly thru the yard of Gacy. The inspiration for Connelly and Olson's new project Birth Refusal. You really do feeljust like really dirty after listening to this.


Another killer CD in the IA archive series. This is a reissue of a cassette from 1988. More dirty Power Electronics for your pleasure. IA have such a strange vibe, both in recordings and visuals. Always killer stuff...


'Pressed in an edition of 300 copies; White vinyl; White labels with minimal black text; Unmarked white cardboard sleeves - sealed on three sides; Black and white insert; Locrian's first appearance on vinyl sees the duo of Andre Foisy and Terence Hannum distilling their specific take on deconstructed metal trance music down to just over a dozen minutes of finely balanced, passive/aggressive, shimmering psychedelic drone; Includes locked-groove on B-side; private series number seventeen' ---LABEL DESCRIPTION


aka MAUTHAUSEN ORCHESTRA...Classic shit reworked and KILLING!


'AKA Mauthausen Orchestra; Pierpaolo Zoppo returns with seven new songs, recorded for BloodLust! in 2006, as a follow-up to his 'Smooth Hate' 7-inch (B!065), which immediately sold out of its limited edition of 100 copies - and the 'Forbidden Ground' private series 7-inch (B!056); Perfectly cold, austere, and dark analog material - for fans of Zoppo’s contemporary work, yet carrying enough weight behind it to please all but the most jaded fans of his early Mauthausen Orchestra recordings - as recently unearthed for the lavish Broken Flag box set released by Vinyl-on-demand in 2007; This CD is packaged in a black and white and color Digipak, designed by ex-BLOODYMINDED member, Megan Emish; Approximately 46-minutes in length; Released in 2008'---LABEL DESCRIPTION


'Excellent Manipulation of Distorted Tape Death,' which was released on BloodLust! as a four cassette, six-hour box set [4 x C-90], limited to 50 numbered copies, housed in a large vinyl box. The project utilized progressive analog tape generations and sound fidelity decay as both a direction for the concept that we worked under and for the sounds that we manipulated and ended up with. In 2006, NG5361 revisited those recordings, in a more digital manner, and he came up with two new masters: 'The Edit' - a disc of eight tracks, each drawn from one of the original cassette sides -- and 'Super Density Assemblage' - two self-explanatory, 28-minute-long tracks, built from multiple sections of the box set. This is the second of these new masters to be released on CD. Professionally duplicated CD, single panel, double-sided insert; color artwork; in jewel box with shrinkwrap; Released in 2008)'---LABEL DESCRIPTION


'In 1996, NG5361 [also of Sigillum S] and I collaborated on a recording project entitled, 'Excellent Manipulation of Distorted Tape Death,' which was released on BloodLust! as a four cassette, six-hour box set [4 x C-90], limited to 50 numbered copies, housed in a large vinyl box. The project utilized progressive analog tape generations and sound fidelity decay as both a direction for the concept that we worked under and for the sounds that we manipulated and ended up with. In 2006, NG5361 revisited those recordings, in a more digital manner, and he came up with two new masters: 'The Edit' - a disc of eight tracks, each drawn from one of the original cassette sides -- and 'Super Density Assemblage' - two self-explanatory, 28-minute-long tracks, built from multiple sections of the box set. This is the first of these new masters to be released on CD. Professionally duplicated CD, single panel, double-sided insert; color artwork; in jewel box with shrinkwrap; Released in 2008'---LABEL DESCRIPTION


'Neil Jendon is a fixture in the Chicago music scene, who has shifted between roles as a psychedelically-driven guitarist in the indie/alternative band Catherine [TVT Records], a more experimentally-minded guitarist in the avant-garde group Zelienople, and as half of the group Abduction [with Michael Miley], through which I first witnessed Neil's vivid modular synthesizer playing. I originally came to know Neil in the early 1990's, and if I recall correctly, we bonded over the U.K. band, Loop. But maybe that was his band mate, Jerome? In any case, after losing touch with each other for a long measure of time, I have seen and heard much more of Neil's work in the last two years - and more recently - after seeing him destroy a small local venue with a live solo modular synth set - I knew that it was time to talk to him about a release for BloodLust! Neil's skill as an improviser may come into play on 'Invisibility,' but at the core of these recordings there is what seems to be a familiarity with the palette of early industrial music, be it Maurizio Bianchi, Lustmord, instrumental Throbbing Gristle [grittier than 'After Cease to Exist,' certainly], etc. Neil recently played an excellent set, opening up for Consumer Electronics, in Chicago, and it struck me how well his flavor of synth sits with other types of noise and experimental music, even if I know that on one hand, he comes from a more psychedelic, shoe-gazer-aware place. Now if I could only get around to seeing his post-Catherine, dream-pop band Buglette play live... Professionally duplicated CD, single panel, double-sided insert; color artwork; in jewel box with shrinkwrap; Released in 2008'---LABEL DESCRIPTION


(Pressed in an edition of 300 copies; White vinyl; White labels with minimal black text; Poly-lined inner sleeves; Unmarked white cardboard sleeves - sealed on three sides; Black and white insert; 45 RPM; Failing Lights is Mike Connelly of Wolf Eyes and Hair Police [etc., etc.]; If it seems like there have been a lot of synth releases on BloodLust! these days and forever, then this is Connelly showing you what he can do with dark, distorted, droned-out organ playing; In my head, at least, I understand why this record perfectly illustrates the collision - and probably the collusion - between the contrasting styles of sound generated by members of the Lexington, Kentucky and the greater Detroit, Michigan-area scenes; Somber and unsettling, 'True Form' is as 'true industrial' as can be; seemingly old, and to my ears, totally non-derivative; private series number nineteen)---LABEL DESCRIPTION


Another CLASSIC SLOGUN reissue in this new BLOODLUST!/CIRCLE OF SHIT series... BEYOND BRUTAL! Highly RECOMENDED!!


Volume 3 of this fuckin KILLER reissue series of older SLOGUN cassette material. Menacing and pretty fucking Psychedelic synth work and punishing delayed vocals. Crual as FUCK.... HIGHLY RECCOMENDED!!!


'This is the fourth release in the 'History of Violence' re-issue campaign. 'Hunting Humans' was originally released on cassette, in 1996, by the now-defunct Italian label, Less Than Zero (LTZ022) - in over-sized, folded, A5 packaging, with a handsome vellum overlay. Like the first three re-issue CDs, the audio for this re-mastered version was prepared in Lille, France, by Jerome Nougaillon, while John Balistreri's graphic design follows the standard that he created for the ongoing series; True Crime Electronics'---LABEL DESCRIPTION


'This is the fifth release in the Slogun "History of Violence" re-issue campaign. "Days Of Agony" was the sixth Slogun full-length recording, originally issued on cassette in August 1997 by the cult Italian label, Murder Release. The cassette was housed in a white vinyl clamshell case with a black and white cover that featured a very timely raccoon-eyed picture of Karla Homolka, on the front, and the now infamous yearbook photograph of Homolka's deceased sister, Tammy Lyn, on the back. Trainspotters may also want to take note of the title of track six -- and while you are at it, check into track four -- and then dig very deep regarding the title of track three... Like the first four re-issue CDs in the set, the audio for this re-mastered version was skillfully prepared in Lille, France, by Jerome Nougaillon, while John Balistreri's graphic design follows the standard that he created for the ongoing series; This CD is packaged in a shrinkwrapped jewel box with a four-panel color, and black and white, booklet; "The Angels Are In Pain..." FTW. Released in 2007'---LABEL DESCRIPTION


'(Pressed in an edition of 300 copies; White vinyl; White labels'---label description.


(Pressed in an edition of 300 copies; White vinyl; White labels with minimal black text; Unmarked white cardboard sleeves - sealed on three sides; Black and white inserts; For those who could use the help, imagine 'Filth'-era Swans and 'Kollaps'-era Einsturzende Neubauten, meeting for a recording session in some horrid, massive factory basement, but only two guys showed up, and they still managed to simply pulverize the hell out of everything. 'Piles' is a breakdown from the middle of a live song called 'Under the Face,' which was recorded in September, 2006. The song is usually only about two-minutes long, but on that night, the breakdown itself lasted for 7-minutes. The band split it into two parts, retaining all of the screaming, the feedback, the pounding, and the scraping. private series number fourteen)----LABEL DESCRIPTION


'CD edition of out-of-print cassette, originally released in a numbered edition of 50 copies in 2006; The Fortieth Day is the duo of Isidro Reyes and Mark Solotroff, both key players in the power- electronics outfit BLOODYMINDED, a unit known for its confrontational live shows. Here, Solotroff and Reyes show off their kinder, gentler side, using guitar, bass, and synth to improvise 'sustained, withering blasts of high-pitched noise that are as distinct from one another as spotlights sweeping across the night sky; jackhammer clatter, jet-engine whines, and forlorn keyboard melodies dart in and out of those huge sounds with the grace and impunity of plovers picking a crocodile's teeth' [Bill Meyer, Chicago Reader]. Professionally duplicated CD, single panel, double-sided insert; black and white artwork; in jewel box with shrinkwrap; Released in 2008''---LABEL DESCRIPTION

BLOSSOMING NOISE



'Shattered organic walls of noise & random splash cut-ups. Curious sounds from Nobuo Yamada & Graham Moore.'---LABEL DESCRIPTION


MAN...gotta say... I'm more a fan of the ANALOG MErzbow stuff...but this set SERIOUSLY kicks ASS! Fucking GROSS!...

BONESCRAPER



Kickass split CD from these 2 New England Noise FIENDS... Packaged in cardboard box w/ small book insert.

BORFT



Awesome comp of totally fucked up electronics and noise on this killer Swedish label. Tracks from: INTERZONE INC, TRERIKSROSET, CPU, JEANNE FREMAUX, INYURMANIA, MAOR APPELBAUM, ALVARS ORCHESTRA, COMMANDO LAARZ, GOZ MONGO ALLIANCE, SMELL & QUIM, EN HALVKOKT I FOLIE, EUGENICS COUNCIL, FDASFDA, SEWER ELECTION, and ENEMA SYRINGE.

BREATHING PROBLEM



POWER ELECTRONICS from Brendan Terzakis.

BROKENRESEARCH



'Zac Davis who has had his Michigan rights revoked for theft finds himself on the very last brokenresearch release to ever have him associted with said label. Heads up with percussion hater Hell Hall this is some Billy Cobham vs. Coryell under dirt filled microscope for the mass of listeners who post up as both noise and fusion fans. A one sider with brutal force, this is an excellent companion to 'Built for Nothing' and really that is the most fitting title for a group that had action for about ten minutes until our guitarist decided that friends are for using.'---LABEL DESCRIPTION

BRUTAL SOUND FX



Fucking incredible compilation?seriously one of my faves of the past few years. Tracks from Rubber O w/ Karla LeVay- Culturcide- Woof Pies- The Bran- more? Highly Highly recommended.

BUFMS



INSANE COLLECTION of rare recordings from people w/ connections to BANANAFISH MAGAZINE Comes w/ 4LP's...a cd..full color inserts and a super insane full color poster! RECOMMENDED!!!

'Induced Musical Spasticity commemorates the nascent pollination-in the musty shadows of the real ersatz Sherwood Forest, a couple hundred miles north of San Francisco-of the BUTTECOUNTY FREE MUSIC SOCIETY, an apocryphal institution that encouraged anything and nothing, in musical and amusical contexts, sometimes intentionally, sometimes because no one knew any better or cared. Includes highbrow concept tracks by THE MARQUES (brothers COLE and STEVE MARQUIS), UNLIKELY MODERNISTS, AMBIVALENT DOSAGE, DILWHIP, HYPNAGOGIC JERK, HALLUCINATORY COMPANION (aka BARBARA MANNING and Cole Marquis). Ripe dementia by LAWRENCE CRANE & JOHN YOUNG, TOPS INC., RORY LYONS, ZIPLOK, SIDNEY AFRIKA, THE CONDUITS, LUCIAN TIELENS, and RICHARD STREETER. And then youve got primitard rock dunt by THE FLAMBOYANT OFFALS, WALKING JOCK, DEAD BOY 3, and shockingly raw 28TH DAY material that predates most anyones idea of the original lineup of that influential band. THE BRENT LEWIIS ENSEMBLE pollutes the lions share of real estate with a side-long tape cut-up a la Faust Tapes called "Goat Embryo (Covered With Glue)," and their entire Industrial Barbecue set. Two-thirds of the material here was previously released (translation: a few dozen cassettes were dubbed one at time and passed through the hands of people in the same rural Northern California area code 25 years ago). All the relics in this boxset are likely unheard by anyone not specifically mentioned above'---LABEL DESCRIPTION

BULB



Found a few copies of this Michigan NO WAVE / NOISE classic in the attic!!!! Contains tracks recorded 1993-1994 right before I joined the band for their final 7 inch and tour.

BULLSHIT



Ruling Caroliner Live LP...All the Classic songs of the singing bull record in live in various saloons!


This WAS a totally killer and weird double LP from a few years ago but the original LP plates were destroyed by masked bandits...now only available as a double CDR. Always tops...Always creepy...Always with a lyric sheet. !!!!!!


HELL YA...for all you dorks that don't have a record player. Classic out of print CAROLINER LP on CD. Mastered DIRECTLY from LP of course....KILLER!


Weird one here.. Instrumental CAROLINER tracks..many just organ...on CDr? Strange indeed...


More recent LP from the the cast of BANANA SHITS! Rootin Tootin Rotten Cotton!! ... Complex hillbilly classics!


Definitly one of the Creepier Caroliner releases... Vocals sound like Malcom McClaren at the beginning of the Great Rock 'n Roll Swindle! HA! If ya haven't seen it, it sounds like a guy trying to talk while he pukes! RULES!

I guess the original LP stampers for this one have been stolen by some scummy industrial junkies so this slab is only available on CDR these days...mastered from a vinyl copy of course!


Another classic CAROLINER lp we haven't had in a while!! PAckaged in INSANE FABRIC!


Awesome early Caroliner LP that we don't get in stock too often... Highly Recommended!

Ergotism is the name for sometimes severe pathological syndromes affecting humans or animals that have ingested ergot alkaloid-containing plant material, such as ergot-contaminated grains. The common name for ergotism is 'St. Anthony's fire', in reference to the symptoms, such as severe burning sensations in the limbs. These are caused by effects of ergot alkaloids on the vascular system due to vasoconstriction of blood vessels, sometimes leading to gangrene and loss of limbs due to severely restricted blood circulation. The neurotropic activities of the ergot alkaloids may also cause hallucinations and attendant irrational behaviour, convulsions, and even death.Other symptoms include strong uterine contractions, nausea, seizures, and unconsciousness. Historically, controlled doses of ergot were used to induce abortions and to stop maternal bleeding after childbirth, but simple ergot extract is no longer used as a pharmaceutical. Monks of the order of St. Anthony the Great specialized in treating ergotism victims with balms containing tranquilizing and circulation-stimulating plant extracts; they were also skilled in amputations.


'A second helping of Caroliner's inimitable 7 inch in 12 inch record format. This time, one sided, split with one member's solo marching band disasters. Concentrated on 19th Century electronic music from the troupe behind the Singing Bull Memorial Band. You'll hear mutilated banjo music, violins scraping the floor with ergot infestation, in a diseased church undergoing fire damage, suffering through brain augmentations. Caroliner side clocks in at an epic 28.1 minutes on their portion. Within the other portion of this long-player, Woodpatty serves a monster-mish-mash of deranged marching band cut ups, haunted sea farer drones, chirping homemade electronic circuits eating moldy ears of corn, and piles of broken concreet musical mucous. Woodpatty flips the cake for 23 minutes of tonal dissections. Not bad for a hobo living in a shed for over 200 years. Split release with some Fish Pies.'--LABEL DESCRIPTION


Caroliner really is the most undescribable band ever. If you've never heard them and you want to hear the worlds most fucked up band - grab any one of these. All are highly recommended. One of the most important bands ever.


Classic double LP from the gang. Play both at the same time...it sounds great! Throw up music.


Pretty rockin album from the Singin Bull. This one's got Salt Lumps on it. My favorite to see em play live...This is the one I prolly pull out the most next to STRIKE THEM HARD...HIGHLY RECOMMENDED!


They say this one is a 7 in 12 form. Basically that means 2 really long tracks on a a 12 inch LP - one on each side. File under: HORRIBLE TRANCE MUSIC.....aka HIGHLY RECOMMENDED!

CATHARTIC PROCESS



'First conceived in 1999, and intensively honed over the past four years, Our Earth’s Blood, IV is finally realized. This is no collection - OEB IV is a full-length album spanning five discs! Few artists in any genre have delved to these depths to create such an expansive communication, in such a deepened language. Bastard Noise, aided by over two dozen artists from all over the world, have reached a true pinnacle with Our Earth’s Blood IV. Bastard Noise started alongside its powerviolence personality, Man Is The Bastard, in 1991. Our Earth’s Blood, the 7 inch EP released by Vermiform in 1993, solidified the future of Bastard Noise, rooted in caveman electronics and venomous vocals by Eric Wood. The Our Earth’s Blood II 10 inch split with The Locust from 1995 and Our Earth’s Blood III 7 inch EP from 1997, are but two more of well over one-hundred releases from this powerhouse. This new release not only encapsulates the Our Earth’s Blood tradition of over 15 years, but defines the spirit of caveman electronics that Bastard Noise created.

Our Earth’s Blood IV pulls together 'Skull Servants' in collaboration of sound and fury, including:MERZBOW (JAPAN), ANDORKAPPEN (U.S.A.), AZOIKUM (GERMANY), BIZARRE UPROAR (FINLAND), CHRISTIAN BASS (GERMANY), CLEW OF THESEUS (U.S.A.), CULPIS (JAPAN), DEFEKTRO (JAPAN), EMESIS (U.S.A.), GOLEM GROSS (U.S.A.), GOVERNMENT ALPHA (JAPAN), GUILTY CONNECTOR (JAPAN), JAY RANDALL/AGOROPHOBIC NOSEBLEED (U.S.A.), KELLY CHURKO (JAPAN), NYARLATHOTEP (U.S.A.), OBLONG BOX (U.S.A.), PEACEMAKER (U.S.A.), P.W.E. (U.S.A.), RICK GRIBENAS (U.S.A.), ROTTEN PIECE (U.S.A.), SICKNESS (U.S.A.), SURROUNDED (U.S.A.), TN666 (GERMANY), VOLITION (ENGLAND)

As a result of careful composition, and hundreds of hours spent in the studio, these 24 tracks have both the variety and cohesion necessary for a truly successful collaborative album. Lyrical content reveals the wholly unique voice of Eric Wood, and the packaging tastefully presents all lyrics. Our Earth’s Blood IV defines the overall ethos of Bastard Noise, serving as a manifesto as much as an epic album, clocking in at nearly 5 hours long.

Our Earth’s Blood IV is housed within a completely custom, die-cut package. Exterior graphics are printed in alternating matte lamination and spot gloss to create a unique black-on-black look. The package folds out into a cross-shape, with each disc housed in its own sleeve on each side of the cross and one in the center. Careful attention was paid with the design of both the graphics and the package to ensure that the presentation of this monumental album stacked-up to its scale and content. The package is identical in width and height to a jewel case, so it can be stored and displayed in most standard CD racks.'---LABEL DESCRIPTION

NOTE: Because of the small size of the set count as only 2 CD's for shipping.


'The first in the 10-year anniversary series of re-issues and unreleased recordings. This one features material from 2002-2003, primarily dark harsh noise and cut ups. Included on 'Vaults, Vol. 1' are the split with Sewer Election, the 3 inch on Chondritic Sound, the 'Meth Cook Sets Apartment Ablaze' 3 inch, plus two unreleased tracks from failed compilations. Chrome cassettes inside screen printed cloth bag'---LABEL DESCRIPTION


'After Sweden’s Niellerade Fallibilisthorstar’s impressive full length albums Hålrum (SNSE) and Skrankverk (Dystonia EK) (among other stellar releases), this collaborative album shows an even further development in their sound. The pairing with Green Army Fraction (also from Sweden) for Westerbotten results in a massive, powerful sound. Their heavy use of cymbals and analog electronics creates impressions that surpass harsh noise trappings, and the listener immediately realizes that Westerbotten exceeds genre definitions or expectations of either group involved. The sounds created reveal the magickal qualities of Metgumbnerbone or Coil, the dark psychedelic ambiance of The Stargazer's Assistant The Other Side of the Island or Wolf Eyes’ Black Wing Over the Sand, and the cacophony of The New Blockaders. Prepare yourself for one of the most impressive listens in recent memory. Elaborately printed with metallic inks and packaged in a gatefold sleeve, along with a 16-page booklet.'---LABEL DESCRIPTION

CHOCOLATE MONK



MAn...Kinda like a lo-fi drone out-rock version of TLASILA... Fuckin Weird Minnesota drug music...


Solo weirdness from the dude who left UNIVERSAL INDIANS right before I joined... Crusty MI lo-fi bedroom noise recorded in 1996! A must for fans of 90's AM TAPes stuff...


Some HEAVY lo-fi scum free jazz heavy on the tape mush and hiss... Fucking KILLER STUFF>

CHONDRITIC SOUND



50 copies - 32 page booklet of vintage pornography. asses only. black and white dirty xerox. screenprinted cover, #d edition of 50.---LABEL DESCRIPTION

***MUST BE 18 OR OLDER TO ORDER!!!***


50 copies - new BSD recordings, black and bass-heavy monolith with an undercurrent of spastic harshness and solid crackle & burn.


'Nurse Etiquette's main man shoves forth two sides of clattered, ripped and rusted metalwork in a very raw assault. unplanned and unprepared, guerilla tactics exemplarized through scrap and low growl. color printing on green paper. '---LABEL DESCRIPTION


ch-59, 86 copies - quiet into build to a slow burning psych/noise session getting thrown down heavy and harsh, just how we like it, with surprises waiting just around the corner. totally melted california noise. color cover and painted cdr. ---LABEL DESCRTIPTION


'ch-177, 88 copies - at times harsh and frantic, while others showing some mild restraint (quite possibly only in the interest of amusing and prolonging the game), lake winds offers of three slices of power electronics scum. vocals choked back by the amount of saliva forming in a disgusting mouth. the sound of weakness and surrender. color cover, painted cdr.'---LABEL DESCRIPTION

mp3 samples: suicide at high tide


'73 copies - newcomer on the ypsi scene and already tearing fresh holes with his harshness. 21 minutes of stream-of-consciousness harsh zone free-flowing in all its hissing, spitting and looping glory. rumor has it he used a foghorn on this recording. what? voted most likely to have moustache wax in his leather jacket. painted cdr, color cover.'---LABEL DESCRIPTION

mp3 samples: Abrasion excerpt


MACHINEGUN WARFARE RIPOFF BAND...-AD

38 copies - rotten, blown-out dirtbag trio. drums, synth, vocals. what they don't have in talent they make up for in heart. packaged in a vinyl album. 3 songs in 20 minutes. ---LABEL DESCRIPTION


'94 copies - scum crew? dead boys. in nashville via los angeles with heart in providence. god willing/ren brings you down to where the floor is frying. bad days from bad decisions. starting with a stagnant buzz and building into soaring waves of fuzz and depleted ambition. painted cdr, color cover.'---LABEL DESCRIPTION

mp3 samples: Bad Decisions excerpt


'4 band hellride prepared for our midwest tour. a track from each project and one nasty collaborative track pegged on the end. a sick, heavy mix of noise, drone and sludge. painted cdr in digipak with paste-on art.' --- LABEL DESCRIPTION


'starts out like your average day in stelzer-world, but quickly moves into a time-altering spew of dingy drone, hum and captured thoughts. one of his harshest and possibly finest moments captured on disc to date. an absolute gem in the chondritic catalog. painted disc and color cover.'

mp3 samples: MP3 Excerpt


'it's safe to say that nothing like this was ever witnessed in the lebanease capital before, short of the civil war, which is how many audience members described the sound of the honourable justice's performances in the still turbulant city. justice played on a sheet of broken glass he found at the beirut - damascus taxi terminal, an infamous place where many muslims where tortured and killed by the phalangists. the cover depicts the sticker that was on the sheet of glass played on 020604 which was found in the semi ruined building. coreleased with dualplover.' --GREH HOLGER, label description.


Very killer vacuum cleaner drones and pinecone crackle from this legendary unit. Highly recomended!


50 copies - new Olson mysterio full of sizzling frequencies that sputter out while washes of static blaze across the sunset. speaks in a language not unlike Daylight Savings Time classics. ---LABEL DESCRIPTION


'sewer election & treriksröset join forces to bring you two slabs focused obsession via harsh walls of noise - never too muddy but never too clean - some would say just perfect. reissue of two of the best tapes to come out of sweden in a while, killing for norrland and killing for finland. both originally on harsh head rituals, and now co-released by chondritic sound and troniks. liner notes by sam mckinlay (the rita) '---LABEL DESCRIPTION

mp3 samples: KILLING FOR NORRLAND excerpt


'50 copies - soundtrack from a '75 porno, recorded from the tape and complete with blown-out hiss and someone jamming some moaning through a space echo. raw and rotten.'--LABEL DESCRIPTION


' 94 copies - field recordings and mutant noise from the head of the fine rundownsun label out of vancouver, b.c. - two minimal tonal pieces, the latter of which erupts with violent force only to settle into uneasy territory afterwards. thoroughly uncomfortable ambiance. guaranteed for late night listens and early morning awakening. painted cdr, color cover.'---LABEL DESCRIPTION

mp3 samples: -a-k-e- excerpt


'the darkest of dark collaborations, starts oddly calm yet tense and slowly builds into a nightmarish mess of steam pipe scraping, burning atmosphere. 43 minutes across two tracks via two of california's bleakest offspring. straight out of the gutter. color inserts in jewelcase, painted cdr.'---LABEL DESCRIPTION


'ch-184, 121 copies - (or another scent of angel psychology) - four pieces showcasing different aspects of this long-running italian project's sound. vibrating harmonies shift and mutate while uneasy tones blast and shatter from above. P.NG5361.B is a member of sigillum s. color cover and painted cdr. '---LABEL DESCRIPTION

mp3 samples: decoys and crypts down the hall


'one of sweden's finest offers up an absolute industrial wasteland, every bit as intricate as it is desolate. reissue of a limited cassette on proiekt hat commercial enterprises and lovingly remastered by lasse marhaug, chondritic sound and troniks are proud to present this 46 minute piece laid bare on compact disc for your listening pleasure. '---LABEL DESCRIPTION, co-released w/ TRONIKS.

mp3 samples: SEXREGLER exceprt


uncomfortable tone shift, warble and whine. a broken machine recording a broken machine loop, sputter, meltdown and expel its dual death rattle over the course of an akward 15 minutes. a lack of excitement and a focus on malfunction. painted CDr, black art on nice paper.----LABEL DESCRIPTION


100 copies - newish 4-piece scum band from Lexington, Kentucke. blown out, strip-mined riffs over broken drums. somewhere in the distance someone is screaming. ex-members of hair police and cadaver in drag along with other Lexington scum. for fans of playing drunks with guns LPs through shitty gorilla amps. ---LABEL DESCRIPTION

CIPHER PRODUCTIONS



'The DM/MNEM collaboration works on a much deeper and darker level. Slow heartbeats, deep sea diver exhalations the leaden footsteps of which are the accompaniment to tibetan bowl rings and surfacing oxygen bubbles. This depth makes it a much more rewarding listening experience. Taken through headphones the laser blast destruction that pans around your shell-likes in Marazion Sand is truly stunning but everywhere on here there is much to admire.' --- Idwal Fisher


'contrasting LP of Facialmess' brutal noise and Hana Kodama's subtle ambience'---LABEL DESCRIPTION


'A sinister, erotic undertone also saturates a couple of new releases on the Tasmanian based imprint Cipher Productions. Werewolf in the Black Space (Cipher Productions CD) is a collection of collaborative material from The Rita and Wilt, drawn from a couple of limited run cassettes with an additional unreleased beast closing proceedings. Truly bloodthirsty, this is invigorating, aggressive stuff and works effectively as a whole despite its status as a collection of previously released material drawn from a number of sources. Unexpectedly subtle opening piece ‘Dead Wife of Hitchcock’ stalks the listener for some time with a deep set of repeated, brooding movements before a vicious wall instantaneously declares the arrival of the murderous fiend, who refuses to depart for the duration. This is not an expedition into monotony however, as the colour of the fortifications produced are fascinating throughout, and at key moments contrast is employed as a compositional device to great effect. In actual fact it is the subdued segments that make the sheets of harsh noise appear all the more vehement in attack when unleashed.' ---Total Scum Materials


'Apparently the result of an extended period of serious mental unrest, the sound on 'Wretch' is for the most part distant and murky. The well constructed and well executed tracks sound like an interesting mix of Power Electronics and Dark Ambient with occasional hints of CMI style Darkwave and post-Industrial (track one, 'The Warm Body Complex', could be an MZ 412 out-take). The deliberately muddied sound isn't so much lo-fi retro as a restraining force on the otherwise harshness which gives a sense of claustrophobia and a feeling of being trapped. It's an important part of the whole album. Low lying synth patches, bursts of carefully tailored static, crackling and crunching, vicious distorted vocals, metal scraping and plenty of feedback – all through a layer of grime. Knowing this, it's important to keep in mind that there are serious differences between the tracks, thanks to their meticulous composition that gives the album a genuine diversity and drama. What happens, then, is the aggression becomes thoughtful, and the album becomes more considered and more demanding of concious listening. It's mainly PE but far removed from the usual cliches and attempts, the most typically furious track being the last, 'Power', an aptly titled rising from the ruins that itself ends with similar crackling that the album begins with. This is a considered and worthy work that may even help point the way to new attempts for the future of the genre.'--- Review Taken from IAM


Killer packed Australian noise comp. Tracks from: Wit, With Exposed Nerve, Miles Broan, Chrysalis, Toecutter, Near Earth Objects, RAts With Wings, Isomer, Agit8 & Smallcock, MArk HArwood & Rodney Cooper, Striecher, Sokuseki, Dis 10, Undecisive Gods, C-Scan, Halo, Kunt, & Rancid Shitwank!

COLD SPRING



'This stunning 12 inch brings together two long-time San Francisco friends and legends of the Industrial music scene, both active since the late 70s! Boyd Rice is well-known for his project NON and for his collaborations with Death In June, Rose McDowall, Coil and Tony Wakeford to name but a few. Z'EV is a prolific composer and conceptual artist, who utilises metal percussion and electronics to create mystical rhythmajik - and who is also known for his collaborations with hard-hitters such as Stephen O'Malley, Oren Ambarchi, Psychic TV, KK Null, Organum and many more. Two lengthy and exclusive tracks! Ltd x 1000 copies on marbled vinyl.'---LABEL DESCRIPTION


'We are very proud to announce the return of C.C.C.C. to Cold Spring (after their outstanding album 'Flash' in 1996).This is also the first album from C.C.C.C. in 10 years! This cult Japanese Noise group is made up of Hiroshi Hasegawa (Astro, YBO2, South Saturn Delta), Mayuko Hino, Fumio Kosakai (Hijokaidan, Incapacitants), and Ryuichi Nagakubo (Tangerine Dream Syndicate). An absolutely essential album for those with a penchant for extreme Japanoise. Just under 45 minutes of music.'---LABEL DESCRIPTION


The idea for this project came about after a visit to Calcutta in 1990, and through the nightmarish experiences during that short visit. The concept of aurally conveying the horror of a gas chamber was realised through field recordings in an abandoned electrical power station in Brisbane in 1992. The sounds are grating and harsh, a mixture of field recordings and electronic manipulations. One can rarely pinpoint a location or action but the images the sounds conjure up are of all sorts of nefarious activities related to death by machinery. The sleeve notes take you into the horror that is the Calcutta Gas Chamber. John Watermann started the re-design for this re-issue (originally released in 1993 on US label ND), but tragically passed away in 2002 before its realisation. A beautifully composed and produced CD, completely remastered and re-packaged.'---LABEL DESCRIPTION

ONE OF THE GREATEST RECORDINGS EVER...HIGHLY RECOMMENDED!!!!!---AD


'The Black Post Society' embraces and accepts the depression of not having anything left to hunt. The mask without a face to hold. The depression of the hunter after the deer is killed. It is better to be hungry than to have eaten. As fantasy shatters under the whip of reality, erotic malaise settles in the nest of the mind inverting this dormant fuel to rekindle the endless cycle of sexual chaos. Black Industrial / Power Noise from this highly respected US act!'---LABEL DESCRIPTION


'CD version of the 2007 album from UK Dark Ambient / Fortean Electronics act Satori - Neil Chaney (Pessary) and Justin Mitchell (Cold Spring boss), originally issued on LP by Dogma Chase, Japan. 'KanashibarI' is the Japanese term for sleep paralysis (literally 'bound or fastened in metal'). The album explores this phenomena, manipulating Fortean sounds and deep dark ambience. CD version contains a bonus track 'Pavor Nocturnus', not available on the LP version.'---LABEL DESCRIPTION


'Brand new CD from UK Dark Ambient / Fortean Electronics act Satori - Neil Chaney (Pessary) and Justin Mitchell (Cold Spring boss). This is a collaboration between Satori and Magus Peter H Gilmore, High Priest of the Church Of Satan. Satori provide their trademark deep, underground, pounding electronics, here with a ritualistic dark soundtrack atmosphere, while Gilmore bestows a seething tirade against the weakness of the modern world! Two 20+ minute tracks, the 2nd being a deeper, instrumental mix of the title track.'---LABEL DESCRIPTION


'This is South Saturn Delta's debut album, featuring their finest live recordings from between 2003-2005, in Osaka and Tokyo. SSD is a kind of Japanoise supergroup, formed in 2003, with guitar and voice from Maso Yamazaki (Masonna), synth and voice from Hiroshi Hasegawa (Astro, C.C.C.C., YBO2) and drums from Nobuko Emi (Tsurubami). An extreme psychedlic noise trip over 4 lengthy tracks.'---LABEL DESCRIPTION


'STREICHER are one of the Industrial underground legends - starting in Australia in the mid 80s, Ülex Xane began a number of extreme noise projects released mostly on cassette and distributed through the tape networks up to the early 90s. The original cassettes are now sought after collectors items. STREICHER utilise a mix of total noise / power noise with covert military recordings, military equipment, radar signals, military telecommunication signals. It is a stark comment on the current war against terrorism - literally, a war without end. This is the first time the finest recordings of STREICHER have been digitally remastered and presented to you on CD. Ltd x 1000. Last copies.'---LABEL DESCRIPTION


'The Sutcliffe Jügend filthy dirt-mess of an album that is Pigdaddy is now available on Cold Spring. Six stories of mind-fucking depravity. Pigdaddy contains some of the most fucked up, histrionic and downright bizarre vocals ever recorded. The music is created using the most basic sound sources. The overwhelming sense of moral decay makes this Sutcliffe Jügend's most original album yet. Pigdaddy is Beyond Perverse. Sexual transgression never sounded so dirty. Hear Pigdaddy and you will never feel clean again. Over 45 minutes of music. Cover painting by Kevin Tomkins.'---LABEL DESCRIPTION


'Cold Spring are very proud to re-issue the legendary LP released by Broken Flag in 1986, now for the first time on CD. Featuring Tim Gane (Stereolab), Paul Lemos (Controlled Bleeding) and Pacific 231. This completely remastered disc features the complete 'Christ Knows' LP plus 3 previously unreleased bonus tracks. Classic old-school British Industrial.'---LABEL DESCRIPTION

COLLAPSED HOLE



'after several years of scattered but powerful live performances around the northeast, recordings of this relatively unknown solo project of frank from yellow tears finally get put to tape, and it's my pleasure to release this cornerstone of scum to come. dirty industrial power-electronics sound collage conceptualized from frank's own personal experience in creating & maintaining a restrictive environment for mentally challenged children. double a-side CS30, ltd. 50 copies'---LABEL DESCRIPTION

CUNEIFORM



Killer sequencer heavy release from Richard Pinhas aka HELDON. Also includes 5 tracks recorded LIVE in PARIS 1982 which sounds a bit more like a straight HELDON...Francois Auger on drums and more guitar than is usually on his solo albums. RULES!!!


A weird one here from PINHAS containing 8 short tracks of weirdo sequenced synth and then a 30 minute drone into stoned out space mellotron w/ overdubbed multiple guitar solos and AUGER on drums...

DAGDA HAMMER



Killer self released reissue of the harsh guitar mangling cassette originally released on SPITE.

DAIS



'full color foil-stamped gatefold LP. Limited to 500 hand numbered copies. The new voice of folk from the shadows of New York City. Edgy and aggressive, gorgeously arranged pagan neo-folk for fans of early Death in June and Strength Through Joy. This will turn heads!'---LABEL DESCRIPTION


 'An exclusive vinyl release of the live violin collaboration between avant-garde legends Tony Conrad and Genesis Breyer P-Orridge featuring percussion by Morrison Edley.  Presented by filmmaker Marie Losier and recording live in January, 2009 at Issue Project Room in Brooklyn, NY. Limited to 500 hand-numbered copies.'---LABEL DESCRIPTION

DECEPTION ISLAND



Here's one for those of you who particularly cherished Hot Air Balloon Ride's 'Oktoberfest' c30 this past winter, a release that garnered such critical accolades as 'shows no signs of being anything other than dicking around for just long enough to be worrying.' The Reel Deel, captured in action at Cleveland's Doubting Thomas Gallery, is the trio of John Elliott (Emeralds, Outer Space, Hot Air Balloon Ride), Ryan Kuehn (Thursday Club, Dr. Quinn Medecine Woman, Hot Air Balloon Ride), and myself, in tapes-only mode.

This was a ridiculously killer/annihilated February night, of which I remember mostly all of us standing around a table laughing hysterically and the room glowing yellow while I tried to make my eyes focus on a massive fucking heap of tape. Giant flapping jaws of the cosmos tunnel jams, decked out in stoned giggling and paranoid whispers. Seriously counterintuitive water features. Comments from those in attendance included, 'I knew that Jerry was here.' No shit.'---LABEL DESCRIPTION

DEEP FRIED TAPES



Tweeked high end mixer feedback? Sometimes subtle sometimes spastic....sprinkled w/ jabs of hiss and clang...


Completely mind-altering DVD from sound/visual artists MOSS FOREST... Totally DRUGS VIA TV SET. Shapes shift, multiply and burn into your retinas. Images flash, fade, and shit there...all set to a killer rumbling electronic soundtrack.

DIE STADT



Two amazing reworkings of Mr. ORGANUM's track from killer THE ELEPHANT TABLE compilation. Killer drones of bowed metal and maybe even some vocal hum manipulation? Recorded in 1983, remixed in 2003 for this 10 inch. HIGHLY RECOMENDED!!!


A side is classic Jackman metal scrape drone...B side is TAPE HISS HEAVEN...The sound I wish was glued to the inside of my ears for LIFE! HIGHLY RECOMMENDED!


Totally weird 7 inch from JACKMAN which is just recordings of MACHINE GUNS courtesy of THE SOUND ARCHIVE OF THE IMPERIAL WAR MUSEUM. Can not tell if he messed with the original recordings or left them as is.. Either way... It sounds fucking GREAT!


A side is great collab of Low End drones and backwards flickering between JACKMAN and SANDERSON from 1980. B side is strange solo JACKMAN track of looped organ? with distant metal / glass? clang and drone floating around it.. Ends with super reverberated horn? melody...Totally Eerie and great. Never can fully tell what this dude is doing. ALL JACKMAN ALWAYS HIGHLY RECOMMENDED!


SUPER CREEPY and almost disgustingly AMAZING LP from John Watermann....If you ever wanted to know what it sounded like in a gas chamber...(really?!?!?)...this is prolly as close as you'd really want to get... Amazing collage of field recordings and manipulations. Seriously mindblowing.. HIGHEST RECOMENDATION! Released on killer PICTURE DISC LP, Numbered Edition of 444 copies.


Incredible LP of dark and organic sound sculpture recordings. Full-on tunnel exploring noise from occasional Organum collaborator PRIME... In beautiful gatefold sleeve with equally impressive insert. HIGHLY RECOMMENDED.


'This 10inch vinyl only release by Ora, a group project which mainly consisted of Andrew Chalk, Colin Potter and Darren Tate -- who both later moved on to become Monos -- active between 1991-1998 features two hauntingly atmospheric tracks from their rare New Movements In G CDR (150 copies) originally released on Darren Tate's own Gnome Records label in 1998, and were not included on the two Ora retrospective CD compilations Final and After The Rainfall (both on Colin Potter's own ICR label). For these recordings Ora were: Darren Tate, Colin Potter, Lol Coxhill, Daisuke Suzuki on the A-Side 'The Sun Sheds A Golden Tear', and Darren Tate & Colin Potter on the B-Side 'The Impregnable'.'---LABEL DESCRIPTION


Dreary piano, minimal bowed metal drone and totally depressing horns... RECOMENDED!!! Nice glossy white on white paper printed jackets. Edition of 500.


'Two brand new pieces from 2003. Piano on side A and Tibetan horns on side B add new sound colours to the classic Organum drones. Edition of 500 copies.'LABEL DESCRIPTION


Classic 7 inch and FINAL collaboration between this classic pair. 2 sides just clocking in a bit over 1 minute long each of the legendary duo's drone and metal clatter perfection. HIGHLY RECOMMENDED... Second edition of 200 copies in Plain black cardboard sleeve. AMAZING.

DIOPHANTINE DISCS



'I really don't know what to say... I have just released a 10' by my favorite band! Released to coincide with the first Sigillum S concert in the US, which we hosted in Chicago on June 7th, 'Organic Skyscrapers & Occult Wastelands' features three brand-new tracks. With unusual electronics, processed and treated guitars, piano, etc., and a host of other elements, rhythms and loops, it takes the listener on a bizarre and beautiful journey.

The music and imagery of Sigillum S has intrigued and captivated me over the years. Since starting in 1985 their work has drawn from such a wide variety of sources (musically and otherwise), all drawn into a cohesive and inimitable whole. Their work has been previously released on their own Verba Corrige label, as well as Cthulhu, ADN, Old Europa Cafe, Misty Circles, Daft, Artware, Unclean, and Minus Habens. In addition to their extensive discography, their members continue to pursue other musical outlets, including Sshe Retina Stimulants, Ashes, Charged, and Komplet.

'Post-noise alchemy, occult style crushing, through walls of streaming root wastelands and cultural archaeology deviance... A gorgeous stench of acoustic fright pollution.'

Pressed on clear blue-marble vinyl and packaged with color covers printed on silver paper. Limited to 200 copies.'---LABEL DESCRIPTION


'Over the past two years The Fortieth Day has released numerous cassette releases and Diophantine Discs is proud to issue their first LP. 'Syria: 630 AD' consists of two 17+ minute compositions of extremely dense, powerful, and brooding tracks tracks, with some absolutely monstrous bass. Comprised of Mark Solotroff (Bloodyminded, Intrinsic Action, and the BloodLust! label) and Isidro Reyes (Bloodyminded), Chicago's The Fortieth Day creates a unique music that is dense and murky, lurking somewhere between the realms of noise, industrial, and ambient. Various recording sessions are processed, re-processed, and mixed together to create the final studio recordings. Live shows also incorporate live real-time video projections by Noise Crush. Previous works include a collaborative cassette with Sshe Retina Stimulants and releases on BloodLust!, ORCO, and Cipher. Pressed on white vinyl and housed in a silver-printed and laser-cut [die-cut] sleeve. Limited to 300 copies.'---LABEL DESCRIPTION

DIVORCE



'Unicorn is the solo work of American noise veteran Bill Nelson (Bastard Noise, Sleestak). Torso is the blistering noise of Halifax's Sandy Saunders. This 70 + minute split explores minimal drone, deafening power, and all the spaces inbetween. The cover design and custom printing is by Bill's Thumbprint press.'---LABEL DESCRIPTION

DOGMA CHASE



'Absolutely most awaited full-length vinyl from INCAPACITANTS, is the purest NOISE enthusiast, originally formed by T. Mikawa since 1981 in Japan. Here is the first ever solo LP vinyl in 20 years since the legendary album 'Repo' published by Alchemy Records in 1989.
Side-A titled 'K's Family' features three brand new recordings with solid sense of direction keeping vigorous strength and stormy dynamics on each track. Side-B is a long piece excerpted from overwhelming live recording as typical supreme tag team formation with F. Kosakai at ShowBoat in Tokyo, 3 June 2007.

This is not only the new testament for all of Noise fundamentalist, but also the shining introduction for those who are going to be resident in true Noise fields. Maximum purity as psychosomatic union proved by intensive electronics causing ghostly and fertility atmosphere filled with harshness.

'Tight' is the same pronunciation with the most complex Kanji character formed by three dragons and three clouds. Hand-numbered limited edition to 620 copies, comes in silk-screened sleeve with a golden Kanji 'Tight'. 12 paged booklet contains photos and Japanese/English liner-notes by Takuya Sakaguchi.'---LABEL DESCRIPTION


'Long awaited 1st full-length LP by American vital slugger Gordon Ashworth is finally out. Two long tracks documented in Portland, Oregon 2006-2007. Fierce and solid burst with shrill metal junk roar, whirl high-frequency feedbacks and brutal vocal, is a circumspect composition of laying heavy assaults from physical strength and depressive electronics. Explosion break the silence, the silence erode explosion. When you look up the horizon, your blood will remember 'Grey Variables'. Hand-numbered limited edition 280 copies, comes on clear vinyl in heavy polysleeve with a silkscreened paper band and a postcard. 45rpm for maximum frequency and sparkling dynamics. '---LABEL DESCRIPTION


'-First ever vinyl release from UK act SATORI, formed by new member Neil Chaney known as legendary & obscure project PESSARY and Justin Mitchell (owner of Cold Spring Records). 'Kanashibari' is the Japanese term for sleep paralysis (literally 'bound or fastened in metal'). The album explores this phenomena, manipulating Fortean sounds, dark & cold electronics and foggy ambience like a hallucination. Dynamic but tense atmosphere let us leave in a deep spiral. Hand-numbered limited edition 300 copies, coming in a full-colour inner sleeve with original silk-screened and spot varnishing die-cut sleeve inspired from the window of satori/enlightenment.'---LABEL DESCRIPTION

Intense LP of Dark Ambience and deep industrial percussion. Satori have hadreleases on BROKEN FLAG and COLD SPRING, but this is their first VINYL LP brought to you by the ruling Japanese label DOGMA CHASE. Very well executed dark electronics packaged in an intense textured and die-cut sleeve with full color insert. Numbered Limited edition of 300 copies.

DOM AMERICA



Amazing reissue of this classic collection of ULTRA material. All strange styles are covered... Drone, Musique Concrete, Power Electronics, etc. Edition of only 400 copies. 2 LPs and a bonus 7 inch. HIGHLY RECOMMENDED!

DURABLE STIMULI



SUPER COSMIC synth and guitar from this FRAGMENTS and OUTER SPACE member and fellow conspiracy theorist. Edition of 75 copies.


Strange drones and crumbles by Ohio internal feedback ruler. Intense tones in an edition of 100 copies. Comes w/ MP3 download code!


Six tracks of Feedback torture from SKIN GRAFT...and 4 tracks of minimal mixer feedback from PIMLO. Edition of 100 copies.

DUTCH OVEN CLASSIC HORROR SOUNDTRACKS



Fuck YES! From the same dudes that did the TEXAS CHAINSAW sndtrack... Tobe Hooper and William Bell... again, this is taken directly from the movie. Though this is edited quite nicely into a killer c-30. Amazing intro and outro jams, and all the kill scenes with killer screams, swamp sound, and killer synth. Look forward to more DUTCH OVEN's! Supposidly some killer Rarities are next!!


Fuck ya dude.. THANK YOU DUTCH OVEN!!! so... not nessesarliy just the music. Supposidly the master tapes for the jams have been lost, so this cassette is as good as it gets. Starts off with the John Laroquette intro, then goes into 6 minutes of stright Soundtrack from the prop section of the DVD or Lazerdisc I believe, then it's just the audio for the entire movie! Fucking amazing car tape. We used to actually listen to a dub of the film in the Wolf tour van quite a bit.. DEFINITLY the best BOOK ON TAPE EVER! FUCK! though anyone with the DVD could make their own version.. but these Dutch Oven releases are NICE.. full color covers.. RAD!

ECSTATIC PEACE



'Ohio has been rampant on the Ecstatic Peace play lists lately with the release of a long player earlier this year by Leslie Keffer and a forthcoming split LP by Emeralds and Tusco Terror. Like Keffer, who’s moved to Nashville (to be closer to Be Your Own Pet), 16 Bitch Pile-Up and Mike Shiflet are both ex-pats of Ohio. 16 Bitch to California and Shiflet to some weird small town in Japan.

Mike Shiflet we’ve known for years as he has produced some of the more interesting tapes and whatnot of midwestern out-ness from his Gameboy label and from his legendary duo tour with Burning Star Core/ C. Spencer Yeh of a few years back. Like the amazing beard he has sported since childhood his music is a free-fall of acoustic wonder.

He is also the cat responsible for turning on most of the world to the radical charms of three girls from Ohio wickedly named 16 Bitch Pile-Up. With a name like that you may have expected something just kinda funny but what made itself imminently obvious was that 16 Bitch was really and extremely into producing a wholly personal thrombosis of noise improvisation. Crystallized to the trio of Sarah Bernat, Sarah Cathers and Shannon Walter this trio has become one of the most consistently exciting live experiences of the last five years. These recordings by both artists were done when both were still residents of Ohio and reflect that time and space right before each other’s exodus. They are raw and righteous and ready for you to take a bite.'---LABEL DESCRIPTION

EDITIONS ZERO



Excellent and strange field recordings recorded in 1991 at the village of Sohos.

EEs'T



'First issued on the Broken Flag label in the UK in an edition of 500 in 1983. A different style, providing some distance from all his previous works; a more expansive experimentation with multiple layers of synthesizer sounds. Still very intense. MB's recordings come closest to classical electronics, but always with a very personal style. This CD edition also features an interview on Radio Popolare in Milan from 1/1/83. An English translation is included in the liner notes. Dedicated to all the redeemed people.'--LABEL DESCRIPTION


'Originally issued as a private LP edition of 400 copies in 1983. De-composition for synthetic sounds and electronically generated noises. Here MB distanced himself from the movement of the industrial bruitists, introducing his 'bionic music'. Notwithstanding the difficulty of listening, especially upon initial impact, you are facing treated and filtered synthetic sounds that become new organisms -- sound cells analysed under the microscope. This CD also includes excerpts from private tape editions originally issued on compilation cassettes. Personal and obsessive.'--LABEL DESCRIPTION

EHSE



'Jenny Gräf Sheppard (of Metalux) and Chiara Giovando (of PCPCG and a bunch of other bands no ones ever heard of) sits quietly for its real audience in the ages. Both an alarmingly intense and hushed noise record and totally whacked songwriter record, if it needed a category, Enter the Cotton Ring is an exploratory Mack truck of left-hemisphere-manifestation-in-time. Unlike the majority of vocal-noise hybrids bubbling up lately, Gräf and Giovando reference neither sound poetry, nor metal (for the dudes) or jazz balladry (for the ladies) but instead a novel hybrid of dream-incantation, lieder and effects that electronics might achieve but how? An unsettling mix of vocal wrenching and mellifluousness, effected guitar twang fuckery and intuitive anti-system electronics, itll send you on a rapid shuttle-ferry on the space-time straits, compelling you to keeping chewing slowly.'---LABEL DESCRIPTION

ELECTRIC TAPES



'The debut cassette from Church Motel and a kick ass one it is. Massive modular synth powered drones and weathered crunchy futuristic pads soaked in monsterous verb, all the beauty of shoegaze combined with the awesome focus and power of drone.'---LABEL DESCRIPTION


'Brand new tape from Oak Wings. This shit is straight grizzled! Digital Harshness combined with organic elements and super mega out of control busted sequencer blips on drugs. A hell crazed auditory hallucination for a night on the couch. This drop is super limited to only 12 copies'---LABEL DESCRIPTION


'1st cassette release from Porcelain Bears on Electric Tapes. everything from dark spacey pads and synth drones to broken heart monitors, power drills and horribly mangled drums all processed through a shitload of pedals. limited to 20 copies'---LABEL DESCRIPTION


'2nd tape release from Porcelain Bears find the duo functioning in a slightly more melodic environment while still maintaining the cavernous dungeon like sound of earlier stuff. Severely detuned bass thuds reverberate along to gutteral synth grinds on the decks of a worn and abused pirate ship made of creeky old planks of wood.'---LABEL DESCRIPTION

EN.MI.TY



'Golden Weeds,Blackened Weeds is a sonic hallucination from 2673 that bends and folds with piercing soundwaves and drumfire distortion. Drones Drones Drones!' ---LABEL DESCRIPTION

ENEMATA PRODUCTIONS



Crunching Harsh Noise Walls...A contstant ripping of your stereo speakers.


One-Sided cass of Harsh Noise Walls...thick and rotton duo recording from this 'GAPING HOLE RECORDING ARTIST'.

ENTERRUPTION



'The product of two years of recording problems and nightmares, anger and hatred Cursed Beast is SIXES account of stifling frustration and seething disgust. Heavy rhythmic manipulations, guitar skrees, haunted vocals, drones and burly noise, all processed and mixed in a foul pit of hate. Originally released on vinyl by Enterruption in a limited edition of 200 is now available on cd, packaged in a replica mini lp jacket.'---LABEL DESCRIPTION (Co-released w/ TRONIKS)

EQUATION RECORDS



Excellent new 7 inch from David Jackman. You hear the hiss of a room, a piano note, metal being thrown around, and people singing far in the distance. Another amazing and kinda fucking creepy perfect 7 inch. 233 copies (on HEAVY vinyl), numbered on the label. Comes in a heavy matte-finished CMYK sleeve with a matching CMYK card insert and a 4 mil PVC bag. Although both sides of the record have the same running time and title they are subtly different.

EVERYONE ELSE HAS A RECORD LABEL SO WHY CAN'T I?





Collection of bizarre and hilarious answering machine messages compiled w/ THURSDAY CLUB / DEAD PEASANT INSURANCE goon RYAN KUEHN.

EXCRETE MUSIC



Unofficial reissue of an amazing cassette from the late 80s. 2 loooong sides of lo-fi voice and tape garble. Super crude stuff, a must for fans of Nyoukis, Twig, Chopin, Dufrene, Claus, etc... Edition of 200 copies. White sleeve with paste on of original cassette cover in original size. HIGHLY RECOMMENDED!

FAG TAPES



'side A. H. Moerland and G. Morren ( Odd Clouds ) guitar and what-the? duo project. side B. Morren, the better half of Cygnus, throwing down solo recordings. recollections memoir sounding like making something caked in dust only to see it grow young if music had age. and in classic Night Movie style cover art by Mary Morren. edition 35.'---LABEL DESCRIPTION


'straight outa Guadalajara, MX. insane sick drone destruction recordings using telephone machines. side A. 'solo maquinas'. side B. 'suicidio'. speak and be heard, listen and hear. amazing cool sound! far out ! edition 50'---LABEL DESCRIPTION


'from the time crippling world of Hamilton, Ontario where the streets are over run by handicapped zombies and mutants. not only do you ask yourself what time it is. you find yourself asking where, how and who am i??? they know what time is it. edition 50 '---LABEL DESCRIPTION


'th laws of psychics. electronsic wasteland of shit a wave rays of whut(?). just fucking give up. free yourself from th chains of existance. or try harder but just stop being so existential already.color covers. edition 77.'---LABEL DESCRIPTION


'colab. cassette. real real sick synth. or so it seems, until audio hallucinations cause horrific unmoving thought patterns. lines of violence are blurred. Old World style! European import! hand-numbered edition 77.---LABEL DESCRIPTION


'totally sick live sets from Chicago, Columbus,'---LABEL DESCRIPTION


SICK LLAMA + NEW PLEDGEMASTER COLLABORATION!


'vol. 5 cassette. abstract sounds origin Spain. what could be guitar feild recordings or what could sound like metal and synth. really cool audio soups you would eat in a mirage of hunger! two course meal! hand-numbered edition 77..---LABEL DESCRIPTION


the second colab. between Sick Llama and Steve Kenney (Demons). all synth frightening sleepless dream. you thought you had a dream about drinking a pint of Viper and then you woke up in a pile of your own toxic filth. edition 50.


No Clue


'all live comp. cassette featuring: BILL NACE, SLITHER, HELICOPTERE SANGLANTE, SICK LLAMA, HOLLOW BUSH + SICK LLAMA colab. all hail the return of the S.S. series! raw from the streets recordings. raw from the streets recordings from the streets recordings. hand-numbered edition 77.---LABEL DESCRIPTION

FAIRCHILD TAPES



Crunchy and harsh computer? Noise from OH madman... much different than other things I've heard from him...

FELLACOUSTIC



'Masami Akita is back with his newest offering of early era Merzbow (it appears Masami went back in time and brought his EMS synth back to accompany his current eco friendly stance). Tombo is 3 tracks of sheering high frequency psychedelic sound experimentations proving once again why Masami Akita is the king of all noise musicians.'---LABEL DESCRIPTION

FISH PIES



Psychedelic electronics from mysterious project.. No Clue...

FORCED EXPOSURE



Original copies of this classic slab of lo-fi UK smoke sound. Neil Campbell, Richard Youngs, Simon Wickham-Smith, and Stewart Walden. Kinda the birthing point of the Vibracathedral crew. Nice silkscreened covers too!

FREAK ANIMAL



'In January 2007 Incapacitants visited Scandinavia for thefirst time, playing live show in Oslo, capital city of Norway. This DVD is documents the 30 minutes massive wall of noise in front of fanatic audience'---LABEL DESCRIPTION

NTSC VERSION


VIOLENT metal abuse, VIOLENT feedback, VIOLENT electronics, VIOLENT vocals = TOTAL AUDIO VIOLENCE....ULTRA-NEGATIVE!! 35 minutes of disorienting waves of feedback and synth, multi layered junk noise, and white noise static. I provide the heavy static on the first two tracks. HIGHLY RECOMMENDED! Edition of 250 in plastic box with full colour inserts.


'Ever give up on anything in your life? RUINER. New sounds and approach to presenting the theme of....well lets call it disappointment. Though this is a departure it does go back to the basics but with a much grittier/dirtier sound, much less precise - and for me its a big leap (just out of my personal preference/control issues) and ultimately thats what define's RUINER - a personal pursuit, a personal effort and a personal result. Disconnect. 2 studio tracks and one live from Osaka Japan.Its all over you.'---LABEL DESCRIPTION


Intense LP issue of classic Stegm Cdr. With vocals by PRURIENT. Edition of only 108 copies!


'Joke Lanz and his companions have spread their incredible sounds and actions in many tours across the world. Working in the area of experimental and free music, Sudden Infant is building up complex noise compositions using unconventional sound sources, lo-fi electronics and turntabels. Sudden Infant's music has a humorous and highly improvised character. The result is abrupt musique concrete juxtapositions of spasmodic gibbering and a battery of disorienting electronics. It's a fragmented field of sound that comes to it's own autonomy. This DVD includes two full length live shows of very different aproach. One fromNO TREND NOISE FESTIVAL from London, UK. And another from EXPERIMENTAL MUSIC FOR CHILDREN LIVE EVENT from AVANTO FESTIVAL, Helsinki, Finland. DVD also includes Video Interview. Total 60 minutes'---LABEL DESCRIPTION

NTSC VERSION


More classic HATER decay.

GAMEBOY



Just found a few of these layin around. Three Way split Mike Shiflet released a few years back. El Cheap-o CHECK IT OUT price!!

GAMEBOY JAPAN



'This disc documents the highlights of their 2004 US tour with Howard Stelzer - both on and off the stage. Performances are summarized with abrasive guitar noise and augmented with audience banter and merch booth ponderings as the mics continue to run. The fool who utters 'I think they could hear that in Oslo' sums it up best.'---MIKE SHIFLET, label description


'Michigan master PBK has been making beautifully composed noise since I was in grade school and BMG - (aka Brent Gutzeit) should be known to most as CEO of Television Power Electric and as an established Kranky recording artist. These two have a wealth of knowledge in the experimental music realm and skills with almost as much range. With their vast combined talents, the gentlemen produce five uniquely diverse works here, spanning the borders of various subgenres and utlizing everything they could get their hands on. In their warped world guitars become gongs, computers are transformed into human hearts and vinyl breathes. Believe it.' ---LABEL DESCRIPTION

GAPING HOLE



'Scathing and unrelenting, a perverted mix of static, distortion and feedback that harkens back to the mid-90s heyday of loud, sleazy noise. Dog Holocaust is the collaborative effort of Nolan Throop (Kakerlak) and Dan Johansson (Sewer Election) and this CD is a reissue of their first three now-out-of-print cassettes. An absolute must for fans of Macronympha, Incapacitants, Cracksteel, Merzbow...'---LABEL DESCRIPTION


'There are just a handful of newer, contemporary harsh noise artists in this day and age that have a firm grasp of the structures within the genre and how that can be manipulated to exert force upon the listener.... Anthony Shaw has a firm grasp of the harsh noise canvas and knows how to manipulate the listener with different bombardments and heavily timed lines of crashing, crunching, feed backing, and crumbling. All classic staples of the harsh noise entity, but not always executed today with such power and force; ultimately defining thunderous ‘harsh noise’ for the avid listener.' - Sam McKinlay (excerpt from liner notes)>br<>br<'Haemorrhaging Fetus' first LP is a fresh working on the rough stylings of classic acts such as Incapacitants and OVMN and compares favorably to contemporary peers The Cherry Point and The Rita. Transcending the staid boundaries of contemporary 'wall' noise, this record offers a deftly layered construction of harsh, considered composition. An edition of 250 copies reissuing two now out-of-print Gaping Hole cassettes.'---LABEL DESCRIPTION

mp3 samples: Cankered Womb Excerpt


'Ready To Do Damage is an album that seethes with malevolence. Sustained piercing feedback. Crashing and ripping metal. Distortion flaking off every corner. Dank. Violent. The A side contains a live collaboration (first ever for Mania) between these two artists, while side B holds a solo track from each.

Mania has terrorized the noise/PE world since 2002 with releases on his own imprint Bitewerks, as well as Freak Animal, Harsh Head Rituals, Abisko, Vemod, and others. He resides in Texas in near total isolation and is certainly armed.

Ryan Bloomer is currently a member of industrial scuzz unit Piss Horn. He lives in Canada, surrounded by amplifiers, and heads up the Traumatone organization, makers of noise devices most vile.--LABEL DESCRIPTION


Horrible Italian Noise. Only the sickest or Gaping Hole wouldn't be putting it out.

GILGONGO RECORDS




GNARLED FOREST



BSBC = Noise from Wm. Rage, Stan Reed, and Crystal Perez....Sixes ruins the name of a killer floyd tune! ;)


 'All out noise war collaboration LP between BSBC & NAG. Pro-printed LP jackets / 11x11" insert. Cover art by Dominic Black. Nihilist Assault Group - Richard Rupenus, Mark Durgan & Michael Gillham. Blue Sabbath Black Cheer – wm.Rage, Stan Reed & Sean Dow. Edition of 400.'---LABEL DESCRIPTION

GOATEATER ARTS



IMPRESSIVE LP of dark live drone sound collage..from myterious FL group. Edition of 281 signed and numbered copies in 2 color silkscreen jacket. HIGHLY RECOMMENDED!


Another slab of surreal sound from this excellent and mysterious group. Fans of NWW, ORGANUM, and the more surreal edge of Industrial musics should SERIOUSLY check this stuff out.

GODS OF TUNDRA



'New sounds with old things for the winter that is falling over the land.'---LABEL DESCRIPTION


'The latest sounds from spartan country. Home medication through distant circuitry. Wander through these territories and fine countless new ones.'---LABEL DESCRIPTION


'Debut release. Minimal electronics for this battlefield earth.'---LABEL DESCRIPTION


'The elite of Scientology's workers, at least 3,000 of them, belong to a zealous faction known as the Sea Organization and are given room, board and a small weekly allowance. They sign contracts to serve Scientology in this and future lifetimes--for a billion years. Their motto is: 'We come back.' Dressed in mock navy uniforms adorned with ribbons, they bark orders with a clipped, military cadence. They hold ranks such as captain, lieutenant and ensign. Officers, including women, are addressed as 'Sir.'---LABEL DESCRIPTION


'Penalties for lower conditions. Any suppressive person is Fair Game. A dirty grey rag on the left arm. Black mark on left cheek. Minimal electronic noise for both organizations. Hand painted and torn covers. Edition of 100. '---LABEL DESCRIPTION


'Music to hide with. Ancient music for Irish harp...exactly what it is.'---LABEL DESCRIPTION


'So dudes, our dog..Steve Perry..had to have emergency surgery last week. She (yes, shes a girl) ate a macadamia nut..which is poison to dogs, unbeknownst to us. Anyway, shes doing great now, but this set was recorded and worked on while she was away (for 4 days) and we all had some serious CANINE BLUES. This set encompasses all aspects of Haunting...live workouts, studio manipulations, fall creep, winter avalanche, isolation on top of mount blanc. Packaged in cool boxes that Scara scored from her job...both tapes in cases with full covers, the whole deal. Proceeds from this tape set will help offest the INSANE vet bill..most expensive macadamia nut ever! Strict edition of 41.'---LABEL DESCRIPTION


'The rats run free. The streets choke with filth. Who can we turn to? Certainly not WRETCHED WORST. They are the ones responsible. You will find no relief in this, their first piece of vinyl. In these seven inches you will find only that which is vile. Three odes to insanity. Scum of the earth. It can't be undone. Edition of 200. '---LABEL DESCRIPTION

GREEN RECORDS



KNOX MITCHELL of JEDDO MI's new project...haven't heard cuz I won't put Spraypainted CD's in my laptop...but that doesn't mean you SHOULDN"T!

GRIM



From 1979 - 1982 there was only ONE minimal synth / industrial band in MICHIGAN...and that band was ZYKLON... About 10 years ago I was lucky enough to find a tattered copy of their lone 7 inch on GRIM RECORDS.... I was FLOORED to realize that this band was playin this CREEPY SHIT about a half hours drive from where I had grown up. These midwest dudes had a seriously STRANGE take on the synth/industrial sound. Killer washes of heavy electronic noise connected by buzzes of minimal melodic synth and truly dismal and dry half-sung vocals w/ occasional call and response..ruling especially on their classic WIR SIND. Totally WEIRD SHIT that sounded like nothing else. This CD is a heavy historical document of MICHIGAN NOISE. I hope the boys plan on letting more some of their unreleased gems out of the vault..

GROUND FAULT



Ground Fault SERIES II. 99 Tracks of silence & spasm from this Shimpfluch goon...




Ground Fault SERIES II. Killer organic drones and field recordings, and harsh & heavily chopped up computer noise... KILLER


Ground Fault SERIES II. Incredible CD of heavily edited noise clatter and sickining mouth sounds. Recomended for fans of R & G, PRURIENT, MASONNA, sound poetry, etc....


Ground Fault SERIES II. Midwest brother Blake Edwards gets fuckin weird again on this one.. First track sounds like an outtake from the ERASERHEAD soundtrack.. It fucking SHOULDA BEEN ON that soundtrack! 4 more tracks after that ranging from harsh static, metal clatter, dreamy whispers, skipping records and electronic motors... YES!

HARBINGER SOUND



FINALLY.... intense collab between Andy Blous and Yamatsuka Eye sees the light of day.. FUCKED and FUNNY. (Co-released w/ TOCHNIT ALEPH)


'Collaboration between the golden boy of Los Angeles & the Tokyo noise legend. Jewel case. 1000 copies.'---LABEL DESCRIPTION


'Putrefier aka Mark Durgan has been an active member, albeit below the radar, of the U.K. noise scene since the inception of Putrefier back in 1986. Firstly, starting with his own Birthbiter label which as well as cassettes also was one of the first distribution services to start importing ZSF, Selektion and many Japanese oddities into the UK. Keeping a low-profile has enabled Putrefier to work at his own pace and keeping to his own vision. Throughout the last twenty years records and cassettes have been limited but this latest release should be the start of a fresh outburst of activity. His recordings have turned up on labels such as Broken Flag, Artware, MSBR, RRR and more. This boxset though is the latest release on Harbinger Sound a label with whom he has had a working relationship with now for many years. It features the long out-of-print 'Hypertension Classics' double 7 inch which was sold at shows in japan during the year 1999 only, plus over four hours worth of quality recordings dating back to 1996 but with most constructed during the 1999 - 2001 years. If you want pointers think of the possibilities of good Voice Crack, the INA-GRM extremities & 'Crash for Hi-Fi' -era Merzbow being dropped into a pinball machine ! Yes, it is that good ! After many shows alongside the likes of Ramleh, The New Blockaders, Merzbow, Pain Jerk, Incapacitants, MSBR, Thirdorgan, Emil Beaulieau. Morphogenesis, Schimpfluch Gruppe / R&G, and many others , Putrefier should be embarking on an East Coast tour of the USA during April 2006 alongside Smell & Quim, Onomatopoeia & Deepkiss 720.'---LABEL DESCRIPTION

HEAVY PSYCH



'Across is Travis Miller (former Head Molt frontman). a perfectly executed anthem of nihilism, gross howls, heavy vocal & tape manipulation, disgusting pulses. acid boiling your insides. the cavern crawl. the Droughter side is a composed track of dissonant junk noise, cold vocals and harsh feedback fuckery. a dark brood. fuck the cosmos. artwork by: Travis Miller & Gary Stevens Edition of 50 '---LABEL DESCRIPTION


'Gutter electronics from Philly. fuzzed out feedback warping, damaged equipment, intense vocals spewing american poetry. unique, brutal, drugs. welcome yourself to the dark side. edition of 300 '---LABEL DESCRIPTION

HELICOPTER





If I am correct this is Wiese remixes a bunch of dudes remixes of him... Got it?? noise recycling!!!


Feedback heavy harsh crumbling noise from two giants on the genre.


Kicks off w/ a thick super distorted harsh noise track...then flows into 4 distorted bell drone experiments. Even gets 'dreamy' at points.

HERESEE



http://youtube.com/watch?v=7MvSOp_y_PI


Max Eisenberg, James Twig Johnson, Carly Ptak. Seriously THEE most DAMAGED lp by this crew to date.. TOTAL DRUG MUSIC. This shit is fucked and wrong in every possible way. Their BEST album for sure... FULLY SICK.


'Members of sejayno release a morphic aura into the air through the utilization of therapeutic breathing techniques, fumblings, and fantasies about sexual tourism. The Swedenbourgian 'airplane' becomes reality along with the use of tubas and guitars and poetic resonance. You may know Peter Blasser as 'ciat-lonbarde' or the next incarnation of dr.who imagining bob moog as interpreted by the paper circuit in the form of the seed of life. Carson Garhart is not only 'cute' but was also the phantasmal skeleton in 'the skeletons' and Severiano Martinez is the man behind it all. Limited LP screenprinted covers. co released with ignivomius, boc, skulls of heaven, and shinkoyo'---LABEL DESCRIPTION


AWESOME new 3 inch from my family member of the psychedelic sounds of water and the crude buzz of homemade electronics.... HIGHLY RECOMMENDED!


Another amazing disc from Twig... 6 tracks of very mind altering electronics, tape manipulations, string plucking, bell clanging and voice workings. RECOMMENDED!!!


'For maximum axis access prepare the elements lying down comfortable dissolving body external world eyes closed minds eyes activated solo headphones or quality stereo placement for group trips embrace the harmony of dissonance human is time machine'---SLEEVE NOTES....nuff said! HIGH-LY RECOMMENDED!!!


Amazing CDR with playable lathe cut grooves!! Plays as a record AND a CD!! The CD version is a collection of past lathe cuts made at the DIAMOND EYES compound by James Twig Harper. Tracks include: Oneoff cut of Dual sync oscillators on metal laquer, Multiple overcut oscillator on plastic lid, Wolf Eyes - plexiglass cut, Carly Ptak - lathe Vocals on plastic lid, Harper on Metal Laquer, Nautical Almanac - Metal Laquer, One-off overcut groovekiller of prepressed 45rpm single, Buzzardstain dub plate. An AMAZING document... INSANE!

HERMITAGE TAPES



'Question? What does the debut Cold Turkey platter sound like?

A) A Horn having an exorcism inside a destroyed/ blown out Wendy's in the year 2897 AD after the world has been destroyed to tiny bits FOUR times hundreds of years ago

B) The Soundtrack to someone who has inject spraypaint into to his spine for any kind of physical activity, and 'cold turkey' is blasted into their headphones as they 'spray up' for a bout of tropical heat water skiing.

C) the WORST track submission in the history of 'THE BOSTON POPS SEND IN YOUR OWN SAX SOLO COMPETITION'

D) ALL OF THE ABOVE

Dunno about ya'll but test intuition 101 says go with All of the Above every time. But don't listen to this mug, jamm this COLD TURKEY onesider instead. Screw tests, up the HEARING TESTS!! And what a test this is, just a HORRIBLE SOUNDSCAPE. The sound of things not comfortable where they are placed, just plain freakin' to get outta joint/dodge/town/here. FAST. But they are trapped! Puts the SQUIRM resistance up to: A MILLION until the evil lock groove bookending the sound forces everything into a PERMA JAIL. BOXED IN!!! THE HORROR!! Hearing this over and over I start to lean in to listen to the voices inside the jailed reed bleeding rib cage sound trap, terrible voices emerging from the din. What would they say? Is it even reeds? Is my rec. needle striking back? What? Who is AC anyway? Did they press this record on rotten cottage cheese? Does it come with a free voucher for a priest to break it in half? Can I own this and still live twenty feet from a school??? HELP!!! So. Hermitage vinyl debut. Handpainted. Handrulin. Mine was HANDED to me at a killer party. Where NO ONE HAD HANDS. I would file this killer LP in the 'Tales from the Darkside' section of all your Michigan Psycho Mafia wax/platters. I'll brag and say mine is a double YARD wide and contains the beyond rare/priceless ZOMBI lathe cut LP from ages ago (that COLD TURKEY kinda sounds like a BEST BUY version) and the unknown TALL BIRCH COLLAPSED ON FAMILY private weirdo noise LP from MICH. that sounds like a 'scrambled' part two of the legendary Paul Feinberg's VACATIONS mind-blowing single. Why all this nerd talk? Cold Turkey LP fits right in, hand done, raw locked inside mental battle SOUND LP. It rages with quiet slow burn, like a relay switch dipped in magic batter and cut with urine. Cold Turkey: best served: BOXED IN!!!!'---John Olson, Michigan, Capital, Fall 2009

HOSPITAL PRODUCTIONS



Final copies of Blue Vinyl eidtion of Dominick Fernow and Kris Lapke's Black Metal project ASH POOL!


'A reissue of an obscure tour only recording from 2005 brings to the light the flikering dance of Mr yeh and his dives into organic drone music. Unlike the majority of his electronic compositions inside the shadow reveals three textures brought to life with violin , chimes and bells that defy most of the contemporaries limitations to synth only exercises. Yeh prooves the heart of landscape oriented linear composition is only limited by the imaginations of the creators and brings warmth to an otherwise cold genre with the flame of inside the shadow. '---LABEL DESCRIPTION


'After developing his caling card on adult life and the eternal releases Carlos giffoni defines his signature with compositional electronic music. Melding the analog drone colliding tonality of the past expressions and intoducing minimalist sequencer details a pure electronic landscape is cultivated that nurtures the formation a man makes in stepping from the mysteries of youth into adulthood. '---LABEL DESCRIPTION


'Cremations is a collection of early demo/live/and unreleased tracks from Cold Cave. From the projects isolated beginnings to the recent full band line-up the development of this singular musical entity is documented here in its icy electronic glory. From Cold Cave’s infancy sexual identity and oblique existentialism have been expressed through biting lyrics and electronic minimalism. Rarely has the human condition been exposed so brazenly as in 'Sex Ads'. Melodies, noise and rhythms clash as stories from below the surface are retold. From the demo LP Coma Potion, which featured a rugged stripped down distortion, to the suggestive Electronic Dreams tour cassette (featuring the voice of Max Morton on the track 'Heavenly Metals'). Cold Cave has developed its own brand of genre defying electronic music, without ever betraying its dark roots. Love and pornography, Industrial music and traditionalism, poetry and profanity all mix together in a hedonistic, cocktail of nihilistic nights and mournful mornings. Cremations collects all this work for the first and last time. contains painted nail ep, coma potion lp, electronic dreams cs and more.'---LABEL DESCRIPTION






Wikkid CD of oop Hospital cassette and Mortuary Servants 7 inch on Freedom From/GOT... CD aka BORN PISSING.






'digital version of the cassette collaboration. statues crumble, bronze corrodes, columns topple as the roman youth carry on towards death. new artwork.'---LABEL DESCRIPTION


'reissue. zero explanation needed. master work. true industrial.'---LABEL DESCRIPTION


'the title perfectly sums up the ultimate dichotomy of thunder and scourge, fire and flood, iron and breast. cock and bat... the hammering continues... whoever dies with the most cums - wins. on this recording line up of roemer, stella, fernow. full color 2 sided pro print cover of classic transsexual art brut. '---LABEL DESCRIPTION


Incredible 1st full length CD by the California Kid... killer controlled harsh noise and dark ambience




'Cocaine Death is a compilation of three of Prurient's finest Hospital cassette releases as well as two unreleased tracks. The previously released material forms a triptych exploring the relationship between futile pleasure, substance and escape; escape being a myth. Cocaine Death (originally C-10 packaged in an envelope, limited to 46 copies) is perhaps the most sought after of the recent Prurient cassettes. The content is based on the glamour and destruction of toxic nightlife. The B-side features guest vocals from FFH and continues the themes with the addition of bondage. This material is a considered classic modern Prurient. Caribbean Overdose (originally a C-10, packaged in a standard shell package and limited to 100 copies) explores a different but strangely direct topic of the sexual reproductive life of plants. There is nothing common or typical about the sounds and direction of this material. Further examination into the life of scientific advancement and education. Tylenol Murders (originally a C-10, packaged in an oversized envelope and limited to 10 copies) takes the sounds and concepts of the aforementioned releases and expands the sounds to further limits of cracked static, strained vocals and strange melodic loops. This sought after limited material is seeing the light on this release to most Prurient listeners for the first time. Since the inception of both Prurient and the Hospital Productions label, cassette releases have been an essential format for the communication and participation in the industrial/noise culture. packaged in digipack with 16 page color booklet.'---LABEL DESCRIPTION


'ten years has passed. massive, textural, throbbing, destructive, electronic, feedback drenched, power electronics and industrial noise with heavily processed vocals and field recordings dealing with vulnerability. uses some of the thirteenth century love poems of the persian poet rumi as lyrics. originally created in 2000 on cd with armageddon label this was the first widely distributed prurient full length and appears on vinyl for the first time now.'---LABEL DESCRIPTION


'the first full length of this heavily active live unit from providence, ri. there is no solid footing in shallow waters. only a suffocating hail of falling rock, strangling vines, and sinkholes. it is with rare exception that voice spits the last of breaths, the dying breaths, with such spite. like a rabbit trapped in the hole of the snakes throat, this duo comprised of members of immaculate:grotesque and em dath rir batter and tear there way through 6 tracks of power electronics eco-fallout and revolutionary anger. although there is not one moment of relief in this litany of rage shallow waters separates themselves from the pack by creating what an album and not just a collection of tracks with the focus of a sniper and the fury of napalm. get into the fight."---LABEL DESCRIPTION


Ground Fault Recordings and Hospital Producitons would like to announce the upcoming release of 'This Is The Truth', the first Sutcliffe Jugend studio album in eight years. 'This Is The Truth' quite possibly stands as one of the most original and perfectly balanced noise compositions of the last 10 years. It references and uses classic Sutcliffe Jugend of old while bringing in an entirely unique and fresh element one does not hear in noise. This album is a brilliant blend of foreboding tension, and anxiety while using the most lively, disturbing, and textual elements of noise. All of which are brought together with the phenomenal detail and balance of an accomplished electronic composer. Songs that you think will explode leave you hanging with tension, while others erupt with violence out of nowhere. It's an absolutely brilliant album that was worth the wait.---LABEL DESCRIPTION


'the fall of nature is a epic, grandiose drone piece almost one hour of pure electronics that echoes the masters of the form. the album grows in intensity throughout the recording making for an unexpected release. there are many sides of darkness and many ways to express it. the fall of nature is the balance of sound, in a listenable format. the initial feeling is that of an almost holy, heavenly sound, the skies opening in tribute to the nature which is falling. yet fans of classic sj will be plenty pleased at the psychotically manic conclusion that will not disappoint any fans of pe terror. this music takes aim at several nerve centers at once. this is not just noise, drone or pe but something new that mixes various elements of each together for the first time. co release with groundfault recordings.'---LABEL DESCRIPTION


Great comp of Strange and brutal elctronics via Providence, RI. Tracks from SINKING BODY, PLEASUREHORSE, KITES, WORK/DEATH, SMASHED FEMUR DANCE PARTY, and MEERK PUFFY.


4 way split LP w/ AIR CONDITIONING/ VEGAS MARTYRS/COUGHS/ THE NEW FLESH 'many years in the works. collects a certain type of young and anxious style of band that lives somewhere between dirge, noise, and punk but all share a unique but equally mean spirited and negative atmosphere. edition of 400' ---LABEL DESCRIPTION


'Always Wrong is a mantra of severity. Wolf Eyes has been scouring audiences across the globe with their acid drenched industrial noise and dub terror psychedelia, establishing themselves as the trailblazers of a genre and pioneers of the long-form noise tour. coming forth from the piles of tape loops and effects the bulk of tables reeling with electronics have been shed. This clarity never sacrifices intensity as paradoxically this is the most organic of the full lengths but also the harshest and most dissonant. Opening track “Cellar” immediately sets the pace of barraged edits and percussive electronics as startling vocals spit from the dry throat and remain unfiltered for the first time breathing a clear litany of scorn. a new voice is rising and it isn't happy. throughout the album non-electronic beats created from live drums replace programming while colliding tape loops and junk metal bring new unstable rhythm like a house with erroding foundation.  “Living Stone” shows a more natural state of acoustic composition highlighting the despondent subtle plucking of controlled guitar improvisation that could come from natures ghost. forging ahead in “We All Hate You” loud tonal horns and architectuarly placed electronics.  however their aesthetic core of pummeling hasn't been abandoned as the aggressive “Broken Order” takes hold with shrill feedback fueling industrial cannon blasts of white hot noise that burn the body from the neck down. an eerie harmonica driven death march straight out of 'once upon a time in the west' cries on the closing track 'droll/cut the dog' Immediately it is clear that Wolf Eyes have crafted a statement with maturity that stands at the top of their mysterious discography. Always Wrong is a denial against conformity and the triumph of walking a path alone. Young, Olson, Connelly. '---LABEL DESCRIPTION


'Hospital Productions is proud to release the first-ever collaboration between these two legends, Wolf Eyes and Sickness. This is not haphazard but a symbiotic collaboration bridging distant roads. This full length LP is a dark casket of scorched earth sounds, the remains of the cracks at the after shock of discovery. Reminding us of the peaks in either artists' catalog, There Is A Part Of Me That You Will Never Know processes the deepest sounds of these four masters in a haze of lone atmosphere and true noise. This is not a terror shock, this is the end.'---LABEL DESCRIPTION

HOT RELEASES



Field Recordings from Korea 2006 - 2007. Handpasted artwork w/ insert.


'Romantic low-fi death rock creepers from prolific Providence showman/illustrator/film-maker Carlos Gonzalez. Some of his catchiest tunes yet. To be listened on headphones at night. Reminds me of morbid childhood, the thing in the mirror, the AM rock n roll station and it’s chintzy announcers, hair collectors and men in heels'---LABEL DESCRIPTION


 'Heavy terranean noise recorded in Itri, the mountains of NC, and a living room in Carrboro. Broken radios, cymbals, casio nuget, and a chorus of Itrano cicadas. The earth is crying'---LABEL DESCRIPTION

HRöNIR



Intense and and emotionally draining set of classic noise from Joke Lanz. When this set first arrived to my house I casually popped it on the turntable and started listening while reading GXs liners. Very quickly I had to stop the record and set it aside for the RIGHT time. Listening and reading was just TOO HEAVY for a casual listen. I had to prepare to take it all in. Being a father myself, it hit me hard to read the essay while listening to Jokes noise...hearing the tracks he made with his son...it was all very moving. Just like entering fatherhood, listening to this set you will feel pretty much every emotion there is: love, hate, joy, disgust, amusement, anger, confusion, satisfaction etc etc... This collection is really one of those things that makes you sit back and say to yourself...FUCK! Life IS good! A really amazing set. BRAVO TO MY FRIEND JOKE! - AD

Limited edition of 500, Paintings by Joke Lanz, Essay by GX Jupitter-Larsen, Mastered by Rashad Becker, Design by Bill Kouligas, Compiled & selected by Joke Lanz and Ed Benndorf. These two double LPs combine 49 rare and unreleased tracks as well as some of Sudden Infants most essential and radical work from the last twenty years. Beautifully housed in two fold-out double LPs with original cover paintings by Joke Lanz and an exclusive 4-page essay by GX Jupitter-Larsen. No CD or download releases planned. ---LABEL DESCRIPTION

HUH TAPES



Excellent layers of dirty tones from this Swedish sound artist.

HUNDEBISS



'Recorded in a hotel room after we totaled our tour vehicle and became stranded in the worst snowstorm in ohio history'. Limited to 500 copies, one-sided album. Piercing vocals, walls of guitars, precise heavy electronics and thundering drums. The fusion of metal, noise rock, free jazz, industrial, and harsh electronics. Artwork: hand cut black cardboard, xeroxed recycled paper, raw paper inner sleeve. the b side is screenprinted by serimal. Limited edition of 500 copies.'---LABEL DESCRIPTION

IATROGENESIS



New full length CD from Gordon Ashworth. Ripping harsh junk metal noise and organic clattering. Rules.

IDES RECORDINGS



'A live performance from late 2005 featuring Anthony Miller and Joel St. Germain.'---LABEL DESCRIPTION

IMPULSY STETOSKOPU



'Belgian audio/visual project founded in 1990 by Geert Feytons and Timo van Luijk. In 1993 Greg Jacobs joined the group and sound engineer Eric Faes became a regular member until 98. In 1996 Timo van Luijk moved to the background to concentrate on his personal musical work and Marc Wroblewski appeared in the fixed NMF line-up. The sounds for their compositions were generated by various selfmade instruments, the most extraordinary being stumps & trunks from dead trees. They composed music for various films, installations, theatre & dance-performances. With the death of Geert Feytons in 2006, the other members decided to stop performing and playing under the NMF banner. Greg Jacobs, Marc Wroblewski and Timo Van Luyk re-united as Onde.' - Discogs. Timo Van Lujk: 'Born in Finland, but living in Belgium, Timo has been an active participant in experimental sound activities in his current home. Originally a member of Noise-Makers Fifes, he later split off and started his own solo project, Af Ursin. In recent years he also been active collaborating with others such as Raymond Dijkstra (in the duo Asra), Kris Vanderstraeten, and Christoph Heemann (in the duo In Camera (2)). Though his music has appeared on several labels, he also has his own label, La Scie Dorée.' - Discogs. Limited edition of 120 numbered copies wrapped in aluminum foil. Recorded Oct 5, 1997, in Poland. '---LABEL DESCRIPTION


Really well put together book! Volume 1 here features artists starting with A thru C and bands beginning with numbers as well. Contains a paragraph or two and discography for hundreds of artists from all over the industrial / noise genre. Pretty dang thorough as well... I mean prolly as close as you can get with something PRINTED. Everyone from AHLZAGAILZEHGUH to ALU, ROBERT ASHLEY to BOY DIRT CAR, CLANG QUARTET to CURRENT 93 are included.. It is very much all experimental industrial and does not really (thankfully) dive into the industrial musical sub-genres as ebm, techno, industrial metal, etc...

This book also contains 2 CDs of mostly exclusive tracks as well from ALTER OF FLIES, ANDREA MARUTTI, ANEMONE TUBE, ARTIFICIAL MEMORY TRACE, ASTRAL SOCIAL CLUB, BARDOSENETICCUBE, BEEQUEEN, BOB BELLERUE, THE BLACK VIAL, BLACK LEATHER JESUS, CHAOS AS SHELTER, CHEAPMACHINES, CHRISTBLOOD, CIRCUIT WOUND, CLEW OF THESEUS, COCK ESP, NICOLAS COLLINS, COSTES, AND CRANK STURGEON.

A really insane amount of work was put into this. 100 Pages...Just by eyeballing it, Id say its about 11 inches tall, 9 inches wide and about half an inch thick. Will fit nicely next to the RE/Search books on your shelf. Cant wait for the future volumes to be released! HIGHLY RECOMMENDED!!


Reissue of an AMAZING and MANDATORY early 80's industrial LP... Think minimal beat rhythm indsutrial ala early Esplendor Geometrico...HIGHLY RECOMMENDED!'---AD

'the twenty committee was my project with chris scarpino; it ran from 1981-1985. network was my first lp release and the first classic of my long career. it was the second xx committee release following a cassette, steel negro music, on arph records. network was originally supposed to appear on charles balls lust/unlust label but it went bust (unbust). luckily, a couple of weeks after we heard the terrible, terrible news, thermidor records got in touch and ended up releasing the lp. our idea was simple one. we wanted to strip industrial music, which we both enjoyed, of all of its rock moves and create a music that sounded like idealized heavy industrial machinery. we thought the repetition of our music, as well as the sound, was a radical critique of the exploitive nature of work under consumer-capitalism. we wanted to make machine-like anthems of negativity, but like the sound of heavy machinery, with a stark and powerful beauty. thats what we thought, anyway. the record sank without a trace. chris got disillusioned over the actual opportunity to make good art and make a living and went into engineering. ive stayed the course. it seems like he may have been right. at any rate, this is a nicely done and fully authorized re-issue by the polish label impulsy stetoskopu. numbered edition of 250 copies, well mastered from the lp. nice digipak reproduction of the cover with photos on the inside.' - Scott Foust (Story Of Failure, Idea Fire Company, Tart, Shadow Ring, Pickle Factory, Anschluss, Swill Radio, etc..). '25th anniverary' edition of the 1983 LP originally released on Joe Carduccis legendary Thermidor label.'---LABEL DESCRIPTION

INDUSTRIAL RECOLLECTIONS



'Back in 1988 Arbeit Group label released obscure industrial-noise release by project called TRAIT. A-side of the tape includes several different arrangement for inspiration in battle. B-side included several of those arrangements combined together for temporary unified action. 45 minutes of most primitive analogue destruction, leaving no place for easylistening or relaxing moments. Even with the atmopheric and dark moment, sound is extremely decayed and coarse sound of tape loops, manipulation and electronics which transforms it to difficult industrial-noise. Years after the original release, personnel behind it has been officially declassified. Trait is one of the most vicious works of Eric Lunde, known for 80´s masterpieces under his own name and legendary industrial group Boy Dirt Car. Releases on V2 archief, RRR, AWB, Powertech Industries. 'Inspirationals' is carefully reflecting the original tape as accurately as possible. Material is transferred from original master tapes to CD by artist himself, leaving everything 100% as is. There is 2 long pieces (A and B side) with no mastering, no cleaning up, no boosting. Artwork is faithful to the original release, replicating the it as accurate as possible. This is the first release by Industrial Recollections label, aimed for re-issuing sold out pe/industrial/noise releases for fanatical audience'----LABEL DESCRIPTION


'compilation of mid/late 80s UK project of Anthony DiFranco (Ramleh, Skullflower, Ax, Novatron, JFK, etc). chosen tracks from his forgotten & most obscure tape releases. known from Broken Flag Birthbiter JFK Disciple Productions but also 4 previously unreleased tracks! Industrial Recollections'----LABEL DESCRIPTION


're-issue of classic Grunt material from 1997-1998'---LABEL DESCRIPTION

INTRANSITIVE



'Four years in the making, the music of Brendan Murray’s latest/greatest album of cinematic drone anthems, Wonders Never Cease, was honed during live concerts around New York and New England. Recorded in situ, each track was painstakingly (re)assembled and embellished back at Murray’s studio. While it cannot accurately be called a ‘live album’, the adrenaline thrill of live performance is palpable as soon as the opening howl charges out from the speakers. From the laminal scorch of the opening track, through an electric fizz storm and a breathy hymn for what sounds like harmonica and folding chairs (?), the eyes-wide-open bliss of Wonders is exhilarating. Soulful, melodic and intimate, this is electro-acoustic music as gloriously life-affirming and natural as a sunrise.'---LABEL DESCRIPTION


Well executed drones and clatters. Lots of creeping rumblings, with killer editing. Some very computerness parts. Some total rake in yer ear parts.


'This first album of cross-hemisphere hum by Seht (the nom de musique of one Stephen Clover) and Howard Stelzer emerged organically via tapes shared through the post between New Zealand and Boston over the course of a year or so. Without any spoken agenda or external organizing concept from the start, the music willed itself into a darkly psychedelic, implacably melancholy haze. A quick scramble of caffeinated tape action kicks things off, then the album rapidly dissipates into a thick, black sleep of environmental debris and humid fog. Worn loops were played into various outdoor acoustic environments (playgrounds, front porches, trees, other prosaic spots), then fed back into low-tech machines for further harmonic decay. Shapes form in the shadows and slip away as the edges blur. After a few attempts to heave itself up onto its feet, Exactly What You Lost eventually huffs its last breath and dissolves in a cavern of industrial tics. '---LABEL DESCRIPTION

IRML



This is TOTALLY NOT 'techno'.. Fuckin crazy home synth recordings from MEV man.


Fuckeed UP homemade guitar noise from MICHIGAN's MEV man


aka CANNIBAL CELL. More intense weirdness from original member of MEV.


Killer CD issue of Bryants weird as shit 1977 LP for CRI. This is actually released by CRI not IRML, but I placed in IRML section for searching purposes. HIGHLY RECCOMENDED!!!


Intense mid 60's RUBBER BAND noise from the master MUSICA ELETTRONICA VIVA !!!!!

ISOUNDERSCORE



'dimmer's 'remissions' is the second full-length album from longtime sonic architects of interactive feedback circuits, thomas dimuzio and joseph hammer. this 2xlp effectively represents four side-long pieces from their live shows throughout california taken place between 2006 and 2007. essentially a follow-up to their 2007 album on los angeles' melon expander, 'remissions' expands upon the immense recursive tape looping and resampling that is found inherent in their work but achieves a weight and time displacement that greatly overshadows their dark preceding full-lengh. all four pieces were recorded at: norcal noisefest in sacramento (2006, 'sky wire'), the luggage store gallery in san francisco (2006, 'sun dog'), the smell in los angeles (2006, 'gases that emit light'), and artsf's noise pancakes series (2007, 'giant eagle'). live sampling, processing, feedback, looping by thomas dimuzio. tape manipulation and processing by joseph hammer. design and layout by thomas dimuzio, joseph hammer and brandon nickell. limited to 500 copies on full-color sleeves with cover photography by john dalton.'---LABEL DESCRIPTION

JUNKE KUNST / EHRENTRAUD



Catalogue published by Junge Kunst Wolfsburg e.V. and Galerie Christian Ehrentraud, Berlin. About 60+ pages (21x19 cm) documentating Roigks works from the last couple years, with fullcolour photographs from Installations & Objects and black/white drawings, english & german texts about the artist. Also included is a full length Audio-CD with installation-sound works and musical pieces by Roigk. ---LABEL DESCRIPTION

KETCHUP CAVERN



 'Hailing from Hamilton, Ontario, the free improv freak unit Fossils have unleashed about a billion limited-run releases documenting their weird journey since 2005. Built on mystery, busted electronics, internal machine feedback, treated tapes & amplified junk, Fossils paint abstract new visions on steel cave walls. The 2009 Fossils players include David Payne, Steve Smith (Thousand Year Frog), Daniel Farr (The Living Stump) & featuring the saxophone stylings of Rob Michalchuk (Poor Little Music label). Young Guns was recorded sometime 2008 at mjc hq. Ketchup Cavern's first jazz record. Numbered edition of 119, color paste-on/screenprinted artwork, handmade sleeve. No computers used in production or design. Mastered from cassette for maximum audio fidelity. Thurston Moore in Exclaim: '...and one of my favourite Canadian bands is called Fossils; check them out.'---LABEL DESCRIPTION


'Lasse Marhaug has a discography as long as your arm and a list of previous collaborators that would scare the pants off us if they were all in the same room, but that wouldn't matter if he didn't drop the heavy jams. And Ketchup Cavern number 2 is the heaviest yet! This is a physical record, instead of someone twisting knobs it sounds like someone slapping you around and yelling in your ear for five minutes and five seconds. Total radness!

1-sided 7


The same day I bought a second-hand Boss Dr. Sampler I connected my guitar to it and recorded the basic material for these two 4-minute tracks. Less drone, more composed. A bit like my Huis EP I guess, that's (partly) why the title hints to that. It's Machinefabriek's more playful side.

Limited to 500 copies (381 on black vinyl, 119 on color*), packaged in a full color offset-printed glue pocket sleeve designed by Rutger.'---LABEL DESCRIPTION


 'Pair of dungeon bummers recorded in the trio formation at the same east L.A. hillside studio where the Raiders LP/CS was tracked. Deeper into the isolation, down to the resin, a long lost walk through dog alley. Written/taped/mixed from Feb-April 2009. Edition of 538: 433 black vinyl, 100 white vinyl, 5 black/white marble (sold out). Includes MP3 download card (192 kbps).'---LABEL DESCRIPTION


 '22 songs in three and a half minutes. Edition of 184, mastered at 45 RPM for maximum fidelity/enjoyment, broken-photocopier packaging. Charlie Mumma, Drums / Corydon Ronnau, Vocals / John Wiese, Electronics. Recorded PDX/LA November 2008.'---LABEL DESCRIPTION


'A compilation of noise and experimental composition from 4 Vancouver artists: Flatgrey, The Rita, Sick Buildings and Taskmaster. This release highlights some of the key players in Vancouver's harsh noise/anti-music community. Each artist involved has one side to unleash a torrent of harsh noise/cassette collage/overloaded distortion/mechanical grinding. Mastered at 45 rpm for maximum sound quality, pressed on red vinyl in an edition of 300 copies, packaged in a b&w offset-printed sleeve featuring a photo of the parties involved at the corner of Hastings and Main.'---LABEL DESCRIPTION

KYE



'The Shadow Ring formed in the seaside town of Folkestone, England in 1993. Over the course of a decade, and through eight LPs Graham Lambkin, Darren Harris and later Tim Goss scraped out a unique musical pathway for themselves, armed with only the barest of tools. With each release the Shadow Ring presented themselves as a group in constant flux. Naive acoustic improvisations, dour bedroom sci-fi epics, cryptic D.I.Y. theatre and glacial electronic soundscapes all became fair game in their hands.

The group recorded for some of the premier underground labels of the era: Siltbreeze, Corpus Hermeticum, Swill Radio, and their own Dry Leaf Discs were all at one time or another called home. The Shadow Ring were also champions of the absurd - never playing live in their home country, they instead performed 23 shows across the US between 1995-97. The life of the Shadow Ring finally came to pass on the banks of the Hudson River in 2003.

Life Review offers a celebration of the Shadow Ring's oeuvre - from the green chaos of 1993's Don't Open The Window 7

LESSONS ABOUT HISTORY



'Lessons About History is a brand new weapon in the Swill Radio umbrella. LAH will specialize in digital objects of live and studio performances culled from the Swill Radio archives presented to the public for the first time. The exceptional musical interest and historical value of these recordings should help the listener shed some light on the vast and mysterious world of Swill Radio.  The series begins with a legendary IFCO radio show from 1999 with Karla and me joined by Graham Lambkin. This was our second show with Graham, the first being earlier in the day at the then-nascent Flywheel in Easthampton MA. (The Hardest Working Band In Rock!) We all worked together so well that it wasnt long before Tart was formed, but thats another story. This set showcases IFCO at its most languid, spacey, and electronic. Ill-fitting machine dreams. Excellent recording straight from the radio feed. A gorgeous representation of IFCO live during our Anti-Natural period. Professionally printed CDRs in full colour jackets'---LABEL DESCRIPTION

LITTLE ENJOYER



VERY impressive CD by mysterious Portland band. Not to be confused by other less powerful GODS. One 45 minute slide thru filthy caverns where electronic beasts slither around every corner. Fucking Sick and minimal in the best way.


Total killer from Trumpet abuser Greg Kelley. co-released with GAMEBOY RECORDS.


All music by MattinBarnes. Tim Barnes-prepared drum & effect pedals, analog feedback, gong. Mattin-GNU/linux computer feedback. Packaging is individualy hand printed paper w/ letterpress text. NICE!

mp3 samples: MP3 Excerpt

LIVE BAIT








LOST TREASURES OF THE UNDERWORLD



FINALLY! A full-length LP from MIKE SHIFLET. Especially stoked to spin this after last years amazing and overlooked split w/ MYKEL BOYD...that rec was def on my best of 09 list that I never made... The title side of this guy starts off sounding like someone vacuuming in the next room...a sound I fucking LOVE! Everything is a bit relaxed and nice for a while, but at some point the vacuum dust starts multiplying in the bag and starts blowing all the dust back out all over the fuckin room...this sends off the dust alarm which ends off that side.. A Perfect Noise slab... Edition of 300 copies in full color printed sleeves. HIGHLY RECOMMENDED!

MALSONUS



VIOLENT HARSH ELECTRONICS from Jonathan Canady aka DEATHPILE aka ANGEL OF DEATH. The cover is so fucking raw I couldn't bring myself to scan it... BRUTAL.


Many a noise dudes dream is to score a horror movie...well Deathpile's Jonathan Canady did it for this modern underground horror flick 'THE MIND'!! And it fucking RULES... Serious old school analog horror synth... totally in the zone of the MANIAC and BURIAL GROUND soundtracks... Dark synth for every horrible mood imaginable... Fear, Disgust, Sadness, Violence, Defeat, etc... HIGHLY RECOMMENDED for synth heads and horror goons... Limited to only 250 fuckin copies on a REAL FUCKING CD.... Grip it!

MAUERSTADTMUSIK



'Two minimal electronic tracks from 1980, one previously unreleased. Limited edition of 300 numbered copies in full colour cover with full colour label and insert.' ---LABEL DESCRIPTION

MEATBOX



Very LIMITED (only 300 copies!) pro-pressed CD of PAIN JERK w/ JOHN WIESE. HARSH NOISE at it's FINEST.

MELON EXPANDER



HIGHLY RECOMMENDED CD of modern electronic composition. Masterfully crafted Music Concrete...this CD rules!

MEXICAN SUMMER



Killer private press quaalude rock...not something I usually carry, but this one really struck me because of my love of music from movies like THE VAN and POM POM GIRLS... not too far out, but VERY stoned...some groovy synth lines...I dig it..thought a few of you may as well.---Aaron Dilloway

'The first of many reissues on the Mexican Summer slate brings forth a 1976 private press affair from Georgia’s Robert Lester Folsom, a high-quality and shimmering, unbuttoned-collar collection of marina rock and sunset ballads. Vaguely psychedelic and professionally rendered, this is a strong and consistent brace of soft rock, staid yet breezy, and one of the only MS releases you can likely share with your parents (or grandparents) without strange looks or much argument. When this van’s a rockin’, don’t bother knockin’!'---LABEL DESCRIPTION

Limited edition...comes with MP3 download code


AMAZING Double LP set of Bobby BeauSoleil's mid-60's psychedelic freak band THE ORKUSTRA. Really strange melodic, lo-fi smokey tunes. Comes in HEAVY DUTY Gatefold w/ 18 page booklet w/ liner notes and amazing paintings/photos. Limited to only 1000 copies!!! Comes with mp3 Download code as well. HIGHLY RECOMMENDED!

'I had recently arrived in San Francisco when, in the fall of 1965, I conceived of assembling what I described then as 'the first electrified symphony orchestra.' My 18th birthday had just passed and I possessed only modest abilities as a musician, but, being prone to such crazy notions, the concept seemed perfectly reasonable-this was the Haight-Ashbury of the mid-sixties, after all! A few months later a stable musical ensemble somewhat resembling my original conception had come into existence.

What I had imagined would be an 'orchestra' of a dozen-or-so musicians proved in practice to be unmanageable. Instead, a coalition of five instrumentalists from various musical traditions—rock, classical, jazz, folk and blues—emerged as the core group. For what was essentially a reconceived rock band, the instrumentation was extremely unusual, comprising some combination of violin, oboe, standup bass, guitar, bouzouki, flute, organ, drums and percussion. All of the melodic instruments were modified for electric amplification.

The Orkustra's brief day in the sun did not allow an opportunity to record a formal album. However, some recordings of the band's practice sessions and live performances were made. These precious few artifacts have been carefully restored and compiled by Mexican Summer into a comprehensive double LP album.'---Bobby BeauSoleil, Summer 2009


2 track white label promo 7 inch...300 copies only.

MIDDLE JAMES CO.



Andrew Coltrane & David Payne Collaboration LP.

MILITANT WALLS



KILLER reissue of DBL cassette originally released by OLD EUROPA CAFE in 1995. Super crude lo fi buzzing harsh noise. MANDATORY for lovers of SCUM. Co-released w/ PACrec.

MISANTHROPIC AGENDA



LOUD AS HELL psychedelic electronics in the full power intensity of Wiese and Drumm. His live shows are BRUTAL, and I had to listen from the other room cuz the strobes almost made me lose it. I think it was even LOUDER in the room I was in!!!


'From beautiful northern and southern California comes the duo of Gerritt and John Wiese. Since the release of their first EP, The Disappearing Act ("unbearably intense" -The Wire), they have continued their live collaboration up and down the West Coast. Panoramic Glass And Mirror immerses the listener into a blend of sound layers, confronted with a melodic and haunting atmospheric approach while still retaining immense power. Side A was crafted from live recordings by John Wiese, while side B was produced from studio sessions by Daniel Voss (Leviathan, Lurker Of Chalice, Deathroes, Yellow Swans). Limited edition of 400 clear vinyl, 100 black.'---LABEL DESCRIPTION


'On his fourth studio album, Jason Crumer has further honed his craftsmanship and focused his vision. Recorded with meticulous precision, every sound is placed, mixed and arranged with purpose. Crumer coaxes an unprecedented depth of sound out of layers of electronics and field recordings. Romantic in nature and cinematic in scope, 'Walk with me' exemplifies Crumer's remarkable approach. The album furthermore attests to his relentless honesty and total dedication to his art.'---LABEL DESCRIPTION


'Gerritt runs the Misanthropic Agenda label out of Berkeley, California. Los Angeles resident John Wiese is a member of LHD and Sissy Spacek, and both have been freelance members of drone metal unit Sunn O))).


'Burning in hell with no relief. Double flamethrower unit. Phil Blankenship (The Cherry Point) & John Wiese. Los Angeles harsh city crust.'---LABEL DESCRIPTION

mp3 samples: Limbs exceprt


''This aural document contains the entirety of Merzbow's critically acclaimed 'Frog' LP, plus a bonus disc packed with over 58 minutes of additional material - including a remix and an enhanced CD-ROM video/screensaver. Presented here on CD format for the first time, such an effort truly encompasses the expansive brillance of this incredible masterpiece. 'Frog' is an explosive journey through a living, breathing biosphere filled with amazing digital amphibians, reptiles, and insects. Immerse yourself in the habitat of sonic exploration!'---LABEL DESCRIPTION


Impressive collab from two of the scenes hottest newcomers.


'Sissy Spacek's fourth release for Misanthropic Agenda is a documentation of a duo piece developed in 2008 by Corydon Ronnau and John Wiese for breaking glass. Two performances in Los Angeles and San Francisco are included in their entirety. Hand numbered digipack in an edition of 300.'---LABEL DESCRIPTION




Sparce SS Big Band composed improv...percussion, electronics, guitars, woodwinds, double bass, koto, weird!

MISTAKE BY THE LAKE



HArsh noise from 1 half of HOT AIR BALOON RIDE!


Steve Makita (Lockweld), Wyatt Howland (Skin Graft), Andrew Kirschner (Relentless Corpse). Edition of only 100 copies. Handmade covers.

MONOCHROME VISION



'Anthology of rare and previously unreleased tracks by Arcane Device, recorded within the 20 years. It is divided into two parts. The first one consists of tracks from compilations issued by Subterranean Records, Tragic Figures, SFCR Tapes, and Generations Unlimited, but also unreleased material remastered and/or remixed in 2007. The second one is subtitled as "Feedback symphony" and based on various recordings, presented in four movements and finished in 2007. One more chance to approve the exceptional skills and compositional/technical talent of David Myers who can control the electrons by will, creating fantastic soundscapes. Limited edition of 500 copies in jewelcase.'----LABEL DESCRIPTION


'The 20 years anthology of creative work from the french composer, consisting of only previously unreleased material. Fantastic soundscapes, drawing images without any visual similarities and presenting the best ever sense of acousmatic music. Limited edition of 500 copies in jewelcase'---LABEL DESCRIPTION


'DSM's music world appears as the intricate but finest tapestry of microscopic sounds, sophisticated packing of voids with sonic hallucinations, textural interactions and layering effects. Mostly sourced from the ordinary life, sounds changed beyond any recognition, the endless flow of electroacoustic treatments and studio engineering. This album includes collaborations with some finest sound-artists over there, and must be attended as the most diversified one. Limited edition of 500 copies in jewelcase. Collaborations with: ERG, ARTIFICIAL MEMORY TRACE, JORG THOMASIUS, THE OVAL LANGUAGE, TBC'---LABEL DESCRIPTION


'Wide and diverse selection of several short pieces, composed by this prolific spanish musician during the last two years. It features quite a variety of sonic materials, from very atmospheric to quite fast-paced, and everything in between, including pieces made with recordings from planes, a piece for an instrumental ensemble, etc. The whole is quite cohesive and strong work, very characteristic and intense. Limited edition of 500 copies in jewelcase.'---LABEL DESCRIPTION


'Frank Rothkamm is the one of most interesting musicians of today, contemporary of industrial culture. He is a true underground figure, the fighter of invisible front, who realized a number of projects, produced great records for his own Flux Records label. Being a professionally trained musician, he was shifting freely from tape collages in his teens, and going through different forms including chamber music and pop arrangements. "Moers Works" is his first experiment, discovered and unearthed by me incidentally. Archive materials recorded back in 1982-84 and released after quarter of century! Limited edition of 500 copies in jewelcase'---LABEL DESCRIPTION


'This unique collaboration of three Japanese musicians (coming from quite different music background) tends to be the most radical and uncompromising one. It's really hard to explain what it's all about, it's too alien and very far from any rational thought you can imagine. For the unprepared listener, it can be very uneasy and helpless experience, but for me, it explains the very idea of avant garde music in our post modern age. Limited edition of 500 copies in jewelcase'---LABEL DESCRIPTION


'Lieutenant Caramel is the musician and film director at the same time, he shoot movies for ears with microphone. The continuous search for poetic images, frantic interchange of subjects, twisted and broken mosaic of fuzzy elements, the breathtaking incoherence of perception, the mark of primitive life, the total absence of organization and rational thoughts. All this breathes, moves, obtains the voice and gradually becomes meaningful. Theatrical view of musique concrète, humorous and surrealistic collection of masterpieces recorded in the ten years. Limited edition of 500 copies in jewelcase.'---LABEL DESCRIPTION


'Extra heavy fusion of industrial noise and musique concrète, this exclusive collaboration unites forces of two legendary musicians who were witnessed the roots of industrial music movement. It consists of three long tracks of mechanical aggression, clinical obsession and uncompromizing psychic attack. Dedicated to the memory of Pierre Schaeffer. Limited edition of 500 copies in jewelcase. '---LABEL DESCRIPTION


'This particular album is the first ever collaboration between american soundartist Phillip B. Klingler and german band Telepherique, it represents yet another breakthrough in the search for a music that is comprehensively exploring 21st century ambient music, an essential listening experience which is absolutely unique for the whole genre history as well as for both artists. Limited edition of 500 copies in jewelcase '---LABEL DESCRIPTION


'Concrete sounds and abstract constructions, endlessly recycled and digitally treated - the new album by Asmus Tietchens, Kouhei Matsunaga and Y-Ton-G is bearing the idea of total remix work. Following the great tradition of mail-collaborations, this german-japanese trio recorded the new series of experimental music studies.'----LABEL DESCRIPTION

MONORAIL TRESPASSING



'long-awaited and much desired split release of two highly complimentary west coast workers. saturated harsh melodicism from ib; two tracks bridged by a solo voice recording. synth driven by the human voice; screaming to make beautiful tones. the emaciator side is a dense, dense, drone; beginning with a throwback to past efforts before absorbing into layer upon layer of guitar and keyboard drones that rise to a subliminal level -- finally wearing down to an optimistic close. first vinyl release for the label. 500 copies'---LABEL DESCRIPTION

MOTHER ISLE



'Alex Sanders (1926-1988) - 'the King of the Witches' - was the most powerful witch in Britain. 'Here, for the first time, he presents a full recording of the solemn initiation of a new member into the ancient Craft. Assisting him is his wife and High Priestess, Maxine, and a coven of their young witches. Alex himself is a hereditary witch; he was initiated by his grandmother when he was seven years old. For centuries the Craft was driven underground by persecution and intolerance. Today, though their innermost secrets may still be only told to witches, they can open a few pages of their Book of Shadows - and for those who seek to know more of this faith that is older than history, they can set up signposts to the way of Wicca, or wisdom. This record is such a signpost.'---LABEL DESCRIPTION

Reissue of LP originally released in 1970 on A&M !!!!! HIGHLY RECOMMENDED!---AD

MYSTRA RECORDS



Crazy packaged LP plus 7 inch comp of NEW ENGLAND Noise, Lo-Fi Folk, Drone, Experimental , Psychedelic Weird shit complied by JOSHUA BURKET. Tracks from: MIRROR/DASH, SQUIDLAUNCH, NOISE NOMADS, LAUDABLE PUS, SCHURT KWITTERS, HEAD OF WANTASTIQUET, MATT KREFTING, RED FAVORITE, AVOCET, JOW JOW, AARON ROSENLOOM, PEWT'R, KURT WEISMAN, BROMP TREB, LIL DUSTY, CHRIS CORSANO, SLANDER PUFF, ANGST HASE PFEFFER NASE, SUNBURNED HAND OF THE MAN, BILL NACE, WHITE KASTLES, GASTRIC LODGE, and VIKING FUNERAL.

NASA D



Totally confusing 3 way collab/split thingie deal...of the weirdest bands ever.. Some may have seen Rubber O Cement on one of their many tours with THE WOLF EYES. They were the big lumpy thing playing bass.

NCC RECORDS



Amazing and CLASSIC LP of power tool loops and electronics from this legendary OHIO project. Released in 2003...limited to 500 copies... pressed onto a saw blade shaped 12

NIHILIST



Just what we needed...another recording from THIS sicko! Seriously Fucked up and Offensive stuff from our favorite French performance artist. Totally GRODY!


Killer collab from this 2 old st. Louis pals and bandmates... Weird shit...


'Matt Waldron's Irr. App. (Ext) has gained some reputation over the years, not just because of his solo work, but also his membership of Nurse With Wound. In his solo work he plays some rather dark atmospheric pieces of music, which in this new case isn't that drone based, but still rather subdued. Built from elements of improvisation on instruments we no longer recognize, heavily processed into a nice flowing piece of electronics slowly shifting about. Not a work that is a real surprise, but nevertheless a fine solid Irr.App. (Ext) piece. The Panicsville side shows them in a more improvised mood than a noisy one, which we might be used to with them. Like their main-man Andy Ortmann they too moved away from the strict noise happening in order to grow further and expand the possibilities of doing what is possible with sound. They remind me here of old Nurse With Wound, with scrapings, vague percussion interludes and swirling electronics based on wind instruments. The best thing I heard by them.'---VITAL WEEKLY

Over three years in the making! The venerable and exquisite Irr. App. (Ext.) create some of the most intriguing experimental work being produced these days, not to mention the amazing accompanying visual art of Mat Waldron which will make this release an instant classic. Panicsville delve deeper into a place of uncharted plasma coated dreams, to deliver a surrealistic soundtrack for decaying matter.

This LP is in an edition of 500 copies pressed on 140 gram marbled vinyl, housed in pro-pressed jackets.'---LABEL DESCRIPTION


A 30 minute journey into the sickning Baron's Chamber... The amplified sound of decaying and crumbling cellar walls... and the Baron is fucking jammin GREENSLEEVES down there!! INTENSE!


'Nihilist is extremely pleased to be able to announce the CD reissue from the out of print Schimpfluch box released earlier this year. This is one of the sickest recordings from the Schimpfluch Commune, commemorating their 20th anniversary of aktions. Artwork by Rudolf Eb.Er, with the audio being reworking of exclusive material from Joke Lanz and Dave Phillips.' ---LABEL DESCRIPTION


'These recordings are quite plainly the work of a madman, well... two madmen. Joke Lanz (aka Sudden Infant) and Dick Tourette invite you into their Theater of Syndromes where insanity is the dress code. Hyper kinetic is an overlying theme, and acts one through thirteen exemplify sickness in aktion. This is strictly limited to 95 hand numbered copies and comes with one Sudden Infant patch (white ink over black denim) two different designs, harkening back to the Radiorgasm artwork.'---LABEL DESCRIPTION


'The Nautilus Deconstruction (now defunct) here present two tracks of unreleased works. Archived Aktions from 2001 & 2003 era, recorded in Berlin and Leipzig. Packaged in silk screened industrial plastic sleeves with insert card, hand numbered edition of 50 copies.'---LABEL DESCRIPTION

NINTH CIRCLE MUSIC



Amazing collection of early Kazumoto Endo releases under the name KILLER BUG. About time all this shit was made available again... KILLER JAPANESE HARSH NOISE!!!


Amazing reissue of early PRURIENT cassette. Remastered by Chris Goudreau of SICKNESS. You know you NEED IT!

NO FUN PRODUCTIONS



One side myself, the othe r side Carlos Giffoni. My side is clattering tape loop shifting and throat squeeling ending w/ blown out Spine Scav synth riff disaster. Carlos' side is a harsh drone whirlwind of analog synth. Limited to 300...i Think...


'Consisting of Nate Young (of Wolf Eyes) and Steve Kenney, Demons explore near-epileptic and droning analog synth textures that elicit comfortable remembrances of electronic forefathers like Stockhausen and Cluster whilst simultaneously bludgeoning forward with the grating and scraping atonal complexities of Whitehouse and Throbbing Gristle. Having already rallied a fervorous flux of supporters with discomforting psychedelic multi-media performances and a slew of cryptic releases, Evocation is an appropriately elaborate and accomplished approximation of their shrewd identity and is their first full length CD release, with artwork by visual collaborator Alivia Zivich.'---LABEL DESCRIPTION


Killer collection of improv tracks and basement experiments from the crew.


'Face melting electronics from Greg Kelley. This is not a Jazz record. Limited to 350 copies.'---LABEL DESCRIPTION



no label



PSYCHO full color POSTER by ex-GALEN member and LA artist JUSTIN ALLEN. He's the dude responsible for the artwork on the SOUNDS OF THE INDIAN SNAKE CHARMER LP... Full color numbered edition of 100 copies, approx 2 1/2 feet by 1 1/2 feet big old stoner poster. Please add $2 for postage on this one, since it will be sent seperately from anything else ordered in a tube mailer. For a look at the full poster, copy and paste this link: http://hansonrecords.net/images/jposfull.jpg

NOISENOMICS



That's RIGHT!! a FUCKING GX JUPITTER-LARSEN WOODEN RULER! no sound! no Noise!! IT's a RULER! Comes in handy when you need to measure some random polywave!! copy and paste this link to see a killer full size pic of the ruler!!! http://hansonrecords.net/images/long_ruler2.jpg

NOT NOT FUN



'Misery wears many masks, but Tulare, California fatalist Jon Borges has etched his mark on most of them. For at least half a decade he’s pursued increasingly suicidal tendencies under his Pedestrian Deposit guise (which is currently on hiatus), splicing subdued loops of morbid beauty against savage canyons of harsh noise histrionics. Lately, though, he’s been straying more and more from this aggressive exercise in contrasts in favor of his Emaciator alias, which draws from the same dark wellspring of bitter memories and bipolar rage but, instead of unleashing it in grand frenzies, bottles everything up inside until it seeps out the pores. Early efforts/cassettes retained a strain of buzzing nausea reminiscent of his PD days, but the last 12 months have witnessed a complete abandonment of any ties to the past. Times are still bleak, sure, but the grey prisms of brooding ambience Borges now conjures and slowly collapses convey a depth of mood and subtlety far surpassing simple signifiers like Indifference, Resentment, Remorse. Coveting collects together five exquisite Emaciator compositions (including two particularly riveting songs that were debuted live at Echo Curio last winter) for a harrowing 40 minutes of troubled solace, crisscrossing suicide guitar lines, and entranced self-reflection. Meditation is a myth; desire does not sleep. Black vinyl LPs in shrinkwrapped jackets with layout by Borges, cover photograph by Shannon Kennedy. Mastered by Pete Swanson, edition of 430.---LABEL DESCRIPTION

NOT ON LABEL



100 + page full color art book. Features art from: JOHN OLSON, HENDRICK HEGRAY, HEATH MOERLAND, DOMINICK FERNOW, ROMAIN PERROT, MAT BRINKMAN, ANDY BOLUS, and more.


Bootleg vinyl LP of this ultra rare document of this Viennese sicko's sound aktions recorded in the 1960's? 1970's? Feet stomping, mouths screaming, bodies colliding... FULLY GROSS! HIGHLY RECOMMENDED! Fans of Schimpfluch should check out this slab from the original AKTION master...

NURSE ETIQUETTE



GREH AND WEIRD GARY'S FRONT 242 COVER BAND!


'never recorded sessions from this michigan three-piece, examining irresponsibility between a series of mystery tears. these tapes actually don't play, but instead feed into the head of your deck, appealing to the machines like gore to sharks. masked static dismay crawl thru the mouths in a calm malfunction. a 40-minute series of confusion sound. hand-numbered edition of 39 copies.'---LABEL DESCRIPTION


'Darren Wyngarde has been making disgusting 'music' since 2003 under his TURD moniker, advancing his style more & more FILTHY as time sludged thru. From early, murky harsh-noise undertakings, FILTHY TURD has found himself here at the edge of the sewer, as he enters a new enbankment of excrement. tape collage madness that is individualized per loop/per channel gladly complemented by blown-out static churn + utterly sickening feedback tone treads thru the brown-scented water, as FILTHY takes heed from the darkness that is shit, into further darkness of more shit. an amazing, disgusting, and lastly disturbing jaunt surrounding in tape-loops of shouting, screaming, screeching, confusion, vomiting, choking, cuming, slapping, spanking -- joy laced with madness. personally, one of the most exciting/spell-binding "what-the-fuck" adventures in recent memory. very proud being able to release one of FILTHY's best. hand-numbered edition of 66 copies.'---LABEL DESCRIPTION


Killer harsh noise from former MICHIGAN dude! With Faux-Prurient artwork...


'The fourth tape in a series of vaguely-referenced releases from Canada's GRAND NORD. Fronted by Quebec's greatest nutzo, Martin Sasseville (Wapstan, Foutredieu!!!, TTTTT). Polar opposite from Wapstan. Dark, metal crunch and feedback hiss. heavy, destructive harsh wall-noise. Minimal artwork; bleak on bleak. Presented in a very small quantity; strictly for the dedicated. edition of 44 copies. '---LABEL DESCRIPTION


'one of Michigan's few mysteries among a popularized scene of basement madness. outside of this lonely state, METAL DUNGEON has been little-known. founded in 2001 by DAVIN BRAINARD (PRINCESS DRAGON-MOM) and WADE KERGAN as a tribute band to the legendary MAURIZIO BIANCHI, M.D. has developed & solidified it's own dark identity with it's madness of industrial pollution and oscillating burn-out. despite it's little-to-none aktion outside of the Great Lakes state, in 2004 M.D. journeyed around the east coast joining the legendary GOVERNMENT ALPHA for a series of gigs. with a handful of self-released titles on Brainard's legendary michigan label TIME-STEREO, BLUT SUMMEN is the very first M.D. full-length release on an outsider label, for which I am extremely proud to present on black-shell chrome C30's with stark, minimal artwork. easily channeling the zone and depecting the analogue-electronic misery of BROKEN FLAG-era soundscapes. the bleak atmosphere of M.D. is proven none better over the years than with BLUT SUMMEN. '---LABEL DESCRIPTION


Collection of tracks from ultra limited cassettes, cdr's etc. from the very prolific noise hound OUBLIETTE. In nice silkscreened cardstock cover!


'a viral deep denver fuck in WEAK SISTERS attack presents a mess of controlled bleak electronics and narrowing filth. this is O.P.C. madman WILL VAN GOERN's latest lightning-quick outing. centered in Fort Collins, full of gunk and trash, building an exodus charging out from his throat. vile vocal shred laced with destroyed sound. edition of 77 hand-numbered cassette tapes.'---LABEL DESCRIPTION


'As two pinnacles of the expanding 'HNW' following, Sam McKinlay (THE RITA, BT.HN) & Ryan Bloomer (FLATLINE CONSTRUCT) find a way to reinvent what is their signature, enabling them to take it to the extreme. crumbling the thinning proverbial walls. as dedicated, ZENTA SUSTAINED must tear down what has been built. to disassemble what protects: the structure, the illuminous wall. a stronger barricade erected which causes no deceit; the real strength is present among a cast of liars.'---LABEL DESCRIPTION

OLDE ENGLISH SPELLING BEE



'Bryan Eubanks (of GOD) delivers a throbbing wall of distressed electronics that is 'indeed heavy at intervals but also makes a cognitive transparent treatment' according to the cryptic liner notes. To further quote the liner notes: '... this music is a tool for is is sunk that in a different interpellation than overleving neccasitates.' What? For his side, J.P. Jenkins (of Ghosting, Portland Bike Ensemble) layers acoustic guitars in a psychedelic, personal style thats more intuitive and exploratory than technically inclined. His unique approach sidesteps any of the current neo-folk/fingerpicking trends and goes for something more organic and amorphous.'---LABEL DESCRIPTION


ALERT ALERT....this has absolutely NOTHING to do w/ the Japanese Noise Artist K2....ALERT ALERT

'In Chameleon Ballet I wanted to create a work of magic that simulates a dream atomosphere of post industrial landscapes, with the waking memory of a romantic alien encounter occurring in the dream. Dedicated to the mystery of night and the magic of dreams'  - James Ferraro

'Debut limited edition album by this new sci-fi synth project of James Ferraro of The Skaters et al, with 1980s minimal wave moves bisected by the kinda keyboard patterns you might've found on an Edgar Froese solo album or post-Body Love Klaus Schulze then exploded with barbarous invocations, syruped-vocals and some black drone atmospherics. Or, as the cover art suggests, urban landscapes as visioned by showroom dummies illuminated under 3 am neon. Another killer.' - David Keenan

Remastered and expanded version of the cd-r release on New Age Discs - this has an additional previously unreleased track. Limited edition of 425 copies. Black & white printed covers.'---LABEL DESCRIPTION


'P. A. R. A. represents Pre Atlantean Ritual Artifacts. It was channeled in deep sea space by Labanna Bly, in the celestial summer of 2008. Dedicated to my Knight, James Ferraro. Mermalien is a three part suite for Three Deaths to Supreme Consciousness: 'mercury overdose', 'abyss retreat', & 'seaspace chrysalis'. Limited edition of 200 copies. Paste-on covers.'---LABEL DESCRIPTION

OPEN MOUTH



Man...I gotta admit, I passed on checking out this project previously due to the name... which is pretty ridiculous as I look at some of the names in this catalog. But boy what a dumbass I was for ever passing this up! This LP is fantastic. A perfect mix of organic and electronic sound... not harsh, just weird. Already played it 3 times this morn. Recommended!

ORE



Weird comp from the OHIO crew. tracks from N-TRON, ROESING APE, LTHOR THE GEEK, WILD GUNMEN, AUGERHILL. On IOVAE's ORE label.

OUR MOUTH



Weird as fuck Guitar noise from Mouthus' Brian Sullivan.

P TAPES



Abrasive and spastic blurts of electrocution... and i DON'T think this is the old 120 minutes host.

PACrec



Proper reissue of a CDr I released a few years back in a stupid low edition. Blank 8 track tapes, metal scraping and looping, and tape players mic'd on the inside...


Black Sand Desert is the harsh noise project of Greh Holger (Hive Mind / Chondritic Sound).




' Since 1994, Alan Bloor (Knurl) has obsessively explored the sound of distorted amplified metal. On Scyamine, he creates a scrapyard inferno of roaring feedback and blown speakers, live and raw, produced from found stainless steel.'---LABEL DESCRIPTION






Collaboration between two long standing masters of dark noise. Crude and Obliterating. Ultra creepy.


Astronomical Sound Images is the perfect title for this disc. Collaboration of swirling harsh and ambient electronics.


Blasted and fucking BLOWN OUT 'Source sounds from the Great White Shark cage diving, underwater and from the deck.' INTENSE!


KILLER comp CD originally released as a limited CDR on MILITANT WALLS. Tracks from : THE CHERRY POINT, MANIA, THE RITA, SEWER ELECTION, TRERIKSROSET

PAN



'Provocative Electronics', first in a series of Electronic Music recordings from Andy Ortmann, is an exploration in analog synthesizers and recording techniques (eight different synthesizers were used on this record). As in the days of Musique Concrete and the beginning years of synthesizer development Ortmann experiments with tones and his own brand of electronic tweakage.

Provocative Electronics is not an homage, but yet another document in the ongoing history of Electronic Music. Focusing on the aspects of 60's-70's era electronics, part academic (for fans of the 20th century Greek composer Xenakis, minimalist John Cage or pioneer of Musique Concrete Pierre Schaeffer, Mort Garson, Milton Babbitt, Tom Dissevelt, Ruth White, Delia Derbyshire, Lejaren Hiller, Raymond Scott, Jean Jacques Perrey and Pierre Schaeffer) and part cheesball (aka Mort Garson, Bruce Haack).

Andy Ortmann is also known for his work with the transgressive experimental group Panicsville, acid psych freaks Plastic Crimawave Sound and sole curator of the equally bizarre Nihilist Records label (USA).

The Lp is mastered and cut by Rashad Becker in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket which itself is housed in a two-tone silk screened pvc sleeve with interweaving geometric designs.'---LABEL DESCRIPTION


'Delving into the realm of deep listening, transported by way of analog synthesizers, Family Battle Snake weaves an electronic web that cocoons the listener in warm cascading frequencies. Calls to mind classic electronic composers such as Charles Dodge, Eliane Radigue and even a hint of NWW. Family Battle Snake is Bill Kouligas, a London-based Greek who also performs and records with Sudden Infant. Astro is Hiroshi Hasegawa of the legendary and now defunct Japanese noise unit C.C.C.C. Sonic waves of squealing feedback and oscillating waveforms meld with biting distortion in the appropriately titled “Lunatic Luminescence”. Enveloped by haywire electronics and burbling loops & skree, Astro has constructed an impressive piece of modern electronic music of devastating magnitude. A fine document of pure japanese sonic nihilism and fresh deconstucted electronic frequencies.

The Lp is mastered and cut by Rashad Becker in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket which itself is housed in a two-tone silk screened pvc sleeve with interweaving geometric designs. '---LABEL DESCRIPTION


'Made up of junk sounds, be they acoustic or electronic, Ploughing Furrows Into Rotten Burrows is informed by a caustic patience and steady pacing. With a concentrated approach, Mark Durgan makes the space, and even silences between sounds, an integral part of his constructions. He builds up tracks from the beginning with loops, samples or acoustic sounds, then the sound becomes quite automated due to the influence of the feedback generated from the electronic devices. For the past twenty years, Mark Durgan, known under the Putrefier moniker and his label Birthbiter (1986), is one of the few genuinely curious anomalies operating today. Disassociated with a lot of noise, he is more of a true outsider of this scene, somewhat akin to the older sound poets. Although their realm of art is very different to that of his, comparisons can be made. The lack of concrete documentation, both written and recorded, could be construed as an attempt at mystery, but the reality is that it all comes down to a total ambivalence about having a public persona. Despite that this is his first official work under his own name, it still bears similarity to the Putrefier concept. From the influences of power electronics and especially early nineties Japanese noise (Cog Dominance cassette, 1987 on Broken Flag), his music has developed into different areas of the avant garde spectrum, such as musique concrete, improvisation and electroacoustic music, demonstrated in one of his latest works done with The New Blockaders. Being able to appreciate other forms of experimentation, he takes noise to a different level. The LP is mastered and cut by Rashad Becker in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket which itself is housed in a two-tone silk screened PVC sleeve with interweaving geometric designs.'---LABEL DESCRIPTION

PARADIGM DISCS



'In 1980, ADAM BOHMAN (MORPHOGENESIS, THE BOHMAN BROTHERS) made his first recordings using two budget cassette recorders, an ordinary trumpet, and a variety of other acoustic instruments and objects, many of which are still part of the current Bohman armory. Bunhill Row was Bohmans first complete album of material, but it and subsequent releases from the time remained in tiny cassette editions made for friends or exchanged through the mail art network. On vinyl for the first time, Paradigm Discs hand-numbered reissue opens another window into the incredibly fruitful astral alignment that occurred over London at this time.'---LABEL DESCRIPTION

Numbered Edition of 500 copies.

PEASANT MAGIK



'The sound world that Anthony Mangicapra inhabits is totally unlike any other. Each listen reveals hidden elements and previously unheard sounds. Singular drones conceal a fragile universe of manipulated field recordings and mangled reverb. Meticulously constructed and skillfully executed, Hoor-paar-kraat displays a serious mastery of craft, frequently unheard of in an over saturated scene.'---LABEL DESCRIPTION

Professionally duplicated and printed cassette packaged in a vinyl box.

PEGASUS FARMS



Man...this 30 minute track is ALL OF THE PLACE! Smooth and very well edited peice of acoutsi guitar transforing into heavy drone and electronic noise. Good mix of organic and Electric sounds.. Should appeal to fans of BxC for sure... Killer stuff.


Killer collab between RAGLANI and SHIFLET & PANZER's SCENIC RAILROADS PROJECT... Drone HEavy stuff, w/ some weird computer electronics. Even some downright PRETTY (gasp!) parts! Co-Released w/ GAMEBOY RECORDS

PERDITION PLASTICS






PERIOD TAPES



'Experimental homemade electronic ritual drone sounds from Brooklyn's own Todd (Pendu) Brooks. Previous releases on Middle James Co. , Pendu Sound, Closet Sorcery... Limited Edition of 46 copies with original silscreen sleeves. c-32'---LABEL DESCRIPTION


'Two Mournful and mysterious investigations into sustained twilight zones. Each side representing a conceptual take on a Crowlian phrase, by two different artists with an aesthetic that is so close in nature hat the project bypasses the individual to become a whole. Limited Edition of 46 copies with original silkscreen sleeves. c-30'---LABEL DESCRIPTION


'Recorded during the summer of 1991 in London. Mother Flock is the outcome of a one time jam featuring Morrison Edley of Psychic TV/PTV3 on drums experimenting with two cohorts on heavily effected bass and guitar. Never before heard by the public. The vocal-less result is at once eerie, hypnotic, droning, and tribal. Limited Edition of 46 copies with original silkscreen sleeves.'---LABEL DESCRIPTION


'Haunting experimental soundscapes from the creepiest infant ever. Previous releases on Carbon Records, Foxglove, Phantom Limb and House Of Alchemy. Limited Edition of 46 copies with original silkscreen sleeves.'---LABEL DESCRIPTION


'2nd release by UK based drone oputfit of Andie Brown (ex-Cindytalk).  Venturing in unknown terrain using bass, loops and only glassware at time, creating beautiful and haunting drone compositions. Edition of 46 copies'---LABEL DESCRIPTION


 'Dark and elusive post-industrial noisescapes in the vein of early Ramleh, Kleistwahr, Broken Flag, etc... featuring Michael Berdan (Drinkdriver / Whip & The Body) and Ryan Martin (Dais Records).'---LABEL DESCRIPTION

PETRI SUPPLY / INCUBATOR



New remix work by Frans De Waard using unpublished 1990 Petri source materials. If I have the story straight... These original Petri source materials were remixed by Kapotte Muziek, then those tapes were remixed by David Lee Myers (aka Arcane Device), then those tapes were remixed by Jeph Jerman, then finally Frans remixed Jephs material into this cassette here. Edition of 100 copies in amazing Incubator packaging.


INCREDIBLE new issue of this amazing HANDS TO document that has a very confusing history! Originally creeping out of the woods as a couple of private test press issues in 1990 and 2001. Here 19 years later is a new edition of 250....300.

'Two records, one white, one pink, with screen printed art on the back of each record. Two hand printed color sleeves are mounted in a paper frame. Credit sheet included. Limited to 250...300.

'...crude attempts at flatlining sounds, made by or associated with persons no longer living...'


Super varied SCP release.. A side is crazy voice works, bongo percussion, sequenced keyboard lines?, buzzing / pulsing electronics, synth drones, stereo white noise pulses. B side is almost ambient computer music? Very strange. Excellent silkscreen packaging. Edition of 120. Another classic in the Incubator canon!


INTENSE reissue of INTENSE comp originally released in 1990 w/ tracks from: SMERSH, DVA MET DVA NICHTS, MAILCOP, LIEUTENANT CARAMEL, ACHIM WOLLSCHEID, ARCANE DEVICE, HANDS TO, THU20, DVA MET DVA NICHTS & POST DESTRUCTION MUSIC, NULL, DWARF FARM, MERZBOW, IOSS, WINTER, KAPOTTE MUZIEK, GREGORY WHITEHEAD, DVA MET DVA NICHTS & EMIL BEAULIEAU, MISSION PAPUA HOLLAND, and YEAST CULTURE.

'C100 minute reissue of 240 in 5-color screen printed covers. One spray painted C100 tape is mounted in a hand fabricated 8 x 5.5 paper cover, with a track listing card. Made in Oregon. Licensed from Midas Music.'---LABEL DESCRIPTION


INSANE unheard rhythmic synth tracks...FUcking Amazing and HIGHLY RECOMMENDED! One of the most insane things in the catalog! 1986...1990. Zero zero zero cassette (C48) title 'Cut The Cards!' not shown on exterior cover. Box set of two tapes inside a modified VHS video box with velour, hand painted mesh cassette enclosures, etc... Includes color 8 page 4x7 art booklet. Screen printed exterior cover. Limited to fifty in this custom cover, 150 overall.


Just got some new stock of this classic cassette from the kings of organic wood-leaf sound. I'm only a couple of minutes deep in listening to this one...has the excellent YC grit for sure... Their IYS lp which I was lucky enough to grip about 10 years ago is a classic..imagine 20 tapes of crumbling leaves sped up to different speeds and played at the same time.. UPDATE...checked out the tape and it's totally bizarre! Along w/ the crumbling leaf sounds are voices, lo-fi synths and other strangeness. Really fucking great and Highly Recommended! Just got a few more in!!

PHAGE TAPES



TOP NOTCH HNW... TASKMSTER side includes collabs w/ THE RITA and RUSALKA

PHASERPRONE



'Three long tracks of Analog Modular synth, made in accordance with the winged eye of the oval.

Packaged in a letterpress, diecut, duplexed, fold-over sleeve with insert, and diecut CD folder. Pro-printed discs. Edition of 200. '---LABEL DESCRIPTION

mp3 samples: PULSE EMITTER excerpt


'Los Angeles based Monsturo. Minimal, focused, consistent, and masterful modular synth. Hand-dubbed C-10 in classic PPR style.

Letterpressed, duplexed wrap-around sleeve and letterpressed insert. Edition of 100. '---LABEL DESCRIPTION

mp3 samples: MP3 Excerpt


'A tangled mess of SYNB (Matt Brinkman, i.e Meerk Puffy) reworking HSDOM materials and HSDOM reworking SYNB's 'BLACK/GOLD CHIP'. Modular synthesizers, deeply processed audio, puddles of destroyed samples feature with heavy bassdrum beats, white noise washes and a gnome clapping in the abandoned freight elevator tunnel.

Packaged in a self assembled, razor scored, letterpressed silver on black, blind embossed, gatefold with insert. One of our Favorite releases of the new century. Edition of 200. '---LABEL DESCRIPTION

mp3 samples: MP3 Excerpt

PICA DISK



'Birchville Cat Motel is the project of New Zealander Campbell Kneale, who has from his base in Lower Hutt since the mid 90-ies established himself as the leading voice of this generation of NZ sound artists. Gunpowder Temple of Heaven is a new highlight in his extensive discography. A single 40 minute long-form piece that keeps building and unfolding; heaven for drone-noise enthustiasts.

The CD comes with a booklet with a complete Birchville discography as well as liner-notes by Bruce Russell.

From the liner notes of Bruce Russell (The Dead C):

'I've been listening to the music of Campbell Kneale for more than a decade now. Recently I've been listening with a sense of increasing admiration as he stacks up monumental sound slabs in an architecture of audition - building a lofty tower of sound. Always a dedicated worker at whatever he does, Campbell had mastered the detailed work required to place many sounds accurately across each another. Often this kind of 'more is more' strategy backfires into murky sludge, where the increasing layers merely obscure each other. On the contrary, the more BCM puts into a piece, the more you hear coming out.'---LABEL DESCRIPTION

mp3 samples: MP3 Excerpt


'Hijokaidan has since 1979 been one of the leading voices in Japanese noise music. Starting out with a broad line-up of performers, eventually in the course of the 80-ies the Hijokaidan sound became easily identifiable with the shredding guitar-sound of band-leader Jojo Hiroshige and the high-pitched piercing voice of Junko. Few noise acts have such an instantly recognizable (and intense) sound.

Although Hijokaidan's status as noise superstars they rarely perform outside Japan. The pleasure was then ever greater for the All Ears festival in Oslo Norway to present Hijokaidan at their festival in january 2006. Polar Nights Live documents these historical and astonishing performances.'---LABEL DESCRIPTION

mp3 samples: MP3 Excerpt


'Hild Sofie Tafjord has been known to the public for over a decade as part of projects like SPUNK, Fe-Mail (her duo with Maja Ratkje), Agrare (Fe-Mail with dancer Lotta Melin), Trinacria (Fe-Mail with black metallers Enslaved) and collaborations with Birchville Cat Motel, Wolf Eyes, Matmos, Ikue Mori, Otomo Yoshihide, Carlos Giffoni, Zeena Parkins, Fred Frith and countless others. She has released albums on labels like Asphodel, Rune Grammofon, ECM and Gameboy Records. Her main instrument is the horn, but other acoustic instruments as well as metal objects and noise electronics has always been an intregral part of her pallet. Hild Sofie Tafjord is, quite simply, an amazing performer, composer and improvisor with a broad musical range.

A monumental 41 minute colossal single-track of an album recorded in the period from summer 2006 to february 2007 during dark nights in her studio in Oslo.

KAMA is mostly made from the sound of her french-horn; although if you didn't know it you probably wouldn't have guessed. Layers upon layers of distorted, processed and mangled pieces of sound form a consistent stream of sonic bliss. Within this massive sound-construction slowly shapes build into an epic climax. The title KAMA hits at few interpretations. A quick wikipedia search tells us that KAMA could be a number of things; a double edged dagger, iron pots used in tea ceremonies, and indian for lust (as in kama sutra). Well, who cares what it means when it feels and sounds this good?! Hild Sofie Tafjord's debut album is here, and it has been worth the wait.'---LABEL DESCRIPTION

mp3 samples: MP3 Excerpt


'Released autumn 2007. 300 copies (first edition), 200 copies (second edition)'---LABEL DESCRIPTION

PITCHPHASE



KILLER 3 inch of subtle metal clangs and rubbings reversed into a confusing ball of feedback and BURLY harsh Noise... RECOMENDED!!!


Killer mini slice of crude harsh american noise.

PIZZA NIGHT



'Raw and mangled guitar explorations from the undisputed champ of current six string skronk. Furious brutal guitar damage recorded directly to tape. A unique take on guitar death with an element of the classic no rules approach. Don't miss this guy on the road jammin' solo or in free music gangs like trauma (with Ben Hall).'---LABEL DESCRIPTION


'It's hard to ever take Ryan aka Dr. Quinn Medicine Woman too seriously. In fact, he calls Wolfenstein 3d his 'new age' album. It's not all that new agey but it's definitely new territory. He brings a stellar focus to his usual barrage of bizarre electronics and droning that will make you sea sick and in awe of his mixing mastery. Full Color art + comes with 3D GLASSES!---LABEL DESCRIPTION


'A really intense pair of (what im assuming is) live to tape improvisations recorded as a trio featuring Crystal Dragon. Intense zone explorations here. No suprise on the metaphorical heaviness of this cassette, but from a project has become so synonamous with DRONE , this tape suprsingly has a classic electronics vibe to it. They use dense droning only as a means to hang an overall zone one the track. in which they can expand upon. Drunjus' expansive sound creates an almost overwhelming microcosm of interacting patches and vibrant riffage all under a weird but cozy blanket of hums. The enchanting melodies that start off the tape nicely contrast the b side, which comes on nice and slow with sedate electronics and pulsating sounds. The two contrasting tracks can still be easily taken as one whole messed up piece. Unsettling drones wash in and out of the entire tape and really melt the aural senses.'---LABEL DESCRIPTION




'Electric Marsh is a hot slab of disgustingly likeable psychedelic mess. Clattery Squelches of electronics and sax. Dan D's current jams (in acts like Uneven Universe, Body Morph, Cardboard Sax) are some of the sickest in the midwest. The rising sun of ferndale, some say. Anything that he touches turns to absolute gold, showing incredible control on the most bizzzzare zones. Couldn't be more stoked to drop this one.'---LABEL DESCRIPTION


'The Original Ugly Man' SHERRIFF JAKE FIELDS - 'FANS EATING DOG BISCUITS IN FORTY BELOW WEATHER WITH NO SHIRTS ON' Who is THE SHERRIFF? No one knows really. In fact, after being given his demo cd by a friend some years back, I began my search for him by asking local rappers, promoters and googling the hell out of every name he drops on the e.p. Nonetheless, After all this time I felt like the word needed to be spread about this guy.You gotta hear it to believe it. Certain tracks feature unknown musicians such as DJ White Lightning who creates some of the most INSANE trax on which the Sherrif uses his words to create the bleakest but most brutally honest and dated picture of Cleveland . 2x8 = 216?????'---LABEL DESCRIPTION

POWER SILENCE



Chicago Harsh cut up noise and drone trio...features collaborations with Kenji Siratori, Zweixx and Mykel Boyd. dedicated to Erik Stanis. Check out mp3!

mp3 samples: MP3 Excerpt

PRISMA



'In 2008 the Henie Onstad Art Centre invited musician and composer Lasse Marhaug to explore its audio archive. From the opening in 1968, Henie Onstad was intended as a cross-artistic arena, and soon became the leading arena in Norway for experimental art in all genres. The archive contains over 800 tapes of recordings done in the centre's concert hall and in the Norwegian Studio for Electronic Music, which was located at the centre between 1975-1978. The music ranges from recordings by Karlheinz Stockhausen, Jan Garbarek, Laurie Anderson, Mauricio Kagel, Webster Lewis, Terry Riley, Svein Finnerud Trio, Heinz Holliger, Bjørn Fongaard, Steve Reich, Karin Krog, Soft Machine, Julie Driscoll, Jokke and Arne Nordheim. The idea was not for Marhaug to make a 'remix' of this unique archive of music history, but to use the recordings as raw material for a new piece of music. Therefor musical trainspotters trying to identify the original artists will have a hard time as Marhaug has surgically sliced and diced the recordings to (mostly) unidentifiable fragments before constructing his own piece. The result of Marhaug's explorations/exploitations is titled Ear Era. This is the CD version (500 numbered 'regular' copies and 50 deluxe box-sets). The piece was also presented in three different concert-versions at the Henie Onstad Art Centre in the course of 2008.'---LABEL DESCRIPTION

PURE



LHD refuels the long out of gas RRR/PURE imprint. Classic / Classy cheap harsh noise!

QBICO



'I used to buy and collect Smegma rockets when younger, so i'm really happy to release an LP by this really far out band, especially since they played with my friend Perry, who is one of the most versatile musician i had ever met ! Smegma is a kind of cult mob in the US experimental underground, based in Portland, Oregon, they started back in the early 70's and got connections with the Los Angeles Free Music Society (Tom Recchion, Joe Potts, Le Forte Four, Airways, Doo-Dooettes, Ace Farren Ford and even The Residents); they also got an amazing label called Pigface... here they played some jazz for the year 3018...'---LABEL DESCRIPTION

RAZORS AND MEDICINE



'By now Ahlzagailzehguh has become established as one of the current leaders of harsh/cut-up noise. Misinterpreted Injury, his first release on the 7'' format deals with the trauma associated with the loss of a kidney at the age of 9. It consists of four meticulous side long tracks that display complete control of left-right speaker counterpoint, frequency manipulation, and overall compositional form. This is not your typical harsh noise study, but a true masterwork.

The artwork was designed by James himself and is pro-printed folding on cardstock with front, back, and inner design. The first 7'' is translucent red and the second is translucent yellow, both featuring printed labels.

The first 90 copies from me come with an authentic x-ray sheet insert. Ltd. 300---LABEL DESCRIPTION

'All copies available via HANSON MAILORDER contain the X-RAY'---AD

RECORDINGS FOR THE SUMMER



7 minute compositions with material by Raionbashi (Gröhlstab & Masse), Joke Lanz (Shouts), and Michael Barthel (Stimme, Akustic, Tri.Angel), composed and mixed by Michael Barthel..---LABEL DESCRIPTION





REL



Fucking amazing LP. Like if ORGANUM was a hyper jazz band... Pretty fucking crazy and Highly recommended. Edition of 300 and sold out from most sources. Silkscreened covers too!

RESIPISCENT



' Master of stage, sound, and screen, pulls out the stops and shoots all over this vinyl seven-inch... no, wait... split open the silkscreened six-panel to find instead the maddest triple mini CD/DVD/CD ever to dance your ceiling! Play all three at once for hexaphonic sound with eyes peeling to patterns of geometry, hunger, wrestling. More big fat sounds than you got skinny ears to hear it up with, but go ahead, slim, try!'---LABEL DESCRIPTION


' Seepage of electroencephalography, the incidental accuracy of AM talk radio, a frequency built of errant subfrequencies, waveforms discreetly engraved as patterns on cash unravel as electrical currency. An eye that can perceive everything at once must, of necessity, be the ear. Bill-folded reflective-ink silkscreen package' ---LABEL DESCRIPTION


'Bringing horror home to roost, NVH jellies your knees with this stripped down, no-place-to-hide assault. Masterful improvisations and the unadorned appeal of shredding sound viscera, fear will find your heart for you. If ever you've wanted to see the rest of Comets on Fire lying quietly dead in a pile while NVH goes completely off, now's your chance.' ---LABEL DESCRIPTION


'His schematics for sound circuitry scarily parallel his diagrams for princeps in Nature and he really will swap circuit designs for your plant specimens. Peter Blasser's Din Datin Dudero, Tranoe, Ambrazier, and Rollable Synth behave differently depending on who plays them; hearing an instrument tangle with its creator... now that's plain spooky. One call-and-response erupts in a scream that couldn't have come from either! Insane sing-songs succumb to faceplants in jagged sinewaves that scurry off under fuzzed brain hum. Booklet of instrument portraits included.'---LABEL DESCRIPTION


' The Resipiscent catalogue only gets better! Here it is, the eagerly anticipated third release from Mono Pause, Sublime Frequencies maker, Mark Gergis. Lethal 14th c. field recordings cuddle with razor-scored melodies, swirled radio psychedelia. Flatline drunken domesticity and circuit murder summon a festive, fertile melancholy. Unguessable, peerless, a scrubber for the bloody stuff past your ears---LABEL DESCRIPTION


'Sound pilings to swarm your skull and pulverized your insides, the best of the bloodiest. This is solo surgery from the noise engine of Crash Worship/ADRV; finally, the guts of the matter ripped out and spread across the ceiling. Not for pussies.' --- LABEL DESCRIPTION


' Stuck upside-under and dragged bashing through you dunno what... a driftnet of dead kids' braces, the pliant ribbing of freshly pulled larynx, the glassy grit of shredded circuits? The range is astounding, Tarantism's widest soundscape to date. Subaudible voices fold into electroacoustics found hiding in pure sines that crash onto krautbeats. High replay, a different listen every time, the whole onslaught arrives in a triple silk-screen work o' art from Austin's Bearded Lady!'---LABEL DESCRIPTION

RI BE XIBALBA



Another excellent issue of this lil' zine from ERIC LANZILLOTTA. This issue contains HOLY MODAL ROUNDERS' PETER & ANTONIA STAMPFEL, LIMBUS 3 & 4 founder GERD KRAUS, a killer article by Rob Mill's on record hunting in INDIA, and a nice selection of reviews by LANZILLOTTA, PATRICK MARLEY and more... RULES!


Issue 4! features on RAYMOND DIJKSTRA, AKIO SUZUKI, FERNANDO ARRABAL, STOMU, YAMASHTA, plus mountains of reviews...Grip it! Highly Recommended mag!


Latest issue! includes articals / interviews...YAHOWA 13, TUNNEL CANARY, NOGGIN, ONDE, ASSOPHON, reviews by ROB MILLIS, ERIC LANZILLOTTA, and PATRICK MARLEY on AMERICAN TAPES.

ROCOCO



'Ostentatiously White is an assault of abrasive elements dedicated to the active listener. Utilizing turntables, found sounds, pedal noise, home built circuits, vocal disembodiment's and other various gadgetry's; this is not to be taken seriously in the most serious of times.'---LABEL DESCRIPTION


'Demon breath drone and peasant rust collating into an ancient spell. Dirty. Sick. Then dust. 'Stones And Light' collapses just over the eleven minute mark, and in that time manages to stir the unholy in the throats of the malignant. Dust." available for pre-order now, baby blue/navy screened cover on black vinyl' ---LABEL DESCRIPTION

ROTORELIEF



Amazing reissue of this classic industrial noise LP from 1984. Nothing but the sounds of machinery. Kind of like if TNB used loops...though...most of this doesnt sound like loops..but actual machinery...Industrial in the truest sense. One of my favorite albums of ALL TIME... HIGHEST RECOMMENDATION!

RRRECORDS



Heavy debut LP from this blasting PE project...Limited to 500 copies with foldout glossy insert with lyrics.


Collage of CQ live gigs remixed thru his electronix rig. A true ruler! Always Recomended!


A PROTEST RECORD.


Intense LP from GX of THE HATERS using only the sounds of car crashes!


Great double A-side LP from FIRE IN THE HEAD mainman... Killer industrial-tinged HARSH NOISE. Reccomended


First full length LP from New England Feedback machine!


Hyper Spaztik BEat electronics... Hailed as an intense live band... never seen em......but..this LP kinda sounds like a shitty radio show played through a boombox...for people who kinda dug Atari Teenage Riot but thought they were just a bit too pussy.


Amazing document of SJ's First Live gig recorded Aug 27th, 2005. BRUTAL!!!


One side SKATEBOARD SOUNDS / one side UNDERWATER SHARK ATTACK SOUNDS!! THE RITA!!!


1000 locked grooves! 20 artists, 50 lock grooves each. AMK, AARON DILLOWAY, THOMAS DIMUZIO, KEVIN DRUMM, CARLOS GIFFONI, INCAPACITANTS, GX JUPITTER-LARSEN, JASON LESCALLEET, FRANCISCO LOPEZ, LASSE MARHAUG, THE NEW BLOCKADERS, JEROME NOETINGER, PRURIENT, RLW, DAMION ROMERO, RUNZELSTIRN & GURGELSTOCK, SUDDEN INFANT, KEITH FULLERTON WHITMAN, C. SPENCER YEH, OTOMO YOSHIHIDE. Each copy has an individually hand made cover by Ron Lessard aka Emil Beaulieau.

RUNDOWNSUN



'first new recordings from these 2 mysterious outfits in almost 2 years! IN FLUX set off in a shambolic observance of ominous tidal noise! high priestess and cohorts lead an obscured ceremony of occult tongues and oblique sonics, breaking into a crushing, rhythmic trance, and concluding with a spellbinding ecstatic mass in a fog of horns, pulsating electronics and voices. beausoleil and r-h jr. return with a spirit-channeling effort in subtle, swirling frequency shifts. drawing their power from medium beausoleil's haunting channeled voices, thee holee see conjure a cloud heady and feverish, yet icy-clear, moody and manipulative. the new spiritualist revival. a summons from the sea. this is no windham-hill. this is the real new age. colour offset-printing on heavy colour paper. spraypainted high bias cassette. xerox insert. hand numbered edition of 50.'---LABEL DESCRIPTION

SAFE SEX RECORDS



'From out of leftfield comes Maldek, named after the theoretical missing planet which exploded to become the asteroid belt. In this case Maldek is Nate Hamlett of Seattle who has assembled an album of unusual and short quirky tracks, most of which are instrumental. The occasional vocals are experimental, sung in strange falsetto or a sweet beach boys pitch. The guitar parts are contemplative and maintain a kind of sereneness, but get very fun in some tracks, including a backwards guitar section accompanied by other instruments. Maldek incorporates interesting percussion and electronic effects as well in the more wacky tracks. Loops are played through a series of foot pedals, while the guitarist adds more rhythm. Overall, a quiet, melodic and somewhat spacey album.'---DISCOGS REVIEW

INSANE SCREENPRINTED ARTWORK by MARK SCHOMBURG aka YEAST CULTURE! Limited edition of 193 copies.

SALE



'Before better known as Panicsville, but now moving into the realms of serious music (this new release got some sponsoring from arts councils) under his own name. The octa-thing deals with the number eight, and the three pieces here on this DVD (no images) can be played on a 7.1 installation, if you have such a thing. I only have a 2.0 installation, called 'stereo', but it sounds great still. Ortmann lists (inconveniently on the DVD itself) a list of instruments - mainly old analogue synthesizers and where he did his field recordings. Just as on the Schimpfluch disc, I'd say this is the small alley where noise is really interesting. Not because it's super loud, although there are points when things are pretty loud, but because of the fine balance between electronic, noisy sounds and the crackling of highly amplified field recordings which are all put together into an interesting collage of sound. Not like Schimpfluch of short and shorter sounds, but through longer pieces which work quite well. Great stuff, both of these releases and if noise is like this, I'd sign up again.'---FRANS DE WARD

Taking sound to the obvious next level (7.1), further exploring the stereo capabilities of my audio narratives, Octagonist stands unparallelled in the field of Experimental/Musique Concrete. Recorded in various locations in Germany, Belgium, Italy and the USA. This album is not compatible with CD player technology and must be played through a DVD player or DTS Decoder with Surround Sound options.

Special appearances by old skool homeboys, Joe Raglani and John Wiese on one track. This release was partially funded by a Grant from the City of Chicago.' ---LABEL DESCRIPTION


Ten years in the making. Collaboration between Noise heavyweights Damion Romero of Speculum Fight and Hiroshi Hasegawa of Astro / CCCC. A synth noise lover's wet dream... In killer metal tin package.


Triple CD set of the complete 2006 Astromero tour chronicles. Limited to 500 copies.


'Ben Reynolds and John W. Fail collated several recordings to compile Uncabineted, covering the period between September 2005 (when they met) and March 2006. Reynolds work is well-documented on labels such as Ikuisuss, Memoirs of an Aesthete, Time-Lag and 267 Lattajjaa while Fail has dabbled in myriad projects including Lied Music, Intro to Pterodactyl and Land. Ranging from screaming acoustics to dirgy fuzzfests, the real document is that of experience, joy and camaraderie.'---LABEL DESCRIPTION


New CD by recent LAFMS inductee MITCHELL BROWN and 2 pre-teens...Super weird.


Split double 3


Shiflet hits us w/ the first batch of new GMBY releases since he hit japan. Nice new layout, each CDR ltd to 100 numbered copies w/ handpainted insert. CLON is the killer new Porject of Jorge aka CORNUCOPIA...so you KNOW it is KILLING!!!


Nearly an hour of ripping and crumbling WALLS of CANADIAN HARSH NOISE!


TOOT TOOT! ALL ABOARD! You know if Andy and Emil are drivin this train it's gonna be a ROUGH ride and probably crash... HANG ON TIGHT! NOISE!!!


I think this is actually on ASTRALWERKS...


'The title for this one is most appropriate as Mr. Kendall's work and vision rest in a realm all his own. Working with digital noise in a time when the genre titans are dusting off their analog gear again, Kendall's intense programming stands out, but it stands tall. Combining elements of improvisation, composition, field recordings and pure noise, Kendall's work is both sharp and vivid. This one is crisp. Analog purists beware.' ---LABEL DESCTRIPTION


Shiflet hits us w/ the first batch of new GMBY releases since he hit japan. Nice new layout, each CDR ltd to 100 numbered copies w/ handpainted insert. TONE FILTH-MASTER Justin Meyers creeps away w/ reel to reel feedback and hanting sickness! Always recomended!


13 tracks of HNW from OHIO. Full blown junk metal and electronic chaos. RECOMMENDED!


'On the new Untitled (2005) CD the Spanish composer Francisco López presents four recently composed pieces which span a broad dynamic as well as stylistic range. Together these constitute a fascinating and intense research exploration into the deep essence of sound. From sizzling jungle atmospheres to rumbling subterranean drones and microscopic details, this is a Francisco López tour de force. In addition to three pieces based on environmental recordings, Untitled (2005) features also an instrumental composition Untitled #111 (For Jani Christou) performed by the noted German Zeitkratzer ensemble. Unsuprisingly, either way the sound is 100% Francisco López. On this release Mr. López might be unsually forthcoming about the sound sources he uses (as specified on the sleeve) but the dedication for the creation of absolute music remains the same.'---LABEL DESCRIPTION


Impressive self released CDr by this new Noise Wrangler...Killer collage of tapes, electronics, guitar, mics... Nice artwork too! Recomended!!!


Another killer from the mysterious FREEZERGHOST. Tastefully crafted Noise Electronics.


Another Burl and squeel assault from the mysterious FREEZERGHOST. BUZZZZZZZ!!


'Re-mastered re-release of the third I.A. cassette, originally issued in 1987; The core recordings consist of the band's third live show, ever; With two bonus SCTL tracks and updated/new artwork; Approx. 74 minutes long; Released in 2005; Vestige CD 4'---LABEL DESCRIPTION


Erik Jarl is the sound genius normally found twiddling the knobs and tilting the amps in Swedish band IRM. This CD, titled


' the world's original youngest neoist. don't know what a neoist is? niether do they. hear the musical inner workings from a sex-crazed brain'---LABEL DESCRIPTION


'Ergosphere was recorded live during Kazuyuki Kishino’s (ZENI GEVA, etc.) tour of Russia in late 2005, specifically on his only two solo dates, live at Moscow Palace of Youth in Moscow Russia October 5, 2005 and “Festival Hea Uus Heli” Kanuti Gildi Saal in Tallinn Estonia on October 7, 2005. An uneasy balance of lull and divide.'---LABEL DESCRIPTION


'Recorded in the industrial city of Nagoya, Japan, Tsurumai is an expansive album of roughly improvised electro-acoustic music. Starting from a few small clicks, the music steadily grows outward, uneasily shifting and expanding… the musicians use acoustic sounds (from violin, piano, percussion), closely amplified objects, open circuits and computers, and anything else they could find. Rude bumps interrupt narcotic drones, the telltale human hands of improvisation disappear into a mysterious group sound, elements blur, vision fails, and time stops…'---LABEL DESCTIPTION


'Aiming not to scare their audiences, necessarily, nor to drive them to the edges of their seats in suspense, but to mortify them with scenes of explicit gore. Lapdancer slits open this release with grisly landscapes and detestable appetites in drinking of the blood that flowed from your eyes, following the daunting path of decay, December 23rd shreds with razors with a three track follow up of black mass foul play.with 'necromancy,druid black, and slit the throat of the heathen man'. Atrocious,damnable,double negative bleak black noise. Pro laser printed inserts and tray cards with a red CDR in clear jewel cases. Gruesome Twosome!!! ' ---LABEL DESCRIPTION


'This is the release we have all been waiting for.... technically they are 12 now, but this was recorded when they were 11 and it is a mindblower. Coming soonish will be their studio album which is already recorded and just needs to be mixed down (by master mixer tharper) and pressed. WOWOWOWOWOWOWOW'---LABEL DESCRIPTION


Segerhuva hereby presents the first solo recordings of Martin Bladh, who also resides in the acclaimed avantgarde group IRM and the more experimental unit Skin Area, both now widely known for their carismatic live-shows. This is a highly personal recording, which takes some firm mature steps further into physical essence and digs deep into the walls of the mothers utero with its hypnotic drones and drenching layers of organic sounds from cymbals, stringinstruments, accordion and bass, all treated with great care and respect. Instrumental throughout, bicephalous in the way of screeching, shuddering sounds and drowsy in opposition. There is something strangely slippery about the recordings, a frightening, obtuse atmosphere embedded in silk and soft controlled feedback. --- label description


'Long-time San Francisco based sound artist, internationally known from his extensive discography as Crawling With Tarts, releases his second full- length solo work titled Vitoj.Continuing his microscopic exploration of dense sonic landscapes within volatile stases, Gendreau eavesdrops on pressurized states of compressed gas within hydrogen tanks, diaphanous vinyl recordings of archaic voices, and perilous work environments in the far east.All explored in real-time, this series of recordings further explore the volatile balance of Gendreau's physical and psychological states‹scientific detritus working as an acoustician and social/cultural detritus in everyday nomadic life‹reaching the threshold of exhaustion where his realizations are discovered in modes of 'half-sleep.' Vitoj offers a glimpse of these stases in dreamlike form.'---LABEL DESCRIPTION


' With just a noise generator and digital feedback, HEEARING is by far the noisiest recording I've done in a while, but beneath the scathing surface, it has much more in common with its predecessors than the initial once-over might imply.'---MIKE SHIFLET, label description


Great wall of static from OHIO brother.. RECCOMENDED!


Mathias Josefsons one-man-project Moljebka Pvlse from Stockholm, Sweden here stretches the boundaries of ambient drone-music, perhaps a surprising listen for those accustomed to his other recordings put out by Eibon and Cold Meat Industry to name a few. This work to a larger degree features a sound pallette unarguably harsher than his other recordings. Tons of frenzied, computerized, but crispy clear distortion flows out over you like an ice wall and leaves the listener in a nervous state, begging for a warming aftermath. Static walls of rampant treated guitars and billowing droney backgrounds screaming endlessly out over the cold plains of the earth. ---label description


O.R. ripping apart MERZBOW cassettes....FUCKING NOISEEE!!!!




On Contort Thine Cells, New Zealand native Loren Clements (aka Pig Exam) lets fly with the SHOCK VOLTS - heavy electric razor wire blastage kicking and screaming from your shreded-out speaker cones. Nothing dark, dreary, or mysterious here, just the unadorned sounds of getting shot in the face by a police taser from short range. Twice.---LABEL DESCRIPTION

mp3 samples: MP3 Excerpt




' Los Angeles blast purge duo of Jeff Witscher (Impregnable, Deep Jew, Callow God label) and Evan Pacewicz (Moth Drakula, Swampland Noise label). Skin Game collects the sounds of alcohol rage, overloaded mixers, sexual fetish and misplaced aggression, remastered tracks from their early Black Spring and Bewilderment cassettes and new shots of filth & fury. Turbulent, rough, violent.'---LABEL DESCRIPTION


' In 2004, The Cherry Point completed a trilogy of limited edition 3


'The Good Anna are Patrick Farmer and Graham Jones. Based in Nottingham, the duo has been performing everywhere lately, from late-night improv blowouts in the Midlands to North America (where they are embarking on a lengthy tour this summer). Instrumentally focused around Jones? guitar and Farmer?s percussion, Full of Beans explores space both acoustic and physical, moving from quietly bowed ringing tones to spastic, clattering explosions.'--LABEL DESCRIPTION


Brutal harsh vocal/pedal noise from this young CALIFORNIA KILLER!!!!


' Triana is the main force behind Abuelo Hongo (which means grandfather mushroom by the way) '---LABEL DESCRIPTION


'An eminent study of harsh noise through another three drastically different approaches from three amazing contemporary harsh noise artists. Haemorrhaging Fetus pummels the listener with a concentrated and seething avalanche of crunched electronics that ride down a mountain of heavy rock and cliff formations. Ferveur Noire takes a more abrupt and violent approach with stabbing and grating shifts and movements, all the while keeping the constant suffocation obvious. Sick Buildings offers a concise, concentrated, and incredibly tense study of harsh sound, it's explosive quality, and the rumbling sub frequencies it disrupts before and after it's attack. Easily one of the most focused works I have ever heard, taking the entity of harsh noise to new levels of study and concept. The release features a 'crystal' pro-CDr with pro-printed inserts and disc artwork, both encased in a vinyl 'trigger' case. 100 ed. '---LABEL DESCRIPTION


Three masters at play in a game of 'bat the head 'round the charnel house.' Xome vs Tralphaz start the fray then all three go at it with sudden compositions of pummeling, white-knuckle noise. Impossible to listen sitting down, luckily your head will be rolling around like it's pacing the floor 'til at last Eco Morti lets loose her 'wwOLVERinepantherrrr cougArrrRBatTssssss' and shows you to the breath after which there is not another.'---LABEL DESCRIPTION

SCROTUM







Recorded & Mixed January-March 2001. Comes in a special A4 cover. Limited to 113 handnumbered copies.







SECOND LAYER



First release on Second Layer Records. Real-time improvisations to be played at maximum volume. Recorded at Eastcote Studios, London May 2008. Mastered by Tommi Keranen. Evan Parker: tenor/soprano saxophone. John Wiese: electronics, tape, MSP




'After a new ‘rock’ 10-inch EP co-released earlier this year by Black Rose Recordings and an also resurrected Broken Flag, Second Layer Records are extremely proud to present Valediction - the first all new Ramleh album since 1997, and the first new power electronics recordings from the project for 25 years. And yet Valediction is no ordinary 'power electronics' record, nor is it anything as straightforward as simply a return to their roots. Valediction is very much an entity of its own – both consolidating and expanding upon everything Ramleh have touched on in the past, but also digging into entirely fresh ground for the band. Valediction is, perhaps, Ramleh’s most bleakly psychedelic creation so far. Comes in a 4-panel gatefold sleeve with 8 page booklet with photos and cut-up lyrics from some of the tracks. Limited to 1000 copies. '---LABEL DESCRIPTION


'Brand new Skullflower studio recording featuring the line-up of Matthew Bower, Samantha Davies (Voltigeurs), Lee Stokoe (Culver) and Stuart Dennison (Ramleh, original Skullflower) back on drums. Three long tracks of blackened guitar wall. No one is making music that sounds like this. Comes in 6-panel digipack with artwork by Matthew Bower. '---LABEL DESCRIPTION

SECOND SLEEP



'Conquerors is a new Italian project, this is his first recorded material and what he do here is a concept about the first world war. Musically this could be translated as an intense mix of minimal and concrete layers with a dynamic assault of harsh waves and basses.'---LABEL DESCRIPTION.

SEGERHUVA



Barrikad is the sound of young Sweden. The raging youthful energy of anarchist noise as presented by Barrikad. Three tracks of splendid energetic white-hot scorching electronics dealing with the frustration and despair of what passes for everyday life for modern man in a consumerist society. Neurology 2 is most likely the last of Death Squad's recordings. The most current name has changed to MK9. Hydra is Greg Scott who was also a member of the power electronics project Final Solution from New York. Vocals by G. Scott and electronics by Death Squad. Extremely bass-heavy and dense electronics gnawing on the top of your vertebrae, a worthy conclusion to the saga of the criminally underrated genius of DEATH SQUAD. Wake up... ---label description


At last we are able to present this eagerly awaited CD by Sweden?s most hardened sexnoise extremist. No hyperbole needed - if you are at all serious about noise and/or LOVE, you should get this. Guaranteed to leave your eardrums like a pair of flogged ass-cheeks...Sore, numb, and aching for more... ---label description. SERIOUSLY if her into the new wave of TOTAL BLAST HARSHNESS like THE CHERRY POINT, IMPREGNABLE, FILTHY TURD, etc... You GOTTA CHECK OUT BLOD!!! --AD


'Pro-printed color box set with 3 LPs, envelope and photograph. Sex-noise á la Jesper Forselius - short blasts from a perverted mind! Material from two very limited tapes from the late nineties and one LP with compilation tracks.'---LABEL DESCRIPTION

SERIOUSLY AMAZING...and HIGHLY RECOMMENDED harsh Swedish WALLS of NOISE... This is HNW before there was HNW. Packed in an INTENSE classic pro-printed box. 3 LP's of insane sex noise w/ titles such as: 'DAY OF PISS', 'PAINTED TEEN FACE', SOFIE IS COMING WHILE BEING FED', 'VOMIT QUEEN 2'...and the mysteriously titled....'ECLIPSE'. Full colour box containing 3 LP's, an art photo and an envelope with liner notes inside. Limited edition of ONLY 255 copies. If you don't grab this now....You will be PISSED when this is gone! (or maybe i should say PISSED ON!) HIGHEST RECOMMENDATION ...NOISE SCUM

REMEMBER to Count as 3 LP's for shipping


Master Control was meant to hurt, and it did. It still does. Now 20 years later it comes across as a work of true and deeply original vision. Even better than the first time. Obviously it takes its departure from the Iphar/Whitehouse/Broken Flag-tradition, but rapidly takes a weird turn and ends up somewhere else; at the very edge of a completely unknown territory. The unspeakable mad landscapes of HP Lovecraft seems to be one point of reference, snuffmovies by Brazilian deathsquads another. And plenty of attitude in between. Sure, it?s the work of a mad man, but it?s also the work of a stunningly apocalyptic genius; it will likely blow your mind as it did mine. This is extremely powerful stuff. I never quite recovered from this one. ---Tommy Olsson //// Master Control contains the original c-60 plus a 10 minute bonustrack recorded in 1988. FUCKING KILLER!


'These strangely cinematic and abrasive droning landscapes of impending doom made up from analog synths are the work of David Reed, for some perhaps known from the plausible Luasa Raelon project. The sparse, cold, minimal pieces reminds us of early industrial-era electronic artists such as Maurizio Bianchi and Lustmord, but also gives hints to the works of Klaus Schulze and early Tangerine Dream. Without doubt presenting a vile and nightmarish vision of a territory where noone can be trusted and there's nowhere to hide – this certainly is bleak post-apocalyptic music. Limited to 300 copies in pro-printed black/white matte covers.'---LABEL DESCRIPTION


CD reissue of a classic INCAPACITANTS cassette originally released in a small edition on G.R.O.S.S. back in 1995. THE BEST in JAPANESE HARSH NOISE.


Dudes.. INCAPACITANTS on VINYL!!! SEWER ELECTION ...on VINYL!!! limited to 500 copies.. full color covers... HARSH HEADS UNITE!!! YOUR SATANIC PRAYERS HAVE BEEN ANSWERED!


'On the theme of alchemy and the topics of shame vs. bodily self infliction, IRM makes way for a new start after the inspired 'Virgin Mind' double-disc set from 2005. These are new recordings with the new member Mikael Oretoft joining on bass. Two long tracks - the first being an intense up-building, deep pulsating number with both spoken and rough vocals, volcanic exaggerated bass noise and doom-laden atmosphere. The second more of an aftermath with its downspiralling, almost dreamy character of echoing tones, ripping clangs and chilling audio-schmerz. In total over 23 minutes of music in a glossy colour sleeve with gross artwork and a small insert. Edition of 500 copies.'---LABEL DESCRIPTION


One of the best LP's I've heard in a while. A reissue of MNEM's first 10 inch, plus a previously unreleased bonus track. Killer organic noise stuff... Fans of Hands To, Panther Skull, Darksmith, etc.. should check this shit out... serious KILLER. ltd to only 270 copies.


'The most extreme and outstanding music from Sweden. Desire, despair, disgust, destruction & death - The Sound of RJF. This is the real thing, no false grace or hypocrisy. RJF get their inspiration from the sickness of mankind. This is not about music, this is survival and fighting back. A cock down the throat of morality. A knife in the back of society. RJF create their own values. Control & Knowledge.'---Text from the original 1983 press release.

We might not have put it as poetic but when we found the old press release we couldn't resist the beauty of the text. The sounds on this disc drag you all the way back to the chilly gutters of early 80's fierce electronics. Menacing and mechanical noises, grating rhythms pick on your nerve endings, this is a sinister reminder that something was alive back then, something that is missing now. This CD-reissue of the old LP has been re-mastered from vinyl since the master tapes are missing and is packaged in a 12-page booklet A5 sleeve with lots of pictures, liner notes by Kristian Olsson and original art made by Leif Thuresson. Edition of 500 copies.---LABEL DESCRIPTION


powerful electronics and noise firmly rooted in the


'Please get ready for a true heavy weight team-up on this split LP. Testicle Hazard (Lasse Marhaug + Tommi Keränen) deliver a side-long orgy of blistering fuzzed-out heaviness. This is a duo that has very quickly proved that they are indeed capable of producing some truly ear-shattering noise bliss - two noise maestros doing what they love and live for, and you can feel privileged to indulge in the result of their hard work.

Golden Serenades (John Hegre + Jørgen Træen) immediately locks into a devastating groove (for lack of a more suitable term), and a terribly convincing assault of metal clattering and a non-stop moving mass of forceful sonic onslaught of the highest order. When these Norwegian lads team up, you can expect nothing less than noise nirvana. If you have yet to experience the thrill of Golden Serenades, this is where you get *on*.'---LABEL DESCRIPTION


Seriously one of the BEST comp LP's to be released in QUITE SOME TIME. HIGHLY RECOMMENDED LP of excellent Swedish noise... SOON TO BE A CLASSIC.---AD

'Four lenghty tracks from four Swedish experimental groups in tribute to the god-forsaken land we call Sweden - or, Höga Nord if you wish. From BOCKSHOLM's structured and up-building jackhammer mechanics, onward with DUSA's moody downer-beats from the outskirts of hell - further down the road NIELLERADE FALLIBILISTHORSTAR's abstract and ghostly metal junk/cymbal ambient to VÅRTGÅRD's heavy and painful death industrial - this is a record that follows an unknown path, where grey and depressive specimen without contrasts makes a subliminal whole. For sure not the full-on noise Segerhuva perhaps is known to release but a beautiful and deranged journey through our native mushroom woods and what one can find if taking a leak on a small highway side-track somewhere outside of Skara. Edition of 300 copies in printed black and white matte sleeves with insert. ---LABEL DESCRIPTION

SEIZURE PALACE



Excellent modular synth work. Pure cosmic electronics.


Another amazing synth spiral from the man known as DEAD/BIRD. Again in kickass silkscreened cover.


Killer split between these two PDX electronix goons...amazing silkscreened covers...AMAZING. Listen to the excerpts!

mp3 samples: HONED BASTION excerpt -- SISPRUM VISH excerpt

SELF ABUSE



'Four records recorded using four different sound sources, each pressed on different colored vinyl. Comes in a heavy cardboard box, with full color front and back cover! (Count as 4 items for postage.)'---LABEL DESCRIPTION


RRR main man abusing old SELF ABUSE records by CRAWL UNIT, STIMBOX, MLEHST, DEATHPILE, HANGED MANS ORGASM, ATRAX MORGUE, DEAD BODY LOVE, & SURGICAL STAINLESS STEEL. AWESOME!


Split CD w/ one collab track from these two Japan based Harsh Noise yucksters!


'Using source material from the band Thread to create two tracks of dense shifting noise fragments.'---LABEL DESCRIPTION


 'Self Abuse is proud to announce the release of Betwixt Descending Corridors, the new LP by Neuntoter der plage. A dark and hallucinogenic journey into places best left unventured. A bleak hellscape filled with the crawling horrors of your childhood nightmares.

Neuntoter der plage is the project of Ryan Oppermann (Klinikal Scum, Redrot, Post-Mortem Junkie, etc) A personal exploration into the dark places that exist inside all of us. Inspired by vivid nightmares and dark visions glimpsed while staring into the bottomless depths of the abyss. Combining the best (or is it worse) elements of Dark Ambient, Death Industrial and Black Metal to create the darkest music possible.'---LABEL DESCRIPTION


'The CD collects track from the Japan tour only AMERICAN VIOLENCE split with Slogun, the personal and private 'Scavenger Bag'- 3 Business card release (from the 2006 Japan tour), an unreleased live track from Germany, and two tracks off limited releases on the Iatrogenesis Records label. Comes with a 12 page booklet containing all the writings and pictures that came in the 'Scavenger Bag' making this an in depth and personal look at the thoughts and ideas that made the music and 'Mudlark'. The evolution of harsh electronic purity and scumbag electronics at its finest. Recommended listening for the self loathing. (Self Abuse / Ninth Circle)'---LABEL DESCRIPTION


'Harsh ambient noise. Last in the murder series.'---LABEL DESCRIPTION

SELF-RELEASED



Strange split/collab confusion 7 inch from these 2 PNW projects... Both very strange pop music.. Fans of RALPH records stuff may dig this...


ALERT ALERT to all lo-fi tape gunk manipulation LOVERS... fucking EXCELLENT debut LP from this long running group of weirdos... HIGHLY RECOMMENDED slab of hiss, clatter, squeals, moans, stretches, peels, female vox. RULES


Found a small stack of these in the move. A self-released cassette from the short lived duo of MAX CLOUD and VIKI. Weird damaged electronic beat sound. Original copies from late-90's/early 00's...I can't remember.

SERGENT MASSACRE



'First vinyl outing for Peckham based Chora, compiling out of print tracks from cdr albums released between 07 & 08. All the tracks were conceived in Sheffield as a trio of Ben Morris, Rob Lye and Chris Boyd at the furniture makers workshop / Chora practise space, culled from long nights of jamming, eating house special fried rice and drinking wheat beer. The record displays the bands revolving approach to composing, improvising & recording, with sounds moving between shingled skeletal percussion & kitchen sink gamelan to electronic attack & ecstatic vocalisation. Pressed on 180g black vinyl with pro-printed cover.'---LABEL DESCRIPTION


'The band as a quatuor (Hell, Bunny, Coccyx, Coorz) adds another masterpiece to its discography with these new recordings. 30 minutes of desolated jazz spread over two side-long tracks. Artwork by Wouter Vanhaelemeesch'---LABEL DESCRIPTION

SHARK BITE



 'Collaborative LP from industrial pioneer ZEV and Graham Moore (Blossoming Noise, To Live and Shave in L.A.). Recorded and recoded in 2008. Edition of 300 copies in deluxe 5 color jackets with photography by Suzy Poling.'---LABEL DESCRIPTION

SILENTES



Another long awaited reissue from Aube. METAL ON METAL (as for AQUA SYNDROME) was published by MANIFOLD records. Also for this work, over the original album, you can hear a bonus track and a full live CD. To the discovery of the alchemical secrets and the magic of the metallic materials, of their acoustic characters, and the possible technological manipulations on the sounds that are possible to pull out... It arches of it resonances, mantric vibrations, hypnotics bells rings... That features of sounds of cymbals, plates, rings... that tubular elements are used or more ordinary and simple metallic objects of common use... that they are bowed or scraped..., Aube acquires the sounds and of it transforming its essence... decomposing and recomposing the shape... Fragmenting, expanding,stratifying and elaborating the sonorous matter, constructs complexwafts, resounding weaves carpets, interlaces thin threads of metallic tensions, crumbles and agglomerates acoustic particles, leaves to flowlong, reverberating, harmonic drones... Metal on Metal, two only, fantastic CD for and a matchless release ---LABEL DESCRIPTION


An unusual self-portrait of Maurizio Bianchi in a minimal and introspective version, a discreet sonic self-portrait, elaboratedwith soft and nearly abstract electronic sketches, cyclical waves, tangles of intersected sounds,stratified, continuously changing, manipulated and molded through uses of effects, filters, reverbs, choruses, delay... Expanded paces, rarefied and apparently quiet atmospheres, but at the same time always full of a constant sense of gravity and heaviness, of vulnerability, always on the extreme border of the abyss that leads towards the unknown, the dark, the not to be defined and the mystery...---LABEL DESCRIPTION


Decomposition instead that composition. De-structured music that instead structured music. Not to complex and articulated technologies forrecording, mixing of the parts and mastering; not to onesophisticated production and maniacal and defined participations correct in post-production... This the new challenge capacityto the extreme limit from Maurizio Bianchi, a new musical effort,directed, raw, immediate, absolutely uncompromising new, to outsideof every law and from every pre-constituted rule... Fragments ofmusic, short fragments of sonorous material of varied extraction, now short, now long, placed in sequence one behind the other,in a dry way, following absolutely unforeseeable times and dynamics. Continuous loops, raw unexpected cuts, noise alternated to musical parts, single sounds, drones, notes of piano, buzzes, soft pads, electric current workers... Two long traces, 75 minutes, a listening experience over any edge and reliable definition.---LABEL DESCRIPTION


In the last period of life MARCO CORBELLI (ATRAX MORGUE) collaborated with MAURIZIO BIANCHI to a project. This is the result... and this is also the last ATRAX recording ever..---LABEL DESCRIPTION


'Three long and 'majestic' tracks where Maurizio Bianchi’s typical deep and reverberated sonorities, full of crepuscular melodies and subtle dissonances, get enriched by more electronic elements and fascinating elaborations, sophisticated manipulations and strong dynamic interventions operated by Cria Cuervos… Three touching compositions built on progressive 'crescendos' and a raging of slow sonic stratifications that lead to real 'explosions' of sounds, drones, pulsations, frequencies, vibrations… A new, magnificent and very successful collaborative experience.'---LABEL DESCRIPTION


After the recent edition in double CD of Chaotishe Fraktale Letzte Technologie, Silentes introduces now the result of the new collaboration between Frequency in Cycles for Second (Sandro Kaiser) and Maurizio Bianchi. Music of the great dynamics and great dramatic mood, powerful , aggressive sounds, drones, sour electronic rumors, but also deep sounds underground, more static parts, dark and expanded atmospheres, dark and buried rhythmic mechanics movements, echoes of reverberating metals. Musicof great effect joined to one quality of the recording to the top, for one rendered sonorous absolutely extraordinary and detailed.---LABEL DESCRIPTION


A fantastic selection of archive materials from the golden age of Mathausen Orchestra, the Italian power-electronic project born in the early 80s from the mind of Pierpaolo Zoppo, recently back in full to his artistic activity (see also the other CD Silentes SME0932, Nimh/Mauthausen Orchestra: From Unhealthy Places). Coming as a wonderful digipack CD, these six tracks collected from his very first cassette releases (Murderfuck, Mafarka, Anal Perversion, Host Sodomy, From Homicide to Slaughter) are released in a completely restored and remastered edition that finally does justice in full to the incredible and futuristic visions of one of the most significant Italian experimental artists of the last thirty years. Unthinkable and apocalyptic sonic masses pushed to the extreme, an endless flux of strong emotions, a violent and devastating impact… Absolutely not to be missed..---LABEL DESCRIPTION


The energy, the genius and the intransigence of the music of the hystoric cult power electronics project Mauthausen Orchestra/Pierpaolo Zoppo, united to the originalty, the eclecticism, the rigorous experimental research carried on since fifteen years by Giuseppe Verticchio, mostly with his Nimh solo project… Disturbing images of unhealthy places, nocturne landscapes covered with fog, psychotic nightmares, tormenting and delirious, described with sonorities of great impact and incredible dramatic force… A dark and long itinerary, to be covered wrapped in the spirals of a time that progressively seems to slow down and stop, folded on itself, just like suspended in the void, without offering any way out… A sonic adventure for brave souls… Elegantly packaged in a digipack.---LABEL DESCRIPTION


After few months of distance from the escape of The Missing Tapes and the relative Rework by Aube, Nimh (Giuseppe Verticchio) sets aside the ethnic-lysergic visions that have characterized the previous  album and continues along the distance of sonorous search and fascinating  experimentation electronic, already undertaken with works which The Impossible Days and Subterranean Thoughts, ulteriorlyexpanding just the range of sounds and instruments set, revealing the own secrets through new, dark but stylistically a unclassifiable CD, in which it arranges with extraordinary originality and in an absolutely personal and unknown elements of drone music, dark ambient, electronics, ritual, ethnic, field recordings, and enriching in particular every track with the recurrent presence of evocative sounds of electric guitar in varied filtered and elaborated way. The search goes on... ---LABEL DESCRIPTION


After the extraordinary 4CD box-set, Together s Symphony (with MAURIZIO BIANCHI), Silentes Minimal Editions is proud to present the incredible new solo effort by NIMH. Stratospheric sounds from another dimension, where multi-cultural sound-worlds collide. Processed electronic emulations of traditional Thai (and other indigenous) instruments, esoteric percussion, breathing, drones, feedback, shortwave radio, disembodied voices floating in air, and hazy field recordings all combine is a most intoxicating manner. With THE MISSING TAPES, NIMH returns to a more adventurous style, pushing the boundaries of sonic innovation past anything that weve heard before. An amazing 50+ minute sonic-travelogue of electroacoustic experiments. Ambiguous music for those who want something completely unique.---LABEL DESCRIPTION

SIMPLE GEOMETRY



'The Japanese guitarist Tetuzi Akiyama performs an improvised set as a duo with Canadian percussionist Jeffrey Allport on July 1, 2006. This recording is of the first and only time these two well-regarded improvisers have ever played together. Living on opposite sides of the Pacific, this show became an opportunity for Allport and Akiyama to each perform some of their most advanced techniques in improvised music with a player whose style was truly compatible. Allport approaches every side of his drum, the rim, the snares, the steel clamps, and of course, the skin to produce a challenging repertoire of sounds that defy the drum's gambit, segues from Tibetan drones to electronic clicks and cuts, distant steamships to nearby popcorn. Akiyama's preternatural improvisations along the neck and body of his guitar meditate patiently on each bluesy sound, almost as if his fingers were playing along the surface of a slow-moving river. Every note that Akiyama plays becomes a sensational interruption causing ripples, splashes, and oxbows in the flow of the music. Performed live at a sold-out Western Front, Vancouver's oldest and most significant artist-run venue, Akiyama and Allport propose a rich new vocabulary for music. Two tracks on vinyl mastered by Toshimaru Nakamura. This LP documents an unprecedented collaboration between two modern masters of far left improvisation.'---LABEL DESCRIPTION. Limited to 500 copies

SKELETON DUST



Fuckin ABRASIVE feedback and junk noise from OH ruler...SCUMMY AND HARSH AS FUCK!


yet another RICHARD RAMIREZ project....Noisy maybe? oh YEs...


Killer CD of Low end humming electronics from OH genius IOVAE.


More ruling metal abuse...


Ain't checked this yet, but everything I heard from this crew has been totally impressive... Always free always fucked...

SKSK



Seriously fucked 'punk' band of Wyatt Howland and his sister...Like is MARS stayed a band and just got worse and worse and playing their instruments. AMAZING.


LOUD harsh electronic noise from this OHIO dude that goes by the name BOXCUTTER FACELIFT.


Percussionists collide! I cant play 3 inchers at the moment...so can't comment on the sound..but both these dudes rule..so I assume it's a killer!

SMALL DOSES



''it's hard to believe that this is the first josh lay release to find its way to the compact disc format. fittingly, josh considers this to be his best work to date, and i can't say i disagree. this is a four track, nearly 40 minute meditation on the masks people wear to make their way in the world. elements of black metal, harsh noise, power electronics and dark ambient combine to create a dark, twisted environment built from electronics, guitar, and some of the most gutteral vocals I've heard him spew. the accompanying art was hand-made by the artist. edition of 200 copies packaged in jewel cases with 4-panel inserts and double sided jewel cases.''---LABEL DESCRIPTION

SMOKE FILLED CASKET



Mechanical electronics from Wapstan / Dark mimimal pulse synth from CROTCH. btw...CROTCH = MOST BRUTAL NAME EVER.

SMOKERS GIFTS




SNAPPED IN HALF





'Info: Cray is Ross Healy of Melbourne Australia, Ross has been making electronic music under various monikers since the early 90's for labels in Australia, Germany, France, United Kingdom, Ireland and the U.S. This is his second full length CD after 7 years in hiding. During that time Ross had sold everything he owned and moved to the country to get back to basics. Kinamets is NOT a drone record and is more in the form of early academic synthesizer recordings, it was recorded live on a EMS Synthi AKS. 50 copies'---LABEL DESCRIPTION

SNSE



Killer Split LP of live recordings between DEMONS AND VERTONEN. Full color covers, edition of 500. Co-released w/ C.I.P.


'Eric Stonefelt returns with another meticulously crafted album of crunching, crumbling, crackling modern industrial music. The sounds of metal and machinery and vocal vomit. HOTD constructs audio works of intricacy with such careful attention paid to timbre and texture, each repeat listen revealing a heretofore unnoticed detail or ten. For fans of Daniel Menche, Small Cruel Party, The New Blockaders, Einleitungzeit, Linija Mass...'---LABEL DESCRIPTION


Man, what an exciting record this was to come home to. Really fucking TOP NOTCH release from these Swedish junk yard dogs. Nice flow of metal ala TNB, with killer synth undertones. A really STELLAR record. I cannot recomend this enough. I wish I had fuckin put it out... SNSE is on the ball and on a fucking ROLL!


KILLER MI Split 10 incher of these Kzoo Sicknooos...

mp3 samples: MP3 Excerpt - TALIBAN -- MP3 Excerpt - PARANOID TIME


'Lurching, ripping, and tearing. Relentless and sharp. Thrashing about in the blood water, coming back for the torso. There are sharks and then there are knives. How about sharks getting their throats slit by humans with knives? Think about it.

These two sides present a concise and brutal attack by the master. As if the short format pushed him to pack each track with all the highlight elements typically spread out over longer form The Rita recordings. Hits hard, hits fast.

SNSE is proud to present this large-hole 7 inch wrapped in a twelve page booklet adorned with not-nice artwork culled from McKinlay's massive personal collection as well as drawings created by the man himself.---LABEL DESCRIPTION

mp3 samples: SHARK KNIFING side a excerpt -- SHARK KNIFING side b excerpt

SOMNIMAGE



'Methods of highly manipulated audio banjax employed for this project were: Explosions, Breaking galss, Drill to turntable, Drill to telephone, Drill to CD-R's and 7 inch single, Drill to CD cases, (Rubber Hammer to all drilled sounds as well), Cuttings, Car crashes, S&M, Scratched CD, 1/4 inch cable with short, Staple gun to CD's and records, ETC...'---SLEEVE NOTES

SONIC PROTEST



Exclusive AND previously released tracks from : PRURIENT, TOMUTONTTU, MONNO, VOLCANO THE BEAR, THE SKATERS, HELIOGABLE, PANICSVILLE, COSMODRONE, DAN CABALLERO, VIKI, ZIAMPH, LE DERNIER CRI, MAGIC IS KUNTMASTER, HAIR POLICE, BULBUL, PETRIFIE, CHARLIE O, COUNTRY TEASERS.

SORCERER DATABASE






SPACELESSJAM



Totally depressing post-death release of dark downer analog synth.

SPECIAL INTERESTS



Issue #2. Articles, interviews, etc from Jarl, Jeph Jerman / Hands To, Culver, Locrian, The Vomit Arsonist, Praying For Oblivion, Mark Groves, Haare, Smell & Quim, Jukka Siikala, The Rita, Andy Ortmann, Haare, Le Syndicat, Howard Stelzer, with Kristian Olsson a.k.a. Alfarmania/Survival Unit. Collage art.


Issue #3. Articles, interviews, etc from Aaron Dilloway, Rodger Stella, Tommy Carlsson, Iron Fist Of The Sun, Xiphoid Dementia, Isomer, Leif Elggren, Sudden Infant, Fire In The Head, Vivenza, Filth & Violence, Posh Isolation, Release The Bats, Abgurd, Urushima, Pasi Markkula. Cover art by Haare.

SPOOKY TREE



'Vinyl release of Dan Friel's out of print 2005 EP (originally released on cassette by Night People). Featuring artwork by Shawn Reed (Wet Hair, Raccoo-oo-oon, Night People). Friel has been making primitive electronic music under his own name and as part of the Brooklyn-based noisepunk band Parts & Labor since 2001.'---LABEL DESCRIPTION


'Western Mass all-star Noise Nomads teams up with New Jersey doom engine Urthquake.'---LABEL DESCRIPTION


'Long-running Western Massachusetts collective documented at the height of its noise/grind powers, complete with bent electronics and horns. Recorded during their only ever tour. Includes current members of Urthquake, State Shirt, Parts & Labor, GTDS, and many more. Co-released by Bone Scraper, Interplanetary Music, LFA, $ Tree, and Cardboard. Art by Jeff Hartford.'---LABEL DESCRIPTION


'Bob T. Roller follows up his 2008 CD compendium with a 7" of true New Jersey satanic suicidal black ambient metal. Urthquake's first vinyl release.'---LABEL DESCRIPTION


'Return of the most sinister left handed band in the world. Bob T. Roller releases bits and pieces of musical bliss from his Urthquake moniker from nearly 10 years of recording. Music ranges from drone rock to noise to fucked up electronica. Urthquake crushes all of it's enemies. Look for more Urthquake later this year.'---LABEL DESCRIPTION

STARLIGHT FURNITURE COMPANY



2 Amazing NO INSTRUMENT reworkings of MIKE OLDFIELDS classic EXORCIST theme TUBULAR BELLS.

STATIC AKTION



'Screaming Feedback And Gutter Sounds Laced With Heavy Metal / Contact Mic Crunch. Edition of 332 / Pro-Printed Cover'---LABEL DESCRIPTION

STOCHASTIC



A couple gay French dudes playing jazz. Doesn't sounds like jazz.

STOMACH ACHE























Some older Sistrum Vish coming sees the light again!


Some older Sistrum Vish coming sees the light again!







STRÖMKARLEN



CLASSIC STYLE NO NONSENSE HARSH NOISE... Starting w/ a slow and light rip into your speakers it builds into a whirling ball of thick harsh white noise. Recommended!

SUBTERRANEAN



Original sealed CASSETTE copies of this killer collection of early C.B. material.. Includes the harsh noise classic 'SWALLOWING SCRAP METAL'! Recordings from 1983 - 1988. Includes 3 tracks NOT on the LP version! CLASSIC NOISE!


Original orange colored vinyl copies of this 1983 scum rock ripper. Stooges-esqe hard rock from Sweden...this is where the BRAINBOMBS learned their moves..B-side with filthy lyrics from Industrial icon Monte Cazazza. w/ fold out poster.


Original sealed copies from 1989 of the 4th volume of this excellent industrial noise compilation series. Compiled 1987-1988 by Paul Lemos. Tracks from: CONTROLLED BLEEDING, DISSECTING TABLE, MINUS DELTAT, HELENE SAGE AND FRANCIS GEORGE, UN DRAME MUSICAL INSTANTANE, THE GEROGERIGEGEGE, HEINRICH MUCKEN, PRINTED AT BISMARCK'S DEATH, ROBERT RICH, JAMES LEVINE AND PAUL LEMOS.

SUITCASE



AMAZING double CD originally slated for release back sometime in the 90's I believe... INSANE and I mean IN-SANE packaging by ABO of YEAST CULTURE...tracks from DAS SYNTHETISCHE MISCHGEWEBE, YEAST CULTURE, z.B.u.a., ACHIM WOLLSCHEID, SMALL CRUEL PARTY, IOS SMOLDERS, AGOG, CHOP SHOP, RUNZELSTIRN & GURGELSTOCK, WASH YOUR BRAINS, APPI, KAPOTTE MUZIEK, EMIL BEAULIEAU, INZEKT, NATIVE X, tac, SUDDEN INFANT, MERZBOW, and A4... ALL the 90's NOISE RULERS featured! So good....

Paper & Plastic is a two disc audio project by suitcase that began in 1991 featuring rare and unreleased material by some of the most prolific and innovative sound/visual artists from the international experimental tape culture era of the eighties and nineties. A4 selected of all the audio and visual material and created the packaging design in collaboration with Incubator and Petri Supply. Abo of Yeast Culture silkscreened each individual copy available now in an edition of 600 copies only. The original art includes 2 CDs inside a clear silkscreened dvd case, handmade inserts, a folio of original color silkscreened postcards, 16 page booklet, sealed with an Obi strip and barcode. Each copy is a unique and the entire package is much heavier than a standard two disc set due to the original artwork included'---LABEL DESCRIPTION.

HIGHEST RECOMMENDATION!

SUSAN LAWLY



'explosive fourth compilation in the Extreme Music series, includes 20pp booklet with photos and extensive notes - do not miss out on this!'---LABEL DESCRIPTION

Tracks from: i5067,70, AMBASSADOR 21, COMFORTER, THE PODRYVANIEM BOYS, VOLGA, ED.S, PICHISMO, ERROR, KRYPTOGEN RUNDFUNK, GINTAS K, TEA MAN WITH TEA GUM, NEIZVESTNOST, VETROPHONIA, SAMKA

SUSAN LAWLY - VERY FRIENDLY



Vinyl reissue of one the most CLASSIC Whitehouse LPs. A perfectly composed piece of offensive electronic sound. Featuring classic tracks YOU DONT HAVE TO SAY PLEASE and IM COMING UP YOUR ASS. Highly Recommended. If you are new to WHITEHOUSE... this is the place to start!!!

SWEZLEX



Compilation in honor of now defunct SF underground club THE CLIT STOP. All tracks recorded at THE CLIT STOP. Tracks from 3 DAY STUBBLE, CHRIS BROWN, COMMODE MINSTRALS, DEERHOOF, NAUTICAL ALMANAC, NO NECK BLUES BAND, RUBBER O CEMENT w/ KARLA LAVEY, SLUSSER, BRAN(POS), ZEEK SHECK, and MORE!!

SWILL RADIO



'I’ve been a fan of Asmus Tietchens’ music since Formen Letzter Hausmusik came out in 1984. That LP fascinated me and I soon began acquiring anything I could by this strange musical force. I’ve learned a lot from his music over the years and we became acquainted via the post in the late 90s. As it turns out, we both have an extreme fondness for cigarette smoking and an interest in Max Nordau’s Degeneration, so what better place for his first LP release in years than Swill Radio? The side-long Teilmenge 20 starts off the LP with an odd manic ticking that never lets up. Other sounds ebb and flow throughout and the whole piece has the rare quality of sounding totally artificial and yet organic at the same time. The second side slows things down with three tracks of dripping industrial ambience. The whole LP brings to my mind an atmosphere of waiting. To quote my good friend Matt Krefting, “No one’s music sounds both as cold and as emotional in quite the same way as the music of Asmus Tietchens.” I couldn’t agree more. Excellent stuff!'---LABEL DESCRIPTION


'FOUST! is my first ever solo project in all these long years. Through most of these years, since The XX Committee days, a constant supporter and champion of my work has been the journalist Oskar Spee. I think his email sums up Jungle Fever quite well.

Dear Scott,

I received Jungle Fever yesterday. Many thanks. I first played it while I was cooking dinner and found it very odd and perplexing. Later, I sat down in a more relaxed set and setting and gave the recording my full attention at good volume. Astounding! Simply one of the most hallucinogenic recordings I have ever heard. All three ‘acts’ have a monotony to them, but the shifting patterns under the surface are superb. I can certainly see this as a drama involving a late 19th century British explorer contracting a tropical disease. The drama is palpable. The three acts, if I may call them that, “Train Journey/ Restless Natives”, “Delirium”, and “Demise” are perfect. Really fine work. The strange and obsessive attention to detail of Jungle Fever really reminds me of your film. Another stone in your mighty edifice.

My (our) mission continues. We should get together soon. We have much to discuss.

Here’s To Love!

Oskar

Digipak. Edition of 300.'---LABEL DESCRIPTION


'I've been in touch with Ian Middleton for over 13 years now, lured into contact by a Remora lathe-cut LP, I believe, which sounded similar in intent to IFCO material that Karla and I were working on at the time. Ian was a somewhat prolific figure of the 90's UK underground scene, both with his music and his visual art. There was an LP for Swill Radio 'in the can', which ended up on Eclipse as there wasn't any money here to release it. Ian's music has always had both organic and artificial elements combined with the vague melancholy of distant beauty. With Aural Spaces, Ian has refined and distilled his processes into a gorgeous electronic diamond. To quote my good friend Oskar Spee, 'Aural Spaces is an exotic, scientific, and beautiful perfume that slows down time and allows one to live, however briefly, in a better possible world'. I couldn't agree more. There is not a wasted moment. Ian has kept a low profile the last few years, preferring to concentrate on his work and make it better, an approach of which I heartily approve. The sequencing of this LP is immaculate, a skill that is becoming a lost art in this shuffle-play world. Aural Spaces is totally removed from the confines of today's backwards looking fads and instead points its bow directly towards The Future. Fighting the good fight.---LABEL DESCRIPTION

FANTASITC LP of mellow synth....you monkeys ordering all the EMERALDS stuff should TOTALLY check this fucking LP out... RECOMMENDED!!!-AD


'Since 2002, Idea Fire Company has performed and recorded as a quartet with core members Karla Borecky and Scott Foust (me!), joined by Meara O'Reilly and Jessi Swenson. (Meara and Jessi, along with Matt Krefting, start in my finally completed feature-length film Here's To Love!)

I feel this LP is as strong as any I've been involved in, and I feel pretty strongly about my body of work. Stranded is the perfect companion to Anti-Natural. Excellent Karla Borecky cover. 180 gram luxury object.'---LABEL DESCRIPTION


'Idealized field recordings that capture the hallucinatory isolation of an abandoned arctic base. Anti-Natural combines organic mechanistic processes into an aesthetic whole. Both severe and opulent, naïve and self-confident, Anti-Natural offers an escape route from the false dichotomies of man/nature and man/machine and attempts the transcendence of the impossible. Electronic recreations of the world around us, both real and imagined, foment immutable revolutions in sound.'---LABEL DESCRIPTION


'IFCO follows up our conspicuously ignored Stranded LP with an equally, if not more so, strong statement. Core members Karla Borecky and Scott Foust are joined by an all star cast: Meara O’Reilly and Jessi Leigh Swenson from Stranded, as well as Frans de Waard, Graham Lambkin, and Dr. Timothy Shortell. The Island Of Taste depicts a manoeuvre in which the beauty becomes more beautiful as the desperation becomes more desperate. A stark and romantic mission to the rocks. Lavish package featuring an excellent Karla cover painting as well as a booklet presented as a set of 5 x 7 art cards with another Karla painting, band photos, and an essay of mine. Perhaps The Island Of Taste is the first LP to make explicit a certain nostalgia for itself. Along with The Shadow Ring’s Swill Radio trilogy (Lighthouse, Lindus, I’m Some Songs), I’d put IFCO’s trilogy (Anti-Natural, Stranded, The Island Of Taste) up against anyone’s three LP run. We’ll see…'---LABEL DESCRIPTION


'Volume two in a Swill Radio series of LP's documenting the early work of Ralf Wehowsky (aka RLW). As with volume one, a slightly different version of this LP was originally released on cassette by Wahrnehmungen (later renamed Selektion) in the early 80's. This is a much more band-oriented release than volume 1. A number of tracks were recorded live and the mood is aggressive throughout. This is a fantastic Neue Deutsche Welle document. If it had been released on LP, it would be legendary. It still is.'---LABEL DESCRIPTION


Super Weird movie by Scout Foust of Idea Fire Co, XX Committee, etc... Hypnotic, creepy, confusing..killer soundtrack.


'The debut LP from the trio of: Karla Borecky, Graham Lambkin, and Scott Foust, recorded and assembled over 8 months between 1999 and 2000. Tart is an exquisite combination of three distinct minds, much like the skillful structure of diverse, yet subtle, ingredients in a piquant and nostalgic recipe: The Past as well as The Future. Tart blends together these strange elements in an organic yet totally disciplined style that renders many of their contemporaries as either flabby or boring..

Radio Orange presents 7 original pieces of expertly edited new music-form. From the opening tape-collage miniatures, The Rabbits of Mangtarau (pts 1 & 2), through to the indeterminacy and excitement of the closing title-track, Radio Orange carves its identity through great use of diversified expression. The analog drone / vox duet: Astride Such Delicate Pins; the bizarre environmental action, Woman In Her Womb; the fragile tone composite, The Mums; and the grinding electronic surge of (the almost 20 minute) Chopin in a Shell all help complete the program in classic style. The overall sound is both hypnotic and explosive, with each side being carefully sequenced to maximize the fact.

Radio Orange comes complete with a beautiful full-color sleeve, designed by Karla, and contrasting monotone labels by Graham. The super-modernist avant garde continues to raise its aesthetic head under the romantic banner of the Anti-Naturals. Tart is fabulous.' ---LABEL DESCRIPTION


'Tart (Graham Lambkin, Karla Borecky, Scott Foust) present the world with their second LP, Bring in the Admiral. Since the release of their first LP, Radio Orange, Tart has been plying their trade at various shows in the northeast U.S. Using the same minimal instrumentation as the live shows (two small Casios, guitar, and shotwave/cassette boombox, plus a few odds and ends and the Anti-Naturals trademark tight editing), Tart produces a dazzling array of scenarios, a testament to senseless deranged beauty. Beautiful color cover. Who doesn't need a little Tart in their life?'---LABEL DESCRIPTION


The Pickle Factory is Karla Borecky and Scott Foust from IFCO plus long-time collaborator Mike Popovich. The sound is somewhat similar to the Idea Fire Company, although within at least sort of a song structure. Many think this is our finest work yet.'---LABEL DESCRIPTION


'Posthumous final LP recorded in 2002 that completed the 10 year life cycle of The Shadow Ring. This LP was recorded in Poughkeepsie NY over a 3 week period. The atmosphere is tense and stoned. A depressing joke -- one punchline after another. I'm Some Songs was recorded by Darren Harris, Graham Lambkin and Tim Goss -- a record which pays its own tribute to its own fallen heroes.'---LABEL DESCRIPTION


Excellent 7 inch from Scott Foust and Frans de Waard. A side is great droning ambience interrupted by occasional lightly reverberated scratches and strangeness. The B side is another excellent side which sounds like shortwave and creaking door. HIGHLY RECOMMENDED! Edition of only 200 copies. Co-released with Plinkity Plonk

mp3 samples: Dark Secrets... (excerpt)

TAPEWORM TAPES



'broken electronics. no feedback loops. no effects pedals. only broken equipment. limited to 29.'---LABEL DESCRIPTION


VOL> 5 in this ongoaing series of recordings from CHRIS RIGGS and BEN HALL. Edition of 54


'evolution of this negative electronics outfit. 6 cassettes with lyric inserts. limited to 37.'---LABEL DESCRIPTION

TASTY SOIL



MI therimin abuser COTTON MUSEUM launches his new label off w/ this split LP w/ Thurston

TECHNODELIA INSTITUTE



Lost release found in some box in SWEDEN. BRAINVILLE is an old project of Tommy Carlsson (Segerhuva, Treriksr?set, etc...).. Weird fucking SHIT... 2 BAss Guitars and SAX... fuckin weird stuff.. Kinda reminds me of that band FAT..ya, know...Automat Hi-Life.. like that sort of underwater weird jazz shit... FUCKED UP... I believe it was released in the early 90's but not totally sure...

TEDIUM HOUSE



LEGENDARY 90\\\\\\\'s NOISE Magazine. I cannot stress enough how much this mag meant to my high school mind! Issue /cd contents: LEIF ELGGREN, ROBERT 'WEIRD ROB' DAYTON!!!!, OREN AMBARCHI, REPEAT, PARMENTIER, HALIM EL-DABH, PAUL WINSTANLEY, LATERAL AGRICULTURE ORDER. Plus TONS of reviews as killer art / pics as ALWAYS!

THOR'S RUBBER HAMMER



'In the first installment of the Ecstatic Jazz Duos series, there is no room for subtlety. On the Talibam! side, the 18-minute 'The Geometric Mophometrics of P.P.P.P.P. McNasticals' (what?!) is a multi-part epic unlike anything else in the New York City duo’s recorded output. Matt Motel (synthesizer) and Kevin Shea (drums) run through the cacophonous noise-jazz most of us know them for, but also seamlessly engage in righteously proggy pursuits taking hits off King Crimson and Keith Emerson. On the B-side, Wasteland Jazz Unit gurgles shrapnel on two rippers for amplified saxophone (Jon Lorenz) and clarinet (John Rich). Cincinnati’s premier Art Damage skater-jazz crew have recorded with the likes of C. Spencer Yeh (Burning Star Core) and Ryan Jewell (Pink Reason, Psychedelic Horseshit), and here deliver an aural abuse that just ruins your day. Edition of 500.'---LABEL DESCRIPTION

time STEREO



The woodsy buzz of the ELECTRIC BEAR. Davin Brainard and Ronald Cornelissen captured live in Rotterdam Holland. Great buzzing Noise. In nice new style painted and stamped time STEREO 3 inch cases. FANCY!


First full length from this wikkid duo of electronic noise zone owners. My favorite time STEREO release ever!! Good combo of buzzing electronics and organic scapes and jangles...


Totally Davin and Warren (Princess Dragonmom) and Hitoko (Niko, ex-MSBR) working in the garden. Sounds of all the scrapes and dirt you encounter while weeding in your garden. Awesome!

TOCHNIT ALEPH



MATTIN (computer feedback, voice, guitar) and (sic) TIM GOLDIE (drums, voice, credit card, amplifier). All Tracks recorded by (sic) Tim Goldie except Number 12 (Field recording at Huntigdon Life Sciences) by Zoe Broughton, and Number 16 recorded by Mattin. Mastered by Daniel Beattie. All Tracks edited from improvisations. Edition of 500 copies, with 2 double-sided A5 cards packaged in oversized luxurious metallic golden foil envelope with sticker attached. ---LABEL DESCRIPTION

Defusing preconceptions of what a live event should be and degrading its components - the sound, the performance, the audience - without imposing aesthetic or moral limits: this is the reason for being of Deflag Haemorrhage/Haien Kontra, the project born in 2001 from the minds of two of the most unpredictable and conceptual contemporary sonic activists: Mattin and [sic] Goldie. Ferocity and immobility, instruments abused and unused, musicians zombiefied in their stage persona and in general the sense of psychosis, of necessary superfluousness that gushes from every gesture, from each decision taken by this anglo-basco duo make their live event an experience that is all but impossible to relate to, at least until theyve stripped you of the costuming of dominant culture. - Valerio Tricoli


MATTIN (computer feedback, voice, guitar) and (sic) TIM GOLDIE (drums, voice, credit card, amplifier). Recorded and Mastered by Rashad Becker October 2007 & July 2008, Edited and mixed by Mattin and (sic) Tim Goldie at Worm, Rotterdam, January 2008. Edition of 500 copies, with 2 double-sided A5 cards packaged in oversized luxurious metallic silver foil envelope with sticker attached.---LABEL DESCRIPTION

absolutely fucking insane. the weirdest record i have heard for a LONG time!! The eccentricity/ form destruction of say ULTRA but more slick, like a cheetah applying lipstick on a coke mirror. Like if you record humidity. wild mix of sexy cymbals, (non) accident vocals/child sighs, makes William Bennett sound like Moira Stewart. BONKERS BONKERS and once more BONKERS its like taking one massive shit and then it grows a mouth and starts talking back??? arachnophobia toilet scene style. w/ heavy last seconds unpaused tape AARGH style. --- Stephen Warwick

Defusing preconceptions of what a live event should be and degrading its components - the sound, the performance, the audience - without imposing aesthetic or moral limits: this is the reason for being of Deflag Haemorrhage/Haien Kontra, the project born in 2001 from the minds of two of the most unpredictable and conceptual contemporary sonic activists: Mattin and [sic] Goldie. Ferocity and immobility, instruments abused and unused, musicians zombiefied in their stage persona and in general the sense of psychosis, of necessary superfluousness that gushes from every gesture, from each decision taken by this anglo-basco duo make their live event an experience that is all but impossible to relate to, at least until theyve stripped you of the costuming of dominant culture. - Valerio Tricoli


Monsterous collection of nearly every Noise goon in the world shredding apart recordings of Dave Philips (Schimpluch Gruppe) old hardcore band FEAR OF GOD. Some of the manglers: RLW, NORBERT MOSLANG, EB.ER, SUDDEN INFANT, KEVIN DRUMM, EVIL MOISTURE, Y. EYE, RHY YAU, GOREBITCH, D. NYOUKIS, JIM O'ROURKE, DROPDEAD, K2, MERZBOW, OM MYTH, HUMECTANT INTERRUPTION, RAIONBASHI, VOICE CRACK, SILVUM, THE HATERS, RUSSEL HASWELL, PITA, R & G, And a TON more! KILL!


Latest work by swiss artist Marc Zeier presents 9 musique concrete compositions based on ice, wind, plankton, a whip, a bow, a suitcase, and other recordings made in the last few years, reminiscent of his 90s albums Seismogramm on Schimpfluch and Yack Park and Geopod on Zabriskie Point. ---LABEL DESCRIPTION


CD Version of the out of print LP from 2007, Chopins last release in his lifetime. Latest works by legendary french sound-poetry pioneer Henri Chopin (1922-2008), produced and recorded November 2003 - January 2004. Mastered June 2006 by Rashad Becker / D&M. Edition of 500 Copies in Jewel-Case with 6-page booklet, with text by Henri Chopin (original french, plus english & german translations), and photography by Florence Gonot-Yterce .... ---LABEL DESCRIPTION


Recordings of the first performance of Nitschs 8th Symphony (for Choir, Orchestra, and Noise Orchestra). Composed by Hermann Nitsch. Performed June 25th 1990 at the MAK Museum für angewandte Kunst, Vienna by Ensemble 20.Jahrhundert, Hugo Distler Chor, Blasorchester der Wiener E-Werke, Wolfgang Mitterer (Synthesizer).

Professionally recorded, extremely dramatic, dynamic, rich, full-blown orchestral music & noise, heavy drones, and austrian Volksmusik. Comes in big double-disc jewelcase, including 2 posters with credits, photos, a part of the score, and the text Die Gigantische Symphonie by Günter Brus. The music was previously released by the Cortical Foundation in 2001 as a 2LP-Set limited to a mere 185 copies. Remastered for this CD Edition from the original tapes. The artwork, photos & texts are exclusive to this edition.---LABEL DESCRIPTION


Second studio collaboration by Junko Hiroshige of Hijokaidan (Voice) and basque Computer-Actor Mattin. Two Pieces Stop It and Too Late recorded in Tokyo at Waseda Studios and Loop-Line by Taku Unami on July 11-12th 2006. Mastered & cut by Rashad at D+M. --- LABEL DESCTIPTION


First published as Tape/Object by Schimpfluch / Coquette in 1995 in an edition of 33 copies. Masonna and R&G Studio and Live-Actions material with guest-appearance by Joke Lanz (Sudden Infant) Edited & mixed by Rudolf Eb.er at Schimpfluch-Commune Int., Zürich (Track 1) and Maso Yamazaki at Acty Hanazono, Osaka (Track 2). Remastered by Rudolf Eb.er at Hate Operations, Osaka, 2007. Fullcolour cover & disc. Edition of 600 copies..---LABEL DESCRIPTION


(Original CD pressing is sold out but this is now available as printed CDR version in the original case with artwork/booklet) Recorded at the Mental Hospital. All Accoustics 2004 by Rudolf Eb.er at Schimpfluch-Commune Japan. A radical psycho-accoustic document. Comes with 12page fullcolour booklet designed by Rudolf Eb.er / Hate Operations. --- LABEL DESCRIPTION

Amazing CD from the Swiss Chimp Aktionist. Fucking hilarious & disgusting. A radical psycho-acoustic document executed at the mental hospital. Listen for therapeutical use only! Fucking WEIRD SHIT!!


So Joke from Sudden Infant and Rudolf from Ruzelstirn & Gurgelstock started a punk band with a 3 year old on drums and vocals... yes...As weird as you think it could be....

TOGETHER TAPES



'Second in the Moisturizer’s Three Headed Howl series. Heavily blown out tape delay and cassette loops with an ominous underlying beauty present. The whole thing sounds like whaaawhooo and bell tones. Grey zone feedback drone loner visions. Edition of 100 with heavy printed 4C art and mag scrap all over labels. ---LABEL DESCRIPTION

TONE FILTH



'Pressure. Steam. Scrapyard drainage, leaking into the corners. Mold and mildew - seepage. Cracks, crevices containing black days and red nights. The infection is spreading. False and forgotten. The Butcher, as he's known amongst friends and enemies, slices his way though flesh and bone on his first vinyl appearance and his finest moment to date. Contaminating the a-side with sick tones, nauseating hiss and whine, the rumble and wet sadism of clogged sinuses led to climax in an orgy of rotten magnetic tape. Mongrel howls and junkyard threats make up the unhealthy flip of this record - the slowest of rhythmic thump wrought in contrast to relentless clang reminding of the new, no, The OLD Blockaders. It ends the second you wake up. Throw your vacant body in the gutter.'---GREH HOLGER, Hive Mind

mp3 samples: Side 1 excerpt


'For over a decade Damion Romero has been crafting minimal sub frequencies to create some of the most interesting and unique experimental music. Twins is Damion's most impressive document to date; it contains four sides of intense and focused pure sound, recorded live with no overdubbing, effects, tapes, or feedback. Twins utilizes many varying textures and layers of sound offering many rewarding engaging listens. Edition of 500 copies in professionally printed INA/GRM 'Serie Gramme' style gatefold sleeves. Co-released with P-Tapes.'---LABEL DESCRIPTION

mp3 samples: Side 1 excerpt


LP version of nasty muck ridden recording origianlly released on CD by Pacrec/SNSE. Filthy tape hiss scum.. A MUST...

mp3 samples: Side 1 excerpt


'Song & Return, two site specific recordings for a friend. This is a very personal release and is available for 2 weeks only. Screen printed covers. Chrome tapes.'---LABEL DESCRIPTION


'Robert Beatty, who may be better known as a member of Hair Police, Eyes & Arms of Smoke & a contributor to Burning Star Core, has been creating some of his most interesting material under the name Three Legged Race. Living Order / Mourning Order is a reissue of a pair of releases from 2006, Living Order primarily focusing on micro-tonal shifts and movement & Mourning Order setting aside most (but not all) of the tones for composition. A lesson in the beauty of modern electronics. Edition of 335 with 3 color screen print and artwork by Robert Beatty.'---LABEL DESCRIPTION

TOWER CONTROL



David Russell and Adrian Bertolone and crew Cleveland noise punk outfit...Getting ready for their last show as I type...

'This Neubauten/Japanoise-inspired break-shit-and-scream-at-people band achieved transcendence almost right out of the gate a few years ago with inventive arrangements and frighteningly combative live shows. And though white noise is growing into a style so dominant in Midwestern underground music it's already a cliche', Jerk remains well ahead of the pack. The band is firmly committed to making noisy music, rather than 'subverting' music with noise. A Frenetic Menace is, for the most part, aptly titled; the chaos of their performances is well represented here on tunes like 'Black' and 'Gale.' But there's ample evidence of progress since 2004's Fuck Action. Lineup changes could explain it - the addition and departure of bassist/spasm enthusiast Eric Hughes and his replacement by ex-Roue' pedal-hopper Justin Coulter have obviously left a mark. While Jerk is ultimately a genre band for a small elect that can handle this kind of stuff, it's good to know that in a milieu in which a band can easily get away with doing astonishingly little, someone around here is willing to do the hard work.' - Ron Kretsch, Cleveland Free Times

TRASH RITUAL



'Spastic Harsh Noise from the USA. Vocal outbursts, damaged feedback and scrap metal manipulations. Edition of 75 copies in manialla envelope with insert.'---LABEL DESCRIPTION


'Violent Power Electronics from both units. Mania should be no stranger and sexual dereliction provides excellent abuse of low end static, feedback and junk metal. Gilles de Rais Order first public appearance consisting of throbbing buzz of broken electronics and feedback molestation. Both sides uncomfortable in the least. Edition of 100 copies in silkscreened cover on thick cardstock with an insert for both bands. Last copies...'---LABEL DESCRIPTION


'Second reissue of Legendary Post-Mortem Industrial / Power Electronics from Italy's Mauthausen Orchestra on Trash Ritual. Violent Sound Art originally released via Aquilifer Sodality 1985. Official release in edition of 250 copies.'---LABEL DESCRIPTION


Industrial Noise with Chaotic leanings from Andrew Seal. Side A features Three Studio Tracks with Strong Theme of Sexual Deviance and Bondage. Second Side consists of Two Live Sets (one from 2001 in the Cz Republic, other in Germany 2006) and Quickly Finished off with One Last Studio Track called 'Ultimatum.'---LABEL DESCRIPTION


'Harsh Noise from Canada and First Tape not on his own Label (Rundownsun). Dense Textures, Feedback Drones and Junk Metal Scrapings layered to create a focused response to the everyday power struggle in One’s Own Office. Slight Variations within the Construction yet always Focused.'---LABEL DESCRIPTION


'Bensonhurt Brooklyn Power Electronics. First full length release in close to 5 years. Full Circle. Packaged in a full color 3 panel digipak. 14 tracks closing in at roughly 49 minutes. Co-Released with Circle of Shit.'----LABEL DESCRIPTION


'Perverse Power Electronics. First full length solo release on vinyl consisting of unreleased material from 1994-95. 250 copies.'---LABEL DESCRIPTION


'one studio track from Oslo and one live show from Helsinki, both recorded in 2006. The cover is silver silkscreening on thick black paper-stock, very handsome I must say. Limited to a mere 160 copies'---LASSE MARHAUG


'Focused feedback movements from the resulted death of OPC. Stagnant frequency abuse tearing away with the aggression you can expect from the USA.'---LABEL DESCRIPTION

TROGOTRONIC



Comp of artists who use TROGOTRONIC gear..includes: MIKE SHIFLET, DEFEKTRO, BASTARD NOISE, SICKNESS, and more....

TRONIKS



Amazing collection of King Wiese's early recordings. There is shit on here recorded when the dude was only 14 years old! Just a lil' guy... Talented lil' punk he was....kinda talented old man he is now... This shit rules... Killer Spazztik noise assault!


Brutal one-sider from member of Sissy Spacek


Man..had these things for like...EVER! But for some fucked up reason they never made it onto the site... FUCK! CALIFORNIA!


3 way split LP of HArsh harsh noise!!!! very limited!!!


'Long awaited new full length cd from Parisian harsh noise artist Tourette (Benjamin Clement). Three extremely well structured compositions of violently rapid, sharp cut-up electronic and junk metal tones contrasting and melding beautifully with darkly passionate, subdued atmospheres. An epic achievement of incredibly detailed and moving harsh noise. Co-released with Antropofago Ateo and Iatrogenesis Records.'---LABEL DESCRIPTION

TROUBLEMAN UNLIMITED



'master in his field' ---PITCHFORK, 'groundbreaking artist' ---DUSTED

TURGID ANIMAL



'BSC is one of Richard Ramirez's better known project and this cassette will explain why. An hour of pure pollutive noise to fill your speakers and spin your head. Abbrassive with calm passages coupling ambient electronics with field recordings. Limited to 50 copies, black ink on black card.----LABEL DESCRIPTION


'The latest full length by these US Harsh Noise Heroes! Kevin Novak, Richard Ramirez, Scott Houston, Vance Osborne and Sean Matzus take you on a journey of self degradation and filthy revenge riddled noise violence. Step back in time to the slave auction. Hear the abuse. Black and White covers designed by our very own Tisbor. Edition of 500 copies.'---LABEL DESCRIPTION


Electronics and heavy industrial drumming to subtle and quiet percussion. A truely unique project.


'First vinyl outing on Turgid Animal for Gateshead based fetishist Culver; but certainly not the last. 2 tracks of dense, thick, cloudy, foggy drone in tribute to his beloved cherry blossom girls. Lee Stokoe has for years been pushing his own brand of heavy drone music all over the globe and hopefully will continue to do so well into the future. Artwork by the man himself in the form of 3 inserts featuring original artwork. 200 copies pressed on black vinyl, 33rpm.'---LABEL DESCRIPTION


'Two sides of experimental music on 33rpm. MA side is harsh building ambience in a similar vein to the track on the split 7" with The Rita. Mlehsts track is a tonal experiment and is really soothing. Due to printing error, the labels are on the wrong way round so Mutant Ape side has Mlehst on it and vice versa. Limited to 220 copies in pro-printed sleeves.'---LABEL DESCRIPTION


'First CD release by Turgid Animal UK's big boss man. AKA 'The Best of 2006', this disc re-issues tracks from the CD-r split with Shift on Alfa Male Discharge, the 'What's Left?' business card set on Dumping Ground, the 'No Bodies' 3' CD-r on Amorf Sounds and the Mutant Ape side of the split tape with Grunt. All tracks take a more composed route than previous and more recent works and blur the lines between Rough Harsh Noise, Power Electronics and almost Industrial Soundscapes. 50+ minutes of blown out hatred from northern England's most loved/hated (depending who you talk to). If you were to pick up just one item from this lad's messy and plain filthy discography, let this be the one. Edition of 300 copies. 4 page booklet and double sided tray with black and white artwork by Tony Shepard in standard jewel case. Evil... but you know that already.'---LABEL DESCRIPTION


'First vinyl outing from this German Power Electronic's artist, formely known as Noisewerrrrk. 3 tracks of almost creepy (esp. Side B) industrial noise soundscapes with buried whispered vocals focusing on religious disease/fanatics. 200 copies on black vinyl at 45rpm.'---LABEL DESCRIPTION


'Finally! New Panicsville 7 inch on our very own Turgid Animal Records! Junk yard pick and scrape from Andy Ortmann and co. Using time, space and mind boggling stereo switching to their advantage; this truly is a bizarre and engaging record! We're honoured to release this I can tell you. Limited to 220 copies on HEAVY black vinyl, slapped on at 33rpm (for extra long psych) with artwork screened by Jelle Crama.'---LABEL DESCRIPTION


'Self described as some of his best material to date, Domick Fernow's Prurient project just keeps getting better and better. Recorded in the Summer of 2007 in NYC. Daydreams of the Victorian past. Highly focused synth projections over a bed of crunched static, screamed vocals, children's song echoing from the bottom of a barrel. Creepy religious themes creeping in. The second Prurient release on Turigd Animal so far and here's to more in the future! 500 copies on black vinyl in pro printed, double sided sleeves. 45RPM.'---LABEL DESCRIPTION


'Double cassette feature from this Canadian killer! Conceptual release with the first tape being a heavily edited and dense sound collage of static wall spit and the other tape being pure dense sine wave on one side and pink noise (on a pink tape) on the other! Tapes come printed in a large vinyl case with minimal artwork. Really please with this one! Sick Buildings! Limited to 100 copies.'---LABEL DESCRIPTION


'Steev Thompson, Previously Roxanne Jean Polise and Branden Diven, of Drenches, make up 3 long tracks of beautiful drone ambience and show why they are one of the best in the field. This release collects two previously, ridiculously limited LP (on the Arbor label) and tape (Warmth's side of a split with Quintana Roo on Not Not Fun) releases that were simply too good to let slip into the realms of obscurity. This PRO-CD comes in a standard jewel case with clear tray and full colour back garden artwork by Steev. With releases on labels such as DNT, Arbor, Monorail Trespassing, Abandon Ship, Digitalis, Not Not Fun Records, Cherried-Out Merch and his own X Died Enroute Y label, Warmth seems unstoppable. Edition of 500 copies.'---LABEL DESCRIPTION


'Dark Passenger is Bob McCully’s sonic exploration into the death-journey, utilising the full spectrum of eclectica for which Women in Tragedy is known. This is a record you could play to your mom, and conversely this is also one of the most disturbing records I’ve ever heard. Limited to 250 copies, presented on quality 33rpm black vinyl with full colour labels and sleeves and clocking in at a little under 45mins playing time. Art and layout by the incredibly talented Elijah Funk.'---LABEL DESCRIPTION

TURNUP RECORDS




TUSCO EMBASSY



'second installment of strange, burnt out tape manipulation and keyboard noodling by member of the mysterious synapse dragon. two color screened wrap around inserts. limited to 40 copies.'---LABEL DESCRIPTION


Keffer...JEsus Christ! This sounds like it was recorded on the cheapest tape EVER made!


Intense high quality lathe cut by the master Peter King. Very sparse for a Tsuco release...limited to only 30 copies..amazing handmade sleeves. I got the last 4 copies.

TUSCO/EMBASSY



'first full length LP from tuscos. out of whack and thoroughly brain damaged. degraded tapes and fried equipment presented in 100% pure analog format A/A/A. three color screened covers.---LABEL DESCRIPTION

Edition of 100 copies. HIGHLY RECOMMENDED!

UG EXPLODE



'78 minutes of studio recordings from the renegade 'FREE GLAM' troupe featuring Weasel Walter, Rat Bastard, Misty Martinez, Nondor Nevai and special guest Om Myth! Perverse, intense, hyper-psychedelic stream-of-consciousness group improvisations channeled through futuristic production processes. This record is an intense trip - a mash-up of gut-wrenching instrumental onslaught and bizarre wordsmithy. This is the complete story of the Shave 2, finally available after almost 7 years. '---LABEL DESCRIPTION


' more than an hour of blistering high energy free jazz featuring Weasel Walter on drums with Damon Smith and Randy Hunt (basses), John Gruntfest, Aram Shelton and Josh Allen (saxophones) and Henry Kaiser (guitar). It's a quartet, so only four of these guys play at a time! Awesome live and studio recordings from 2005-2006 will set the tone for things to come: fans of Ayler/Brotzmann/Cecil Taylor look no further - this is the new wave of violent free jazz. take no prisoners!'---LABEL DESCRIPTION

ULTRA ECZEMA



san francisco's most german electronic creeper HANS GR?SEL does it again, after seeing their amazing performance at NO FUN this year i couldnt wait to do a record with these weirdo's! amazing layered synth madness!! using a mountain of instruments i never heard of these 2 long compositions give you the worst melancholic sunday afternoon feeling,'the party is over', all you're left with is a horrific hangover that will never leave you, thinking of the carnaval the night before this is another miserable day indeed, you'll have to wear the hottest costume again, your head is made of wood and nothing makes sense anymore.. this is beautyful analog electronic composer/concr?te madness with an old piano trumpet sauce, everytime you'll find new sounds!!! also, be sure to find them live somewhere, the only band that can actually play music while wearing huge wooden houses on their heads.. the cover for this record is the second in a serie of 5 lp's with 6 panel fold out covers by snotyfus! this one has a huge green wooden house raster on the outside and a full colour village krank on the inside!---LABEL DESCRIPTION


'During my last visit to the states, about 2 years ago, one of the highlights was definitely a night long visit to Scott Foust's house! John Shaw took us there and explained from before what it was gonna be like; we would be seated down in a comfortable couch while 'the last great man' would stand up next to a pedestal with some quality whiskey, dope and cigarettes on it, sporting a mono-coloured suit and sunglasses (day and night) while Foust is telling stories about different art records, and mainly his own work, ranging from short films, visual work and audio since 1978! It was exactly how Shaw explained it. I was blown away by the honesty and the effort him and his ladyfriend Karla Borecki put into their work, and how little response they get to it. We shared a common interest in arrogant 'pop' quality, and especially the situationists, to which he relates his work to in only aesthetic way! I think it is a quality in people when you can't divide their work with their persona; Idea Fire Company is a collective of people that definitely swing that robe! Beautiful carpets of radio bleebs and static, piano (Karla Borecki is a trained pianist) and almost kraut-like synth ambience. Comes in a mono coloured sleeve full of dots by Dennis Tyfus, and comes with an insert. Limited to 300 copies.'---LABEL DESCRIPTION


'Wout Vercammen (1938) is a highly influential visual artist from Antwerp, Belgium. A nonstop performer since the early '50s, described by Ludo Mich as 'the Doctor Jekyll and Mister Hyde from Antwerp. A tight dressed dandy, going bananas every night, and looking as tight and clean the morning after.' He has been inspiring the Belgian underground art scene for more than fifty years. He was the youngest artist making real paintings at the end of the fifties. Abstractionism reduced to one gesture. One sweep. One movement of the sword. One twirling horizon. Pulling Hokusai into space and time, Vercammen organized and executed the very first happenings in Belgium in the early sixties. Great collages, the only real pop artist in Belgium, latex word paintings, pneumatic forms before someone else got bigger with it. Always on the move. The way Wout Vercammen acts, performs, talks and moves is perfectly captured on this LP! When living in Antwerp, chances are you witnessed a Wout Vercammen performance without even realizing it, this is possible at any given moment. Smuggling jenever into prison, painting the copper dome of the Carolus Borromeus church white, filling blue garbage bags with air, and especially howling like a wolf, primitive throat singing and using the whole bar as a percussive instrument! Wout Vercammen changes reality, and makes it a tiny bit better. This record is a collection of accidently recorded 'moments' and a composition of a black, a yellow and a red paint bucket all shook up through a synth and a 4 track! All varying from percussive punk primitive madness comparable to Kommisar Hjuler, a strange conversation in a garden to soundpoetry, howling and screaming. I am absolutely psyched to release this, as Wout Vercammen along with Ludo Mich has always been my favorite Antwerp psycho! Reminiscent of Ludo Mich, Kommisar Hjuler, the Vienna Actionists, Hans Krüsi. The LP comes in a offset printed sleeve with pictures of the artist, an insert with more pictures and liner notes by art critic Hans Theys! Limited to 400 copies.'---LABEL DESCRIPTION

UNVERIFIED RECORDS



'Prolific guitar whizz Chris Riggs specialises in coaxing and battering all sorts of wrong sounds from his 6-string. If you have heard any of his other releases on labels like Hanson or his own Holy Cheever Church, you know to expect none of the usual twang or strum. Here, he paints a dense and detailed wall of bizarre tone, from ancient sounding music-box jitters to uncomfortable amp thud.'---LABEL DESCRIPTION


'After last years Colour Out of Space fest in sunny Brighton, a carful of fug brained gurners made their way North. Destination= late summer BBQs and a sweaty basement. This 12 legged posse ditched the Scottish air to bang heads over a twisted floor of busted drums and electronics. Result= trans-atlantic stupor jams, incorporating: chain gang clank, stump handed guitar solos and bagfuls o' cracked interference. a totally fantastic and unique meeting of minds. Vol. 2 coming soon!!!!!'---LABEL DESCRIPTION


'Edinburgh luddite twins Ali Robertson and Macly Duff now starring in freakish hook up with ex-Decaer Pinga/ Prick Decay loons. On track 1, usurper vainly dodge Dora Doll's toy tantrum while getting primative windy. Track 2 sees Duff and Robertson soaking up Nyoukis' slobber like and avant garde sponge. Artwork by Duff. '---LABEL DESCRIPTION

VEGLIA



Gnarly use of a snake charmers horn on here.. A bunch of short squeeky and echo-ey tracks with alot of percussion grossness sparcely around. Reminds me alot of the early MEV recordings.

VINYL COMMUNICATIONS



All pieces contain sound fragments taken from the audio achieves of 500 Capp Street. All pieces were assembled at Hostco Co., Alameda.


Classic 10 inch of total DECAY. MANDATORY! With super sexy nude pig girls on cover! How can you pass up this NOISE!


CLASSIC HATERS CD! Noise made by STAPLING Records together!


collaborations between Jupitter-Larsen and Robin Rimbaud; 'Dead Batteries 1 through 3'.


CLASSIC 3-way tagteam of noise monsters THE HATERS, AMK, and japan's K2. A classic CD from the late 90's w/ sexy cover art!

VON ARCHIVES



Blind Jesus are the collaboration of Stefano Pillia and Andrew Hooker. A duo exploring the essence of improvised ambiental music. Edition of 300. ---LABEL DESCRIPTION


Two dense obscure messes, from one of the most sacred and funeral masters of the new mysticism. A tribal funeral ode. Edition of 300.---LABEL DESCRIPTION


Conceived as a manifesto for the label, Choir is an audiovisual experiment, that takes the shape of an installation and live media event, as well as a limited edition video work. The image and sound is a superposition of source material selected by the artists and overlayered in order to produce a ghostly image an hypnotic tantric metal experience as some of the first viewers of the piece told.

Choir is an hypnotic journey into the imaginary of this two artists.The sound is asynchronous and comes from different selection creating an amalgam of sources and inluences. This release presents the Ghostly Choir of the inluences and imaginary background of these two artist. Edition of 500. ---LABEL DESCRIPTION


A treshold of sound composed from the electrocacoustic improvisations of Yeh and the chirurgical abbrassive noise patches of Wiese. A Majestic Experiment by these two unclassifiable masters of the new improv. Edition of 300 copies. ---LABEL DESCRIPTION


Lago Morto is a band conceived by italian artist Nico Vascellari as contribution to the exhibition Rock Scissors Paper curated by Diedrich Diedrichsen at Kunsthaus Graz. Lago Morto is, in the curators words, a social punk sculpture, a way to turn the model of the cast band upside down. Lago Morto is about things that casting calls usually exclude - targeted aggression, unpredictable social effects and local politics. The results is a band that toured for fifteen days in Vittorio Veneto in non musical venues such as bar, osteria, pizzeria, laundrete, video store etc. The LP contains all fourteen songs the band has created. ---LABEL DESCRIPTION

This edition we have here at Hanson is the limited to 100 cover w/ silkscreened logo and babypowder over the face.


A wall of sound, inaccesible but deep in sources, it takes you down to the misteries of noise, its origins in metal, a conceptual and extreme musical journey. Again a challenging experiment in Sound. Edition of 300. ---LABEL DESCRIPTION

This record is fucking awesome...ULTRADEATH!!! ---AD

WABANA



Our tribute to the BULB mainman PETER LARSON. Completeley different record than the LP of the same name. The secret is out of the bag.....

WAGON




WAH WAH



'After our string of releases centered around the diverse German '70s scene, we're happy to introduce the next installment in the Wah Wah LPS reissue series. This time we move over to France to re-discover the beginnings of one of the most adventurous, influential and innovative French bands of the seventies: Heldon. Centered around guitarist Richard Pinhas and featuring a floating cast of regular collaborators (Didier Batard, Franois Auger, Patrick Gauthier, Alain Renaud, Georges Grunblatt; Coco Roussel amongst others), Heldon will marry Pinhas' personal obsessions of modern philosophy (Deleuze, Guattari), science-fiction (Norman Spinrad, Philip K.Dick), progressive rock (King Crimson, Fripp & Eno), American minimalism (Terry Riley, Steve Reich) and electronic music into a diverse musical cocktail that goes from the violent to the relaxed, but always retaining a dark and mysterious vibe. Often linked by critics and listeners to the experimental German bands of the era (Tangerine Dream, Ash Ra Tempel..), Heldon will release six crucial albums before being closed down by Pinhas in the late '70s. Since then, Pinhas has developed a long solo career that lives up to this day, releasing several albums and collaborations (Pascal Comelade, John Livengood, Maurice Dantec), including with Japanese noise king Merzbow. Dedicated to Robert Wyatt, Heldon's debut contained a puzzling collection of tracks that serve as a perfect introduction to Pinhas' universe: science-fiction, philosophy and musical experimentation collide in a harsh lo-fi tapestry of sounds dominated by Pinhas' 1954 Gibson Les Paul guitar and AKS synth. Not unlike some contemporary German bands, Heldon manages to take rock n' roll's language to a new experimental stage. Convulsive and evocative soundscapes recommended to all lovers of innovative and ground-breaking music. Strictly limited to 500 copies. High quality sleeves reproducing the original artwork from 1974's first press on Disjuncta. Includes insert with extra liner notes by Spanish journalist and long-time Heldon fan Paco Peir. Bonus 7 inch EP with tracks taken from Heldon's predecessor band Schizo's two EPs.' 7' tracklist: A1. Schizo (and the little girl) A2. Paraphrenia Praecox (originally released in 1972) B1. Le Voyageur B2. Torcol (originally released in 1973'---LABEL DESCRIPTION


'Originally released in 1975, the follow-up to Electronic Guerrilla was a more subdued and relaxed affair with emphasis on Richard Pinhas guitar and good use of mellotron. Hints of early King Crimson and the Fripp-Eno LPs are again evident in a record that stands-out as one of the more mysterious and intriguing of the whole Heldon discography. A puzzling hypnotic tapestry of sounds by one of the most essential bands of '70s experimental music. Strictly limited to 500 copies. High quality gatefold sleeve reproducing the original artwork from 1975's first press on Disjuncta. Includes insert with extra liner notes by Spanish journalist and long-time Heldon fan Paco Peir. Bonus 7 inch EP with non-album tracks taken from Heldon's singles of the era.' 7 inch tracklist: A1. Perspectives 1 (Originally released in 1976); B1. O.D.B. (Originally released in 1975)'---LABEL DESCRIPTION

WE BREAK MORE RECORDS



Amazing tape gunk collage from Lescaleet and Ron LessaRRRd.

WE NEVER SLEEP



ONE OF THE BEST! The first domestically released HATERS cd from 1993. 3 LOOONG tracks...First one a mountain of hiss with breaking glass..kind of like an extended IN THE SHADE OF FIRE...second track is more hiss and what sounds like a sander or grinder...rules... 3 track is very strange sparse clicks and kerchunks... staple gun maybe?! HIGHLY RECOMMENDED!

WESTSIDE WELDING & MACHINE



Insane synth ambient noise....Limited to 126 clear vinyl 12" in see through jacket with 11"x17" color

WHAT THE...?



'Recorded live at Arts Org Gallery in Nottingham, England, May 4, 2007 on break from the Free Noise UK tour.'

WIERD RECORDS



'Wierd Records is proud to present Martial Canterel‘s first full-length CD release entitled ‘Refuge Underneath‘, a compilation of the artist‘s first two long-deleted self-released cassette tapes ‘Drilling Backwards‘ (2006) and ‘Sister Age‘ (2004) as well as 5 previously unreleased tracks, all digitally re-mastered.

Over the past 5 years the state of electronic music has seen artists slowly remove themselves from their work and visceral musical ‘expression‘ in general. Traditional electronic machines have been replaced by the computer as the dominant generator of contemporary sounds. It is in this climate that Sean McBride, aka Martial Canterel, began performing at bars, clubs and private parties in Brooklyn, NY in 2002, functioning singlehandedly as the pioneer and instigator of what has now become a new movement of minimal electronic bands in the United States.

Martial Canterel records and performs using only vintage analogue synthesizers and sequencers, producing a highly-crafted, complex, and idiosyncratic form of electronic music that is simultaneously romantically melancholic and affirmatively aggressive. Inspired both by the first wave of relatively unknown minimal electronic bands in Northern Europe(a musical genre also often referred to as ‘minimal synth‘) and the seminal industrial noise bands such as Throbbing Gristle, SPK, and Cabaret Voltaire, Martial Canterel presents a new optimistic paradigm for electronic music in which the analogue synthesizer functions anew as a folk instrument of humanist resistance to a virtual ‘soft synth‘, iPod, and iTunes saturated world of ‘click and drag‘ dematerialized abstraction'---LABEL DESCRIPTION

WITH INTENT



This ruling new slab of darkness from Exhumed Corpse is his finest yet! Slow as molasses organ melodies with delayed human breaths and/or bird calls? (no clue)and sparse and unsettling MS-20 synth bubbles...Edition of 100 copies, silkscreened covers, insert w/ liner notes by Avalanche Valhalla. Dedicated to David Tibet.


Revamping of this older Dilloway project. Recorded live in 2008 outside at the old farmhouse. Many thanks to WITH INTENT for getting these recordings out!


'it's probably one of my most 'autobiographical' albums, as it sonically chronicals what it's like to live with terrible lungs (that you dont really help). from mold poisoning the air, to tiny pebbles of mucus working thier way through the soft tunnels of lung meat, to the ragged gasps of horrific bronchitis, this record attempts to give a glimpse of my ghastly day to day irritation.'---THOM ELLIOT

WW



Awesome new LP of Dark electronics from Italian crew...though sounds like it could have been released on American Tapes..very MICHIGAN sounding... WW is artist Nico Vascellari, Matteo Castro (Kam Hassah), and Giovanni (Ottaven) . Handmade black sleeves with white silscreen, black inner sleeves...RULES.

YPSILANTI



New full-length of Ypsi-electronics... Slick fucking cover on this thing...literally...Full color Olson collage-art w/ a slick coating over it...weird as hell.. Clear vinyl, full color labels. Sounds amazing...looks amazing! RULES!

ZELPHABET



Amazing new compilation on GX JUPITTER-LARSEN's new ZELPHABET label! One Comp CD for each letter of the alphabet! THIS IS VOLUME A!!


Amazing new compilation on GX JUPITTER-LARSEN's new ZELPHABET label! One Comp CD for each letter of the alphabet! THIS IS VOLUME B!!


Amazing new compilation on GX JUPITTER-LARSEN's new ZELPHABET label! One Comp CD for each letter of the alphabet! THIS IS VOLUME D!!


Amazing new compilation on GX JUPITTER-LARSEN's new ZELPHABET label! One Comp CD for each letter of the alphabet! THIS IS VOLUME F!!